The Derek Trucks Band - Soul Serenade 2003

The Derek Trucks Band - Soul Serenade 2003
Recorded at Dockside, Maurice, Louisiana and Reeltime Studios,
Athens, Georgia between October 1999 & April 2000

Blues

It would be wrong to pigeonhole Derek Trucks as a southern rocker despite his ongoing day gig as the Allman Brothers Band's second guitarist. On his fourth solo album (actually recorded before his third, 2002's Joyful Noise) the young slinger shows what he's made of, and it's not barbeque and bourbon. Instead Trucks caters more to the martini crowd, giving a sophisticated cast to his slide guitar, snaking it into elegant musical conversations with a rather frivolous flute, and some off time drumming that are reminiscent of the clean jazz fusion that Traffic used to conjure up. On the opening track, "Soul Serenade"/"Rasta Man Chant," Trucks inserts some of the languid licks and flirts with Miles Davis before devolving into Bob Marley. "Bock to Bock" is a more structured affair that recalls Henry Mancini. Gregg Allman sits in on "Drown in My Own Tears" and spits out the bitter words in his grizzled voice while Truck follows along in a perfect slow dance, punctuating each of the singer's phrases with his own mournful slide. Trucks ventures south of the border in "Afro Romp" and the band evokes the great jazz drummer Elvin Jones on "Elvin." By Jaan Uhelszki.
**
Though recorded nearly two years before the release of the Derek Trucks Band's previous album, Soul Serenade feels like a step forward from Joyful Noise in its maturity and focus. By almost any measure, this is a jazz album; the only references ...    Full Descriptionto rock can be heard in the overdriven tone and bluesy slide phrasing that Trucks consistently employs. The prominence of the Hammond organ, and in particular its registration and abundant Leslie tremolo, also nods transparently toward the leader's apprenticeship in the Allman Brothers Band. The rhythm feel is subtle, though, with an understated swing that borrows from this or that corner of world music but unmistakably centers itself on jazz practice. In particular, Kofi Burbridge's aromatic flute solos, and the drumming of Yonrico Scott, with its freedom, timbral nuance, and well-placed transitional rolls, pull the sound far away from rock or even from the jazz-flavored but backbeat-driven Allman Brothers groove. One track, the Gregg Allman vocal cameo, a full-blooded rendition of "Drown in My Own Tears" that features brisk back-and-forth between the singer and Trucks, sinks from the jazz embrace and into the bosom of the blues; another, "Sierra Leone," builds a musical bridge from the Missisippi Delta back to Africa, in resonant acoustic timbres. In this context, these two moments only enrich the spectrum of Soul Serenade without at all detracting from the integrity and maturity of Trucks's vision.
By Robert L. Doerschuk.
**     
Soul Serenade is the fourth commercial release for Allman Brothers guitarist Derek Trucks. A second generation band member (the guitarist is the nephew of drummer Butch Trucks), Mr. Trucks studied carefully the lead and slide guitar styles of the late Duane Allman, incorporating the elder Allman’s propensity for crossing music genera lines at will into his own personal philosophy. Derek Trucks may safely be considered the logical extension of the art of Duane Allman without simply being an imitation.
The title cut is a King Curtis classic often performed by Duane Allman as part of a medley with Willie Cobbs’ "You Don’t Love Me." Here, Trucks segues effortlessly into Bob Marley’s "Rasta Man Chant" and ten minutes of intricate slide guitar playing and ensemble intuition. Trucks covers Buddy Montgomery’s "Bock to Bock" in a clever manner and again with the slide guitar, making Derek Trucks one of the first bona fide jazz slide guitarists. After a blues foray through "Drown in My Own Tears," sung by Gregg Allman, Trucks returns to familiar territory with Mongo Santamaria’s "Afro Blue." Trucks performed this piece as part of a Govn’t Mule concert ( Live...With A Little Help from Our Friends ). Here, the song is pared down and tightened with the help of Kofi Burbridge.
Derek Trucks is exactly the type of guitarist in need... for popular music, for the Allman Brothers Band, for Govn’t Mule, for the Derek Trucks Band. For popular music, Trucks enters as a self-contained virtuoso, capable in all styles of music. For the Allman Brothers band, he is the slide guitarist needed since the horrible loss in the early 1970s. For Govn’t Mule, Trucks pushed Warren Haynes in this creativity and drive. And finally, for the Derek Trucks Band, the guitarist proves himself a clever and capable leader, not afraid to visit new or old themes.
By C. Michael Bailey.
**
Derek Trucks- (Guitar, Sarod);
Gregg Allman- (Vocals);
Kofi Burbridge- (Flute, Piano, Fender Rhodes Piano, Clavinet, Keyboards);
Bill McKay- (Wurlitzer Piano, Hammond B-3 Organ, Keyboards);
Todd Smallie- (Bass);
Yonrico Scott- (Drums, ercussion).
**
01. Soul Serenade / Rasta Man Chant (C. Ousley, L. Dixon, B. Marley)  10:37
02. ock to Bock (B. Montgomery)  5:59
03. Drown In My Own Tears (H. Glover)  5:08
04. Afro Blue (M. Santamaria)  5:42
05. Elvin (D. Trucks, T. Smallie, Y. Scott, B. McKay, K. Burbridge)  6:10
06. Oriental Folk Song (Traditional)  6:43
07. Sierra Leone (D. Trucks, Y. Scott, K. Burbridge)  2:15
**

