Showing posts with label Paul MOTIAN. Show all posts
Showing posts with label Paul MOTIAN. Show all posts

Wednesday, March 31, 2010

Paul MOTIAN - I Have the Room Above Her 2005

Paul MOTIAN - I Have the Room Above Her 2005

Jazz

To put drummer Paul Motian, guitarist Bill Frisell, and saxophonist Joe Lovano in a room together is to court majesty and genius; even if the three were playing hackneyed standards half-asleep, the results would likely be brilliant. I HAVE THE ROOM ABOVE HER is filled with the kind of technical mastery and scintillating chemistry one would expect from a trio this accomplished and advanced. Frisell's electric guitar spins choral color and spiraling, reverbed embellishments. Lovano's tenor is full-toned, and he plays with tremendous sensitivity and nuance, often holding down the melodic center while Frisell and Motian create rhythmic and harmonic frames.

The delicate imbrication of parts lends these compositions the feel of fragile, shifting houses suspended in air. Motian's drumming is crucial to this aesthetic--light years beyond standard beat-keeping, his approach to time is all suggestion and evocative accent. Aside from the Hammerstein/Kern title track and a sweet, ethereal take on Thelonious Monk's "Dreamland," all the tunes were written by Motian, his rich imagination informed by classic jazz, post-bop, avant-garde, and ambient music alike. The silent partner here is producer Manfred Eicher, whose ear for warm, resonant tones and expansive atmospheres is the perfect match for the inventiveness, lyricism, and exquisite beauty of this session.
**
Paul Motian is a sterling example of a musician reaching new heights in their later years. Nearing 75, the drummer and composer continues to explore the innerworkings of the small combo. Frisell and Lovano have worked with him since the beginnings of their careers, decades ago. The interplay of this bass-less trio is remarkably sympathetic, as Frisell's guitar alternates between rhythmic underpinnings and atmospheric flights. There is a buoyancy to the music, whether it's on the gospel structure of "The Bag Man" or the bird-like "Dance" (a piece Motian recorded in the seventies for his album of the same name). The title track is the gorgeous ballad by Jerome Kern and Oscar Hammerstein, and underscores the traditional idioms which have contributed to Motian's unique voice.
By David Greenberger. AMG.
**
Paul Motian- Drums
Bill Frisell- Guitar
Joe Lovano- Tenor Saxophone
**
01. Osmosis Part III 5:55
02. Sketches 2:32
03. Odd Man Out 4:13
04. Shadows 3:28
05. I Have The Room Above Her 5:31
06. Osmosis Part I 3:28
07. Dance 4:02
08. Harmony 7:03
09. The Riot Act 4:41
10. The Bag Man 5:33
11. One In Three 7:07
12. Dreamland 5:50
**

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Sunday, September 27, 2009

Paul MOTIAN - Monk In Motian 1988


Paul MOTIAN - Monk In Motian 1988
Label: JMT / Winter & Winter
Audio CD: (October 1, 2002)
Recorded at A&R Studios,New York in March 1988

Jazz

This is an utterly fascinating tribute to the music of Thelonious Monk. Most of the selections feature the unusual trio of tenor saxophonist Joe Lovano, guitarist Bill Frisell (who with his wide range of original sounds is really a one-band band), and drummer Paul Motian. Tenor saxophonist Dewey Redman and pianist Geri Allen are guests on two songs apiece and fit in quite well with the sparse but very complete trio. Among the ten Monk songs explored, taken apart and given surprising treatment are "Evidence," "Bye-Ya," "Ugly Beauty," and "Trinkle Tinkle." Recommended to open-eared listeners.
By Scott Yanow, All Music Guide.
**
How many countless versions have been made of these same songs? And how many of those sounds exactly the same? Paul Motian's effort stands truly stands apart. In his capable hands (along with Bill Frisell on guitar and Joe Lovano on sax) the songs sound fresh and important. Motian doesn't simply revisit these tunes for the nth time for their melodic or rhythmic brilliance, he seems to have a real connection to the songs and the spirit of Monk himself.
If you really like Monk, or can appreciate the abstract sounds of Motian's great trio, check this out.
By Ethan Hendrix Meyer.
**
Geri Allen- Piano (Tracks: A3, B4)
Bill Frisell- electric guitar
Joe Lovano- Sax
Paul Motian- Drums
Dewey Redman- Tenor Sax (Tracks: A4, B3)
**
A1. Crepuscule With Nellie (4:56)
A2. Justice (Evidence) (4:39)
A3. Ruby, My Dear (4:50)
A4. Straight No Chaser (4:26)
A5. Bye-Ya (4:57)
*
B1. Ugly Beauty (4:55)
B2. Trinkle, Tinkle (4:52)
B3. Epistrophy (6:58)
B4. Off Minor (4:18)
B5. Reflections (4:49)
**
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