Showing posts with label Bobby HUTCHERSON. Show all posts
Showing posts with label Bobby HUTCHERSON. Show all posts

Thursday, November 5, 2009

Bobby HUTCHERSON – Components 1965


Bobby HUTCHERSON – Components 1965

Jazz

Perhaps the single album that best sums up Bobby Hutcherson's early musical personality, Components is appropriately split into two very distinct halves. The first features four Hutcherson originals in a melodic but still advanced hard bop style, while the latter half has four free-leaning avant-garde pieces by drummer Joe Chambers. Hutcherson allots himself more solo space than on Dialogue, but that's no knock on the excellent supporting cast, which includes Herbie Hancock on piano, James Spaulding on alto sax and flute, Freddie Hubbard on trumpet, and Ron Carter on bass. It's just more Hutcherson's date, and he helps unite the disparate halves with a cool-toned control that's apparent regardless of whether the material is way outside or more conventionally swinging. In the latter case, Hutcherson's originals are fairly diverse, encompassing rhythmically complex hard bop (the title track), pensive balladry ("Tranquillity," which features a lovely solo by Hancock), down-and-dirty swing ("West 22nd Street Theme"), and the gaily innocent "Little B's Poem," which went on to become one of Hutcherson's signature tunes and contains some lyrical flute work from Spaulding. The Chambers pieces tend to be deliberate explorations that emphasize texture and group interaction in the manner of Dialogue, except that there's even more freedom in terms of both structure and tonal center. (The exception is the brief but beautiful closing number, "Pastoral," an accurate title if ever there was one.) Components illustrated that Hutcherson was not only the most adventurous vibes player on the scene, but that he was also capable of playing more straightforward music with intelligence and feeling.
By Steve Huey, All Music Guide.
**
Bobby Hutcherson's COMPONENTS is essentially two distinctly separate discs in one. The first half of the session is a very traditional hardbop date that showcases Hutcherson's inventive compositions with masterful solos from he and his men. The second half is made up of four compositions from frequent Hutcherson sideman, drummer Joe Chambers. These pieces are full-fledged avant-garde works featuring dramatic group improvisation and grand swathes of color and texture. In all, these two juxtaposed styles offer the listener a highly enjoyable aural experience.

Chambers is featured prominently on the punchy title track and starts the first half of the session with a bang. The graceful ballad "Tranquility" follows with a deeply passionate solo from Hutcherson and delicate work from pianist Herbie Hancock. The familiar Hutcherson composition, "Little B's Poem," is also included and is given a spirited reading here. After the bluesy "West 22nd Street Theme," the second half begins with Chambers' mysterious "Movement," a swirling epic featuring orchestral percussion and colorful work by James Spaulding on flute. "Juba Dance" and "Air" also feature colorful dissonance and creative free improvisation by all. The final "Pastoral," however, is a beautiful vibraphone feature that lives up to its bucolic title.
From CD Universe.
**
Bobby Hutcherson- (Vibraphone, Marimba);
James Spaulding- (Alto Sax, Flute);
Freddie Hubbard- (Trumpet);
Herbie Hancock- (Piano);
Ron Carter- (Bass);
Joe Chambers- (Drums).
**
A1. Components 6:23   
A2. Tranquility  5:01  
A3. Little B's Poem  5:08  
A4. West 22nd Street Theme  4:42   

B1. Movement  7:29
B2. Juba Dance  5:21   
B3. Air 4:45   
B4. Pastoral  2:02   
**
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Tuesday, November 3, 2009

Bobby HUTCHERSON – Montara 1975


Bobby Hutcherson – Montara 1975
Recorded at the Record Plant, Los Angeles, California on August 12 & 14, 1975