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The Derek Trucks Band - Out Of The Madness 1998

The Derek Trucks Band - Out Of The Madness 1998

Blues

At times, this band reminds me so much of the Allman Brothers circa 1970, that I feel like it's deja vu all over again. Of all the young guitar slingers out there today, I feel like Derek Trucks is the most talented and musically mature of all the diaper dandies. With Warren Haynes from Gov't Mule backing here, it just makes this CD that much better. The album starts out with a very bluesy version of the Son House tune "Preachin' Blues". He then goes into a cool instrumental "Younk Funk", which features some truely versatile guitar playing, going from jazz to funk to bluesy rock. Next comes a couple more classic blues covers in "Good Morning Little Schoolgirl" and one of my favorite oldies, Chester Burnett's "Forty Four", in which Trucks shows us his slide guitar prowess. He does 2 instrumentals back to back with "Look-Ka-Pypy, and my favorite "Kickin' Back", that's so Allman Brother like, it feels like he's plucking notes straight from the ghost of Duane Allman himself. This kid is good. He also does the same thing on another instrumental "Spillway". But he also throws some very jazzy notes our way that avoid all blues cliches that are so prevalent among most young guitar players today. Blues great Larry McCray also thought enough of the kid to make an appearance here on the song "Ain't That Lovin" You", where he sings vocals and trades guitar licks with Trucks. A very nice tune and the best vocal on the album. The CD ends with one of the most unique acoustic blues instrumentals that I've ever heard. The best way to describe this song is psycedelic blues. The guitar playing here is so weird it's cool. This whole album is top rate from beginning to end. A very ambitious effort from the most versatile young guitar player playing today. Get it and get lost in the blues groove.
By Patrick Earley.
**
How many teenaged guitar prodigies can get away with playing genre-blending improvisational music and convincing blues on only their second album? Just one: Jacksonville's Derek Trucks. His musical imagination is exceeded only by his guitar prowess. Trucks, who favors slide guitar, reanimates the blues past here. On Son House's "Preachin' Blues" and Howlin' Wolf's "44," he effortlessly attains an edgy, electrifying air of tension epitomizing the honest-sounding modern blues that many others attempt so hard--and so clumsily--to achieve. Just as impressive is Truck's ongoing exploration of the transcendent jazz/rock/blues realm where guitar-packing elders like Jeff Beck, Duane Allman, Carlos Santana, and Ronnie Earl, among a few more, have dared to go--the instrumentals "Younk Funk," "Kickin' Back," "Pleasant Gardens," and "Spillway." Unlike countless other guitarists, Trucks knows better than to sully his material by singing when he can't, and he turns to Warren Haynes (of Gov't. Mule), Larry McCray, and Matt Tutor to handle the vocal chores. It's little-known Memphis resident Tutor who really pours heart and soul into songs--hear "Preachin' Blues" and "Alright." All in all, this is a strong blues-and-beyond album. Keep an eye on this Trucks kid.
By Frank-John Hadley.
**
Derek Trucks- Guitar
Todd Smallie- Bass, Vocals
Yonrico Scott- Drums, Percission, Vocals
Bill McKay- Organ
With special guests;
Jimmy Herring- Guitar
Warren Haynes- Guitar
Larry McCray- Vocals
**
01. Preachin' Blues 4:58
02. Young Funk 4:49
03. Good Morning Little School Girl 5:39
04. Fourty-Four 5:38
05. Kickin' Back 8:51
06. Look-Ka PyPy 4:07
07. Alright 2:48
08. Death Letter 5:25
09. Pleasant Gardens 6:33
10. Spillway 4:56
11. Ain't That Lovin' You 6:37
12. Deltaraga 2:52
**

