Arturo SANDOVAL - Trumpet Evolution 2003

Arturo SANDOVAL - Trumpet Evolution 2003

Jazz

Trumpeter Arturo Sandoval is one of those cats who can never be predictable. He's either amazing -- actually, technically he always is -- or his records are putrid exercises in hollow proficiency with no soul. Trumpet Evolution, which is literally a journey through the great trumpeters from jazz's and orchestral music's past, is easily the finest moment of Sandoval's long career and one of the greatest records jazz has produced in the preceding two decades. Sandoval has compiled a collection of tunes by composers and fellow horn players, from King Oliver to Wynton Marsalis, performed by a big band and, when needed, an orchestra, too. It isn't just playing tunes by these men -- whose tracks are sequenced in order of birthdate of the source of inspiration -- it's the mastery of their techniques; and given that there are 19 subjects here, that's a hell of a lot of mastery. And that word is not overused. Indeed what appears in the ear of the listener seems to be the creation of the impossible. Whether striding out blues by Louis Armstrong, Bix Beiderbecke, and Oliver, playing in the hot bebop styles of Dizzy Gillespie, Fats Navarro, and Clifford Brown, the muted, elegant silkiness of the warm, thin-toned masters such as Chet Baker, Harry James, and Miles Davis, or classical maestros such as Maurice Andre, Rafael Méndez, or Timofei Dokshizer and the full-throated sweetness of Bunny Berigan, Cootie Williams, Clark Terry, and Roy Eldridge, or the hard edgy sounds of Maynard Ferguson, or the technically perfect pitch of Marsalis, the effect is the same, perfection, and not just technical. The emotional sonances of these tunes ring as true as if Sandoval wrote them himself. In the booklet, either the musician paid tribute to or a relative or associate offering quotes, of course, praise Sandoval's work. And while the album is self-produced as well, Quincy Jones acted as an executive producer and no doubt wrote some charts. His contribution is noteworthy as well for its depth and warmth overall. This is a record so fine, so full of passion, grace, and elegance
it simply needs to be heard to be believed.
By Thom Jurek, All Music Guide.
**
It wouldn't seem possible to do a reasonable survey of the 20th century trumpet playing on one CD, but somehow trumpeter Arturo Sandoval has done just that. Known as an immensely gifted and versatile player, Sandoval tips his hat to such jazzmen as Louis Armstrong, Miles Davis, and his mentor Dizzy Gillespie, as well as classical players such as Timofei Dokschizer and Maurice Andre. More than simply playing tunes these trumpeters made famous, Sandoval plays in the style of each trumpeter, even pulling signature quotes from their solos. It's a remarkable feat. With Quincy Jones at the production helm, the music and backing band changes according to the tributee--lush big band swing, bebop, organ jazz, classical, and Latin music are all covered. Surprisingly, there's not as much Latin jazz as you'd expect from the former member of Irakere, but with so much ground covered, this is more of an observation than a complaint.
By Tad Hendrickson.
**
This album is a radio programmer's worst nightmare...19 tracks representing at least four different styles. From the early days of jazz, classical, swing era, hard bop, and more, Mr. Sandoval pays tribute to the great trumpet players past and present.