Jazz

One of our favorite Bobby Hutcherson albums ever and a magical session filled with electric Latin vibes! The album's quite a different one for Bobby at the time as it has him working with some larger arrangements, in a soulful west coast groove that's almost got the feel of a hip 70s soundtrack. Bobby's vibes are nicely set up against Fender Rhodes on most tracks and the group's got some added Latin percussion that really opens up the rhythms. The whole thing's totally wonderful brimming over with sun and soul, the kind of magic record that will never be made again! Tracks include "Camel Rise", "Yuyo", "Montara", "La Malanga", "Little Angel", and "Love Song".  © From Dusty Groove.
**
Bobby Hutcherson- (Vibraphone, Marimba);
Plas Johnson- (Soprano Sax, Flute);
Ernie Watts- (tenor Sax, flute);
Oscar Brashear, Blue Mitchell- (Trumpet);
Eddie Cano- (Piano);
Larry Nash- (Electric Piano);
Dennis Budimir- (Guitar);
Chuck Domanico, Dave Troncoso- (Bass);
Harvey Mason- (Drums);
Ralph McDonald, Bobby Matos, Victor Pantoja, Johnny Palomo, Rudy Calzado- (Percussion).
**
A1. Camel Rise 5:33
    Arranged By - Dale Oehler
    Bass - Chuck Domanico
    Drums - Harvey Mason
    Electric Piano [Fender Rhodes] - Larry Nash
    Flute - Plas Johnson
    Flute, Saxophone [Tenor] - Fred Jackson
    Guitar - Dennis Budimir
    Percussion - Bobby Matos , Johnny Paloma* , Ralph MacDonald , Victor Pantoja
    Saxophone [Tenor] - Ernie Watts
    Trumpet - Oscar Brashear
    Written-By - George Cables
A2. Montara 4:57
    Arranged By - Dale Oehler
    Arranged By, Written-By - Bobby Hutcherson
    Bass - Dave Troncoso
    Electric Piano [Fender Rhodes] - Larry Nash
    Flute, Saxophone [Tenor] - Ernie Watts
    Percussion - Bobby Matos , Johnny Paloma* , Rudy Calzado , Victor Pantoja
    Piano - Eddie Cano
    Trumpet - Blue Mitchell , Oscar Brashear
A3. (Se Acabo) La Malanga 4:14
    Arranged By - Bobby Hutcherson , Dale Oehler
    Bass - Dave Troncoso
    Electric Piano [Fender Rhodes] - Larry Nash
    Flute, Saxophone [Tenor] - Ernie Watts
    Percussion - Bobby Matos , Johnny Paloma* , Victor Pantoja
    Percussion, Written-By - Rudy Calzado
    Piano - Eddie Cano
    Trumpet - Blue Mitchell , Oscar Brashear
A4. Love Song 5:35
    Arranged By - Dale Oehler
    Bass - Chuck Domanico
    Drums - Harvey Mason
    Electric Piano [Fender Rhodes] - Larry Nash
    Flute, Saxophone [Tenor] - Ernie Watts
    Percussion - Bobby Matos , Johnny Paloma* , Ralph MacDonald , Victor Pantoja
    Percussion [Mallets] - Willie Bobo
    Saxophone [Soprano] - Plas Johnson
    Trumpet - Blue Mitchell
    Written-By - George Cables

B1. Little Angel 3:53
    Arranged By - Dale Oehler
    Bass - Chuck Domanico
    Drums - Harvey Mason
    Electric Piano [Fender Rhodes] - Larry Nash
    Flute, Saxophone [Tenor] - Ernie Watts
    Percussion - Bobby Matos , Johnny Paloma* , Ralph MacDonald , Victor Pantoja
    Percussion [Mallets] - Willie Bobo
    Saxophone [Soprano] - Plas Johnson
    Trumpet - Blue Mitchell
    Written-By - Eddie Martinez
B2. Yuyo 6:40
    Arranged By - Dale Oehler
    Arranged By, Written-By - Bobby Hutcherson
    Bass - Dave Troncoso
    Electric Piano [Fender Rhodes] - Larry Nash
    Flute, Saxophone [Tenor] - Ernie Watts
    Percussion - Bobby Matos , Johnny Paloma* , Rudy Calzado , Victor Pantoja
    Piano - Eddie Cano
    Trumpet - Blue Mitchell , Oscar Brashear
B3. Oye Como Va 5:08
    Arranged By - Bobby Hutcherson , Dale Oehler
    Bass - Dave Troncoso
    Electric Piano [Fender Rhodes] - Larry Nash
    Flute, Saxophone [Tenor] - Ernie Watts
    Percussion - Bobby Matos , Johnny Paloma* , Rudy Calzado , Victor Pantoja
    Piano - Eddie Cano
    Trumpet - Blue Mitchell , Oscar Brashear
    Written-By - Tito Puente
**
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Thursday, October 29, 2009