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The Derek Trucks Band - Joyful Noise 2002

The Derek Trucks Band - Joyful Noise 2002

Blues

The third album from guitar phenom Derek Trucks resounds with joyful noise indeed, and amazingly, it seems as though Trucks and his band run through (at least) 10 distinct genres across these 10 songs. Trucks may venture all over the musical map--blues, soul, jazz, Eastern music, to name a few stops--but he does so with a confidence and assertiveness usually found in much older musicians. Then again, he is the nephew of Butch Trucks (a fellow member of the Allman Brothers Band, Trucks's moonlighting gig) and is married to fellow guitar wiz Susan Tedeschi (who guests on this album), so it's not surprising that he seems experienced beyond his years. Joyful Noise features a host of guest artists--including Qawwali singer Rahat Nusrat Fateh Ali Khan and soul legend Solomon Burke--but despite the considerable variety here, the album maintains a unified, if high-flying and eclectic, vision. Even at such a young age, Trucks already plays with skill, invention, and heart.
**
For his first solo project after replacing Dickie Betts in the Allman Brothers Band, 23-year-old Derek Trucks pushes the stylistic envelope even further than on his last diverse release. Prodding into Latin, Indian, and fusion jazz, this stylistically varied effort exudes enough blues and funky R&B to keep the Allman Brothers Band fan's attention while expanding their boundaries -- sometimes radically -- beyond what the typical Southern rock fan might expect or even tolerate. It's a brave and largely successful experiment, due in part to the vocals of his guest stars, since Trucks himself does not sing. Opening with the title track, a funky Meters-style bubbler that employs a gospel chorus to frame Trucks' searing slide work, it sounds like the guitarist is working within borders he established on his two previous albums. The laconic instrumental "So Close, So Far Away" sounds like a mid-"Whipping Post" jam, but the disc shifts into high gear with Otis Blackwell's "Home in Your Heart," one of two contributions from the amazing soulman Solomon Burke. He kicks up a Wilson Pickett-style storm on this funky rocker, which both he and Otis Redding recorded 30 years earlier. But gears then switch drastically as Rahat Fateh Ali Khan guests on a traditional Indian tune that gives Trucks' slide a chance to snake through the song, adding a slight blues edge to the tabla and eerie moaning vocals. Rubén Blades guests on a Santana-ish workout on "Kam-ma-Lay," but after a scorching Susan Tedeschi appearance on a down-and-dirty version of James Brown's "Baby, You're Right," Trucks veers way off course into the John McLaughlin territory of "Lookout 31," one of the few tracks where Trucks doesn't play slide. It's an intense Mahavishnu Orchestra fusion piece that even swerves into dissonant, avant-garde waters. The instrumental ballad "Frisell" ends this wildly, sometimes disconcertingly eclectic album on a rueful, jazzy note. Trucks' playing is edgy, electric, and distinctive throughout, with his slide work not surprisingly reminiscent of Duane Allman at times. Joyful Noise is a powerful, uncompromising statement, if you can stay with it. Derek Trucks shows he is a remarkably talented young guitarist who refuses to be stylistically pigeonholed by the history of the legendary band he joined.
By Hal Horowitz. AMG.
**
Derek Trucks- (Guitar);
Kofi Burbridge- (Vocals, Flute, Keyboards);
Todd Smallie- (Vocals, Bass);
Yonrico Scott- (Vocals, Drums, Percussion).
Rubén Blades- (Vocals, Cowbells, Hand Claps);
Javier Colon- (Vocals, Percussion);
Solomon Burke, Susan Tedeschi, Rahat Fateh Ali Khan- (Vocals);
Count Mbutu- (Congas).
**
01. Joyful Noise 5:47
02. So Close, So Far Away 4:40
03. Home In Your Heart (Feat. Solomon Burke) 3:59
04. Maki Madni (Feat. Rahat Nusrat Fateh Ali Khan) 8:11
05. Kam-ma-lay (Feat. Ruben Blades) 7:08
06. Like Anyone Else (Feat. Solomon Burke) 6:21
07. Every Good Boy 4:33
08. Baby, You're Right (Feat. Susan Tedeschi) 4:14
09. Lookout 31 4:19
10. Frisell 6:55
**
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The Derek Trucks Band - The Derek Trucks Band 1997

