Showing posts with label Tinsley ELLIS. Show all posts
Showing posts with label Tinsley ELLIS. Show all posts

Saturday, November 7, 2009

Tinsley ELLIS - Live (Tacoma-WA-2009-08-08)


Tinsley ELLIS -  Live (Tacoma-WA-2009-08-08)
Bootleg
All Credit Goes to *SILVERADO*

Disc One:
01. Sunlight Of Love
02. To The Devil For A Dime
03. A Quitter Never Wins
04. Tell The Truth
05. Hell or High Water
06. It Takes What It Takes
07. Double Eyed Whammy

Disc Two:
01. Real Bad Way
02. Loving For Today
03. Get To The Bottom
04. The Last Song
05. Highwayman
06. Let Him Down Easy
07. Leavin' Here
08. Pawnbroker
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Saturday, October 24, 2009

Tinsley ELLIS - Highway Man Live! 2005


Tinsley ELLIS - Highway Man Live!  2005

Blues

LIVE-HIGHWAYMAN marks not only Tinsley's first-ever live release, but also his return to Alligator Records. Always one of the most diverse blues-rockers, Tinsley's unique blend of hard-edged rock, simmering soul, Memphis-style R&B and Texas roadhouse is on high-energy display.
**
Recorded at Chord on Blues in St. Charles, Ill., this set marks Ellis' return to Alligator Records. The Atlanta-based guitar slinger has developed into a triple threat during his 20-plus-year career, and a live album is an ideal showcase. Ellis' instrumental chops are a match for anyone in bluesville, but as he demonstrates track after track, Ellis also possesses a voice made to sing the blues. Then consider that he wrote or co-authored seven of the 11 songs here (they're seven way solid tunes, too). The many facets of Ellis' artistry come together in this project so forcefully that it's virtually impossible to sit through it without concluding that Ellis is one of today's premier blues/rock players. He sure picked the right night to cut a live record.
By Philip Van Vleck.
**
Tinsley Ellis has some great studio albums in his catalog, but like several blues guitarists, you have to see him live or at least hear him live to experience what the fuss is about. And the guitarist, backed by a strong supporting cast, delivers an exceptionally pleasing and well-rounded set on Live! Highwayman. Beginning with the standard brand of Texas or Austin blues, the musician opens with the mid-tempo "To the Devil for a Dime," which comes off as a blend of Stevie Ray Vaughan and a grittier, rowdier Robert Cray. Cray is also heard somewhat on the heartache soul of "The Last Song," which travels into epic Floyd-ian bombast near the conclusion. Setting the groove early, Ellis has an equally blues soul and voice that suits his fabulous playing to a T. From there he ventures down a slightly less edgy, more swinging vibe on the bouncy, sway-inducing title track the way B.B. King would've performed it in his prime. It's also on this number where you get to see the guitar chops of Ellis front and center. Even the slower, downbeat tunes are strong, especially the deliberately building "A Quitter Never Wins," which brings to mind Cray and Buddy Guy. About halfway through the song he displays his style before asking if any blues fans are in attendance. The second half of the number is more of a rock-blues style à la David Gilmour but just as solid. The first track that seems to be almost run of the mill is the mid-tempo and keyboard-tinted "Real Bad Way" although Ellis manages to play off it well two-thirds of the way in. One of the first sleeper picks is "Hell or High Water," which has the band picking up steam thanks to the Evil One's rapid-fire bass line and Ellis upping the ante. And this flows nicely into the up-tempo, high-energy "The Next Miss Wrong," which could be described by some as Waylon Jennings nailing an old blues tune. Just makes you start to boogie wherever you may be. The crowning moment might be the terrific rendition of "Pawnbroker," a ten-minute tune that reeks of blues-rock that groups like Big Sugar and Wide Mouth Mason dream of. Above all, Ellis has the blues coursing through his bloodstream, especially on the tired-of-appeasing tone on "The Axe." "Double Eyed Whammy" resembles a blues tune funneled through Motown, but on the whole Ellis shows why he is the best, if not the most underrated, axeman in the blues business.  By Jason MacNeil, All Music Guide.
**
Tinsley Ellis- Vocals, Guitar;
Todd Hamric- Keyboards, Background Vocals;
James "The Evil One" Ferguson- Bass guitar, Background Vocals
Jeff Burch- Drums.
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01. Introduction
02. To The Devil For A Dime
03. Highwayman
04. A Quitter Never Wins
05. Real Bad Way
06. Hell Or High Water
07. The Next Miss Wrong
08. The Last Song
09. Leavin' Here
10. Pawnbroker
11. The Axe
12. Double Eyed Whammy
**
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Tuesday, October 13, 2009

Tinsley ELLIS - Trouble Time 1991


Tinsley ELLIS - Trouble Time 1991
Label: Alligator
Recorded at Triclops Sounds Studios and Southern Living Studio, Atlanta, Georgia

Blues

Born in Atlanta in 1957, Tinsley Ellis grew up in South Florida, where at age seven, he first picked up the guitar and absorbed the blues of British invasion groups like The Yard birds, Cream, The Rolling Stones and The Animals. Digging deeper into the heart of the music, he came under the direct influence of the original masters—legendary figures like Freddy King, B.B. King, Otis Rush, Albert King and Magic Sam—and spent hours learning and perfecting their licks.