Yes, he plays transcriptions of great solos. I would like to learn about some of the technical aspects of this recording: did he change equipment (mouthpiece, horn, etc.), recording techniques, or were the changes in sound all from his "chops"?
Okay, I am veering into trumpet geek territory here.
Throughout his career, Mr. Sandoval's sound has excited and electrified audiences around the world. He is probably the most technically gifted, versatile, and purely musical trumpeter alive today.
I would like to hear his own compositions and improvisations, but as a concept, this album is great. Is it JAZZ? Does it matter? It is a tribute to great players, historically important styles, and beuatifully played and produced. It even fits with the retro-reissue esthetic prevalent in jazz right now.
By  Mike Parykaza.
**
Dennis Marks- Bass,
Andy Martin- Trombone
Malcolm McNabb- Trumpet
Ralph Morrison- Violin
Dick Nash- Trombone
Barbara Northcutt- Oboe
Brian O'Connor- French Horn
Bruce Otto- Trombone
Joel Peskin- Sax (Baritone)
Katia Popov- Violin
Cecilia Tsan- Cello
Josephina Vergara- Violin
Roger Wilkie- Violin
Margaret Wooten- Violin
Peter Limonick- Tympani
Phil Yao- French Horn
Ken Yerke- Violin
Robert Zimmitti- Percussion
Ed Meares- Bass
Jon Lewis- Trumpet
Ken Munday- Contrabassoon
Brad Wanaar- French Horn
Robert Rodriguez- Piano, Soloist
Mike Gold- Clarinet
Tommy Johnson- Tuba
Wayne Bergeron- Trumpet
Charlie Davis- Trumpet
Natalie Leggett- Violin
Tamara L. Hatwan- Violin
Vicki Miskolczy- Viola
Sara Parkins- Violin
Ernesto Simpson- Drums
Emily Bernstein- Clarinet
Rose Corrigan- Bassoon
Charlie PakkariAssistant Engineer
Hank Bredenberg- Trombone
Larry Hall- Trumpet
Robert A. Karon- Trumpet
Felipe Lamoglia- Saxophone, Soloist
Rick Todd- French Horn
Jim Walker- Flute
Bruce Dukov- Violin
Rafael Méndez- Trumpet, Soloist
Richard Altenbach- Violin
Phil Ayling- Oboe
Dennis Budimir- Guitar
Ed CalleArranger, String Arrangements, Soloist, Saxophone,
Luis Conte- Percussion
Jim Cox- Organ, Soloist
Brian Dembow- Viola
Stephen Erdody- Cello
Richard Feves- Bass
Julie Gigante- Violin
Gary Grant- Trumpet,
Dan Greco- Percussion
Susan Greenberg- Flute
Clayton Haslop- Violin
Jerry Hey- Arranger, Conductor, Revision
Dan Higgins- Clarinet, Soloist, Sax (Alto)
Rusty Higgins- Sax (Tenor)
Paula Hochhalter- Cello
Stephen Holtman- Trombone
Carrie Holzman-LittleViola
Greg Huckins- Sax (Bass), Soloist
Roland KatoViola
Bill ListonSax (Tenor), Soloist
Charles Loper- Trombone
Ralph Vaughan Williams- Clarinet (Bass)
Quincy JonesLiner Notes, Executive Producer
Bill Reichenbach Jr.- Trombone, Soloist
Arturo Sandoval- Trumpet, Cornet, Flugelhorn, Vocals, Producer, Liner Notes, Piccolo Trumpet
**
Arturo Sandoval- (Vocals, Trumpet);
Greg Huckins- (Alto & Bass Saxophones);
Dan Higgins- (Saxophone, Alto Clarinet);
Larry Hall, Wayne Bergeron, Gary Grant, Charlie Davis- (Trumpet);
Bruce Otto, Dick Nash, Bill Reichenbach, Steve Holtman, Andy Martin, Charlie Loper- (Trombone);
Dennis Budimer- (Guitar, Banjo);
Luis Conte- (Percussion).
**
01. Dipper Mouth Blues 2:15 
02. When It's Sleepy Time Down South 3:02 
03. At The Jazz Band Ball 2:56  
04. La Virgen De La Macarena 3:07  
05. I Cant Get Started 4:35  
06. Concerto For Cootie 3:51  
07. Little Jazz 2:41
08. The Man With A Horn 3:30  
09. Manteca 3:24  
10. Tee Pee Time 4:07 
11. Coloratura Concerto For Soprano (First Movement) 3:40 
12. Nostalgia 3:31  
13. 'Round Midnight 5:42  
14. Maynard Ferguson 4:16 
15. My Funny Valentine 4:26  
16. Joy Spring 4:16 
17. Concerto In D Major (First Movement) 3:58  
18. Up Jumped Spring 4:11 
19. Later 4:03
**
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Arturo SANDOVAL - L.A.meetings 2001