The Derek Trucks Band - The Derek Trucks Band 1997
Recorded: Sep 30, 1996-Oct 4, 1996

Blues

Derek Trucks began building his own legacy at the age of 12, playing scorching slide guitar that prompted many to hypothesize that he was the reincarnation of Duane Allman in the flesh. The nephew of Allman Brothers Band drummer Butch Trucks, Derek was virtually born into a show business family, but don't think for a minute that he doesn't create his own opportunity. Backed by a skin-tight rhythm section and complimented by a top-notch organist, the youthful guitarist blazes through new arrangements of jazz and blues classics. He turns the trumpet wizardry of Miles Davis into slide-guitar magic, and his readings of a couple of Coltrane tunes pack a terrific punch. The band also contribute several of their own compositions, paving the way for a bright future as a group of tight-knit, talented musicians. A flawless recording.
By Michael B. Smith, All Music Guide.
**
Derek Trucks– Guitar
Kofi Burbridge– Keyboards, Flute, and Vocals
Todd Smallie– Bass and Vocals
Yonrico Scott– Drums, Percussion, Vocals
Mike Mattison– Lead Vocals
Count M'Butu– Percussion, a Variety Of Drums
**
01. Sarod (Trucks) 0:35
02. Mr. PC (J. Coltrane) 5:30
03. 555 Lake (Mysic: D. Trucks, T. Smallie, Y. Scott; Lyrics: B. McKay) 6:33
04. D Mnor Blues (D. Trucks, L. Oakes) 6:01
05. #6 Dance (D. Trucks, L. Oakes) 2:39
06. Footprints (W. Shorter) 4:19
07. Out of Madness (Y. Scott, D. Trucks, T. Smallie) 4:09
08. Naima (J. Coltrane) 4:59
09. So What (M. Davis) 4:37
10. Evil Clown (T. Smallie, D. Trucks, Y. Scott, B. McKay) 4:30
11. Egg 15 (T. Smallie, D. Trucks, R. Roper) 7:40
12. Sarod Outro (D. Trucks) 0:41
**
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The Derek Trucks Band - Songlines 2006

The Derek Trucks Band - Songlines 2006

Blues

Derek Trucks is one of the two or three most distinct and recognizable instrumental voices in popular music today. He's like Carlos Santana, in that he can toss in a 2-note lick and instantly you know its him.

This record is truly a "band" record. That might disappoint some, who were hoping to hear the songs as vehicles for Derek's extended shredding. Instead, the song is king, and Trucks uses his Jedi guitar is the service of the song.

Using Santana as a reference point, that makes this record more like Supernatural than Borboletta. Its easy to listen to, easy for the casual fan to get his or her ear around. "Revolution," for example, is as close to a radio-friendly single as Trucks has ever come. Yet the record is steeped in spirituality, in the healing power of music, and ulitimately the distinctions between the song and the jam seem to melt away into the sea of musical redemption.

The percussive work of Count M'Butu, enmeshed with drummer Yonrico Scott, gives the whole record a unified feel, a sort of World Music, African shimmy that ties together the middle-eastern-flavored numbers (the extended set piece, "Sahib Teri Bandi/Maki Madni"), the straight blues ("Crow Jane"), the R'n'B ("I Wish I Knew"), and the rockers ("Revolution.") The music hops genres, but the essential underpinning-- what the Aborigines thought of as "the labarynth of invisible pathways which meander all over Australia"-- is the deep network of "Songlines" that tie all the music together and lead to the heart. Trucks and company weave a magical web that revels in the interconnectedness of all things by embracing different musical forms and faces, connected at the root by these ancient, mystical songlines.

"Volunteer Slavery" serves as an incantation, a welcome into the record, flipping over into "I'll Find My Way;" here, vocalist Mike Mattison makes his entrance and establishes himself as a player to be reckoned with; Derek lays down his first significant solo about 4 minutes into the record, and its a quick hit-and-run. "Crow Jane," a jaunty 8-bar blues (a la "Key to the Highway"), starts as a bluesy call-and response between Derek's guitar and Mattison's vocals before the band kicks in.