Bobby HUTCHERSON - Stick-Up! 1966


Bobby HUTCHERSON - Stick-Up! 1966

Jazz

Like Happenings,  Stick Up! features a strong group of Hutcherson compositions (plus Ornette's "Una Muy Bonita"). But this set is much more extroverted than the one from two months earlier. In fact, the entirely new line up of sidemen brings an appealing edge to the proceedings. All of the tunes are strong, but I especially love "Verse," which has a Coltrane-like, loping intensity. Of course, this has a great deal to do with Tyner's presence, but Henderson also imprints the music with his own indelible stamp.
Tremendous.
**
Bobby Hutcherson's STICK-UP!, an all-star date from 1966, is a bit of a departure from the musician's regular Blue Note sessions of the time. Featuring saxophonist Joe Henderson, pianist McCoy Tyner, bassist Herbie Lewis, and drummer Billy Higgins, this album has a distinct straight-ahead feel in comparison with more esoteric sessions like PATTERNS or COMPONENTS. Nonetheless, this date finds Hutcherson in top form, with excellent dexterity on the vibes and stunning solo spots that match those of his distinguished guests.
STICK-UP! is also unique in that Hutcherson himself composed all but one of the tracks, Ornette Coleman's "Una Muy Bonita." Hutcherson's burning "8/4 Beat" is a very bebop flavored number that features dynamic work from Henderson. The wistful "Summer Nights" is a gentle ballad-a perfect showcase for Hutcherson's highly sensitive mallet work. A high point of the disc is the challenging "Black Circle," a demanding piece that Hutcherson and Henderson pull off expertly before launching into a blistering solo section. Likewise, the closing "Blues Mind Matter" is a powerful hard-bop statement from this most engaging vibraphone master.
From Cduniverse.
**
Bobby has it all together on this 1966 release. His vibes ring like bells, his band is tight, and the compositions are stellar. This is great mainstream Blue Note stuff, but the work is challenging and it makes for rewarding listening.
Three tracks stand out for me. The angular and rhythmically unpredictable "8/4" features fine interplay between Hutcherson, tenor saxophonist Joe Henderson and pianist McCoy Tyner. "Summer Nights" is a lovely ballad that displays Bobby's lucid tone and lyrical touch. It also offers a good early look at the way he meshed his sound with Tyner's. The two would go on to develop that partnership in the '80s and '90s. "Verse," which Hutcherson says in the liner notes refers to the literary sense of the word, is indeed an aural poem and one of satisfyingly controlled intensity. It starts out slowly but builds in power with Henderson delivering a particularly inspired performance.
This is Blue Note at its best: Great musicians playing with fire and inspiration on well-crafted material.
Never a dull moment.
By Tyler Smith.
**
Bobby Hutcherson- (Vibraphone);
Joe Henderson- (Tenor Saxophone);
McCoy Tyner- (Piano);
Herbie Lewis- (Bass);
Billy Higgins- (Drums).
**
01. Una Muy Bonita  6.27
02. 8/4 Beat   6.59
03. Summer Nights  6.59
04. Black Circle  6.56
05. Verse  9.32
06. Blues Mind Matter  3.32
**
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