By 1975, Ellis was back in Atlanta and gigging with the Alley Cats, a gritty bar band that included Preston Hubbard, who later joined the Fabulous Thunderbirds. In 1981, he formed the Heart fixers with veteran blues singer and harpist “Chicago” Bob Nelson, and the band quickly became one of the most popular blues acts in the Southeast circuit. After their self-titled debut on Southland Records, the Heart fixers signed with Landslide Records, which released the critically acclaimed Live at the Moon Shadow in 1983. Early praise from the critics (The Washington Post called him “a legitimate guitar hero”) helped Ellis quickly develop a more national stature. When Nelson left the Heart fixers in 1983, Ellis assumed vocal chores and led the band through two additional Landslide releases, Cool On It and Tore Up—the latter with blues shouter Nappy Brown. Living Blues called Tore Up, “torrid…one of the best discs of the decade.”

Ellis left the Heart fixers and made his solo debut on Alligator Records in 1989 with Georgia Blue, an album whose critical success opened doors to first-rate clubs and festivals nationwide and around the globe. Ellis stepped through without hesitation, and quickly developed a reputation for relentless touring that averaged more than 200 dates each year. He followed Georgia Blue with a series of equally successful Alligator recordings, including Fanning the Flames (1989), Trouble Time (1992) and Storm Warning (1994). Rolling Stone claimed that Ellis “achieves pyrotechnics which rival early Jeff Beck and Eric Clapton,” and called Storm Warning “one of the best blues albums of the 1990s…one unbelievably biting solo after another.”

For his final Alligator release, Fire It Up, Ellis enlisted legendary producer Tom Dowd (noted for seminal work with the Allman Brothers and other giants at Atlantic Records). The collaboration resulted in a crisp set with distinct Southern rock and British rock overtones.

Ellis moved to the Capricorn in 2000 and released Kingpin, an album that paid tribute to artists like Albert King, B.B. King and other influential figures who can still be heard in his overall guitar and vocal attack. The release prompted Atlanta magazine to call Ellis “the most significant blues artist to emerge from Atlanta since Blind Willie McTell.”

He joined the Telarc label in early 2002 with the release of Hell Or High Water, a 12-track mix of gritty, guitar-heavy blues laced with generous doses of Memphis R&B, urban funk and straight ahead rock in the tradition of the Allman Brothers, Johnny Winter and other great rock legends from the deep South. The album reunites Ellis with veteran producer Eddie Offord, whose credits include work with Emerson, Lake and Palmer, Yes and 311—as well as Ellis’ Storm Warning.

Hell Or High Water—Ellis’ tenth career album, his seventh as a solo artist and his first on Telarc—marks a new chapter in the Tinsley Ellis saga that spans more than two decades and countless miles of road. Whether your tastes run toward old-school urban blues or guitar-heavy rock, Hell Or High Water tells the story with unbridled passion and unswerving conviction.

“I’ve never stopped learning new things about playing the blues,” he says. “The music is deceptively simple, but just when I think I’ve heard it all, yet another style comes to my attention, and I am challenged all over again. To borrow a bit from B.B. King: The thrill will never be gone.”
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Tinsley Ellis- (Vocals, Guitar);
Peter Buck- (Guitar);
Sam Levine- (Tenor Sax);
Mike Haynes, Michael Holton- (Trumpet);
Chris McDonald- (Trombone);
Mike Boyette- (Piano, Organ);
Chuck Leavell- (Piano);
Oliver Wells- (Organ, Keyboards);
Ricky Keller, James Ferguson- (Bass);
Scott Meeder, David Sims- (Drums).
**
01. Highwayman 3:16
02. Hey Hey Baby 3:54
03. Sign Of The Blues 4:17
04. What Have I Done Wrong? 4:54
05. The Big Chicken 2:52
06. The Axe 7:34
07. Come Morning 2:32
08. My Restless Heart 5:42
09. Bad Dream #108 3:39
10. The Hulk 4:10
11. Now I'm Gone 6:54
12. Red Dress 3:13
**
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