"Sahib Teri Bandi/Maki Madni" is a segueing of two concert staples, 10 minutes of middle eastern vibe where Kofi Burbridge's flute steps to the fore to add color and texture. Derek takes several extended jaunts, and this is probably the piece on the album that most evokes the feel of the band's live performances.

"Chevrolet" is another blues, the rich percolation still present undrneath; "Sailing On" is a sweet melody that will bring a smile to your face; Mattison sings the hell out of it, Derek lays on the fire and ice. "Revolution" wants to be a million-selling duet with Santana; "I'd Rather Be Blind, Crippled and Crazy" is a percolating, funk of a shuffle, with bassist Todd Smalle laying down the groove, Derek's dobro slapping out twang over the top.

On "All I Do," the album begins its home stretch. "All I Do" is funked-up blue-eyed soul with a touch of church, and some of Derek's most inventive, jazzy playing on the record. "Mahjoun" is an instrumental track that harkens back to the opener, while charting a course for the two closing numbers, further on up the songline. "I Wish I Knew" is a soulful, joyous rave-up, almost gospel; Derek spatters a rainbow of joy across the sky on the outro.

The entrance of the closing "This Sky" is almost sacred, riding in the pocket where blues, jazz, soul, funk, and gospel flow together to become music of the heart. Derek's sublime play-out at the end puts the record to bed, Burbridge's flute providing a serene cushion, Mattison singing "Fly, fly away" in wistful tones as Derek's guitar does just that, gently ascending to the heavens.

At this point, you might be tempted to hit "play" again.
By J. Chasin.
**
Derek Trucks is truely a incredible guitarist who is in his prime. His slide playing has been compared to such greats as Duane Allman. Songlines is by far his best album I think for any derek trucks fan. He blends alot of creativity in songlines and it is easy to see why not just he is so great but the band as well. Todd Smallie(bass), Yonrico Scott(drums, percussion), Kofi Burbridge(Keyboards), Mike Mattison(Vocals), Count M'Butu(Congas). The entire band comes from different parts of the world and blends their musical influences together to create something much stronger than any average band. Songlines will take you on a musical journey from the getgo. This entire album is strong. I have seen derek a couple of times and as of now he is right on top with the other greats (in his prime). He has a real passion for the guitar which is obvious, it shows how expanded he has gotten since his first debut album Derek Trucks. My personal favorites are Crow Jane, I Wish I Knew, Sailing On, and All I Do. Sahib Teri Bandi/Maki Madni is a strong jam that is not a lost jam. Derek keeps the focus on his band on songlines, not so much on guitar.... which shows how mature he is as a guitarist. Chevrolet is a strong song with dobro guitar supposly the guitar he plays on this song was supposedly owned by Bukka White a true slide legend. Inside this booklet their are pictures of the band, derek's son, and father. Just as it says in the back page of the booklet. Music (...) is a memory bank for finding one's way about the world. Im truely inspired. Highly Recommended!!
**
Derek Trucks- Guitar and dobro;
Mike Mattison- Vocals;
Kofi Burbridge- Keyboards, flute, vocals;
Todd Smallie- Bass, vocals;
Yonrico Scott- Drums,percussion and vocals;
Count M'Butu- Percussion;
Jay Joyce- Keyboards.
**
01. Volunteered Slavery  2:04
02. I'll Find My Way  4:22
03. Crow Jane  3:52
04. Sahib Teri Bandi - Maki Madni; Sahib Teri Bandi\ Maki Madni  9:54
05. Chevrolet  2:23
06. Sailing On  3:47
07. Revolution  3:07
08. I'd Rather Be Blind, Crippled And Crazy  4:32
09. All I Do  6:29
10. Mahjoun  2:27
11. I Wish I Knew (How It Would Feel To Be Free)  4:06
12. This Sky  6:30
**
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The Derek Trucks Band - Live at Georgia Theatre 2004