Arturo SANDOVAL - L.A.meetings 2001
Label: Cubop

Jazz

A year before he defected from Cuba, the great trumpeter Arturo Sandoval played with his Cuban band briefly in Los Angeles. A recording session took place that was released for the first time in 2001. Sandoval (who doubles on timbales) is in typically exuberant form with the music (five of the trumpeter's originals and Jobim's "Dindi") ranging from funky to straight-ahead. His sextet includes pianist Hilario Duran (who would become best-known for his work with Jane Bunnett's groups) and the rockish guitarist Jorge Luis Chicoy. A special treat is that Poncho Sanchez sits in on two of the six numbers, fitting in quite comfortably with the Cubans. This historic set (the only recording of Arturo Sandoval's last Cuban band) is full of fire and easily recommended to fans of the funkier side of Afro-Cuban jazz. By Scott Yanow.
**
From the label that has been bringing us some of the greatest and most innovative sounds of Latin Jazz comes this gem from the folks at Cubop. Arturo Sandoval L.A. Meetings is a must have recording for any lover of Latin Jazz, Arturo Sandoval or any one who enjoys great music.
Having been recorded over 11 years ago while Arturo and his band were passing through Los Angeles this recording will have you saying, "What took them so long to release this one?" This session was produced by Frank Marrone and was recorded less than a year before Arturo's defection from Cuba. Arturo without a doubt has created a name and a strong following for himself from fans of the Jazz and Latin world and this new/old recording will have those fans thrilled.
For one, this session includes the talents of Arturo's top notch Cuban band including Jorge Reyes (Bass), Hilario Duran (Piano), Jorge Luis Chicoy (Guitar), Bernardo Garcia (Drums), Reinaldo "Pichi" Valera (Congas) along with the great exponent of Latin Jazz, El Conguero Poncho Sanchez.
The selection of tunes on this disc are varied and all have that special Arturo Sandoval magic touch. Just listen to the magic on the opening number "Rimsky" which Arturo recorded and release many years ago. Arturo Sandoval and Poncho Sanchez bring this tune to a high level of groove. Just listen to the fun Arturo is having with his fiery timbales solo. Poncho delivers one of the most inspired solos I have ever heard him do. This is one hip tune! "Pete's King Heart" is a swinging straight-ahead Jazz number that has a touch of sophistication that only Arturo could add. Listen to how his trumpet speaks and gives to us, the listener, the emotion that only a master like Arturo can deliver.
"L.A. Meetings" is the title track and is a funky down to earth number that is full of soul. Listen to the vibrant texture and the cool guitar of Jorge Luis Chicoy. "Mi Lugar" has a touch of reggae that adds nicely to this group's repertoire. "Libertad Carnival" is a joyous tune that gives you a strong feeling of a party theme. This one is a great party tune and has a nice edge to it. Arturo's horn falls in nicely and leads this ensemble into a creative and explosive piece of music. One of my all-time favorite tunes is done next and with all the touches of a classic. "Dindi" the great tune that was composed by the brilliant Antonio Carlos Jobim is done here with a touch of elegance and class. This already gorgeous tune becomes transformed into a soft, lovely breeze that allows Arturo to deliver one of his best efforts on the horn. Poncho Sanchez sticks around on bongos and the tune is given a breathe of fresh air by a wonderful guitar solo by Jorge Luis.
Thanks to Frank Marrone, Arturo Sandoval and Cubop records for giving us this wonderful gift. L.A. Meetings is a classic that will be cherished for many many years to come. Could this be another Grammy winner for Arturo..? You be the judge.
By Erik Chico Manqueros
**
Jorge Reyes- (Bass),
Hilario Duran- (Piano),
Jorge Luis Chicoy- (Guitar),
Bernardo Garcia- (Drums),
Reinaldo "Pichi" Valera- (Congas) with El Conguero Poncho Sanchez.
**
01. Rimsky  7.40
02. Pete King's Heart  7.47
03. L.A. Meetings  6.11
04. Mi Lugar  6.05
05. Libertad Carnaval  7.28
06. Dindi  6.04
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