The Derek Trucks Band - Live at Georgia Theatre 2004

Blues

This double-set CD is, in a word, fantastic. I am amazed and incredulous that it is only available either as an import or through the occasional vendor for over 25 bucks. This one should be on everyone's holiday want list! If you are familiar with Derek Trucks, this live set extends the jam and expands the fusion. Blistering guitar by young Derek hisself, plus the funk/jazz flute by Hofi Burbridge, new vocals by Mike Mattison, and the groove laid down by Yonrico Scott & Count M'Butu (and Todd Smallie on bass). A bit of Allmans old and new, jammin' like Gov't Mule, and throw some hot jazz in there (at times I heard shades of 70's Herbie Mann...ooo!), plus de funk (kind of a touch of Santana, too). It's just perfect. Not sure if you're in the mood for jazz or funk or blues or rock? No problem! Stick this in your player and get down-- or get up. You can do both, or either. Someone, somehow should make this more accessible and affordable. This ain't no commercial pop-crap; this is quality music. Derek Trucks is a genius. This is my choice for the best of the year. Find it, buy it, have fun, enjoy!
**
The development of the Derek Trucks Band has followed a progression that appears to be the perfect marketing plan. But there’s nothing any more contrived about the sequence of events than there is simply the music itself. The release of the band's diverse major label debut, Joyful Noise , segued smoothly to the next year’s almost-all instrumental Soul Serenade (actually recorded before Noise but held up in legalities), demonstrating why seeing DTB live had become such a powerful experience.
No surprise then that a year later, we now have Live at The Georgia Theatre , available as an online download through iTunes and directly from the DTB website as well. With the dual virtues of individual instrumental chops and band unity brimming on such eclectic choices as Rahsaan Kirk’s “Volunteered Slavery,” this set also marks the next step in the group’s evolution, as it features the regular vocal contributions of Mike Mattison; whether wailing ecstatically on “Gonna Move” or whispering on “Feel So Bad,” Mattison is never an intrusion, but instead gives the listener a chance to hear how Trucks plays around a singer, where you can hear him demonstrating an equally sure grasp of nuance and dynamics.

The contributions of latter-day (2002) recruit Kofi Burbridge, brother of Allman Brother bassist Oteil, have broadened as well, so that his multiple keyboards, as well as the injection of airy flute work, extends the range of the band even more. And with Mattison around, the Derek Trucks Band now has two first class vocalists—listen to their call and response on “Joyful Noise.” Burbridge and drummer Yonrico Scott strut their respective stuff on “Angola” before the entry of the rest of the band, including bassist Todd Smallie, who makes his presence felt in the deft navigation of the lightning changes in the band’s direction. The sound recording captures such detail impeccably, but impressive as is that technical virtue, it’s less so than the noticeable democracy at work within DTB.

That’s no small compliment to its leader since the profoundly imaginative approach Derek Trucks takes to electric guitar is all the more extraordinary given his comparative youth. The scholarly, spiritual approach to music suggested in the liner notes suggests the source of his humility, perfectly in keeping with his beatific countenance, which itself belies the intensity with which he plays. Giving new definition to the role of guitar hero, he takes a Far Eastern approach in his playing, where patience is a step in the deconstruction and rebuilding of the band’s momentum during a performance such as “Sahib Teri/Maki Madni.”

Sleek (the DTB original “So Close, So Far Away") or syncopated (Curtis Mayfield’s Superfly tune ”Freddie’s Dead”), the purity of inspiration and execution over the course of two-plus hours will doubtless bring delight to any true aficionado of progressive music, all the more so because Live At The Georgia Theatre suggests that the reach of the Derek Trucks Band may never exceed its members' collective grasp.
By Doug Collette. AAJ.
**
Kofi Burbridge- Flute, Keyboards, Vocals
Mike Mattison- Vocals
Count Mbutu- Percussion
Yonrico Scott- Percussion, Drums, Vocals
Todd Smallie- Bass, Vocals
Derek Trucks- Guitar
**
Cd 1:
01 Kam-Ma-Lay 8:53
02 Gonna Move 6:29
03 Volunteered Slavery 4:36
04 Sahib Teri Bandi/Maki Madni 15:03
05 Leaving Trunk 4:58
06 I Wish I Knew 5:29
07 Angola 10:12
08 Feel So Bad 7:41
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Cd 2:
01 For My Brother 13:28
02 Sonido Alegre 15:15
03 Joyful Noise 11:58
04 So Close, So Far Away 5:52
05 Freddie's Dead 10:20
**
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