Showing posts with label Howlin' WOLF. Show all posts
Showing posts with label Howlin' WOLF. Show all posts

Tuesday, February 9, 2010

Howlin' WOLF - The London Sessions 1971

Howlin' WOLF - The London Sessions 1971
CH-60008

Blues

About ten years after his career´s best times Howlin' Wolf was still very capable to make exceptionally good blues. The London Howlin' Wolf Sessions is a very fine blues-record that features great musicians like Eric Clapton and Charlie Watts. Also a minor appereance of Ringo Starr.
Thirteen songs. Classic stuff like "Rockin' Daddy", "Sitting on the Top of the World" and "Poor Boy", but also "The Red Rooster" and "I Ain´t Superstitious", the huge numbers written by Willie Dixon, maybe the greatest songwriter of blues-music.
Chester Burnett´s unbelievable voice and these classic songs backed up by other legends are an combination that forms this perfect LP. I also have to praise Willie Dixon once again. Almost a half of this album´s songs are written by him. By writing numerous blues classics for Wolf like "The Red Rooster" or "I Ain´t Superstitious" (which are also on this album) he was one of the reasons why Howlin' Wolf remains as one of the biggest names of blues.
Essential stuff.
**
When you take Howlin' Wolf-one of the greatest Chicago bluesmen ever-and put him together with Eric Clapton, Bill Wyman, Charlie Watts and Steve Winwood, what do you get? You get one exciting blues album. I read somewhere that blues purists don't like this album, but I know from listening to it that this is pure, electric, energetic, rockin' blues.
The album starts off strong; the first thing you hear is Clapton's beautiful slide guitar riff on "Rockin' Daddy." On this track, we have Phil Upchurch on bass, Winwood on piano, The Wolf's long time lead guitarist Hubert Sumlin on rhythm guitar, Charlie Watts on drums, and The Wolf himself singing the vocals in his famous growling stlyle. We hear a wonderful solo from Clapton, who plays off the melody of the tune beautifully.

Ringo plays drums on "I Ain't Superstitious" and the results are awesome. With a horn section (Joe Miller, Jordan Sandke, Dennis Lansing) holding the roots of the chords, and Clapton playing a slide riff to back The Wolf's vocals, we get a truly great jam.

The rest of the album is as exciting has the first two songs. We hear Jeffrey M. Carp's soulful harp on "Sittin' On Top Of The World," and The Wolf's vocals are just as astounding. Clapton adds another creative solo, again playing off the beautiful melody of the song. Later in the album, we hear the amusing Willie Dixon tune "Built For Comfort" in which the horn section mentioned before adds its unique touch. "Highway 49" is one of the highlights of the album, with classic guitar riffs and The Wolf's soulful, bluesy singing. You get the feeling that no one could sing this song like The Wolf. Basically, when buying blues, you can't go wrong with Howlin' Wolf. Overall, this album is excellent. It is a beautiful display of classic blues performed by an all-star cast.
By  Greg Tallent.
**
A1. Rockin' Daddy   3:43
A2. I Ain't Superstitious   3:34
A3. Sittin' on Top of the World   3:51
A4. Worried About My Baby   2:55
A5. What a Woman!   3:02
A6. Poor Boy   3:04
B1. Built for Comfort   2:10
B2. Who's Been Talking?   3:03
B3. The Red Rooster [Rehearsal]   1:58
B4. The Red Rooster   3:47
B5. Do the Do   2:20
B6. Highway 49   2:47
B7. Wang-Dang-Doodle   4:29
**
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Saturday, February 6, 2010

Howlin' WOLF - The Back Door Man 1973

Howlin' WOLF - The Back Door Man 1973

Blues

Wha, yeah!
C'mon, yeah
Yeah, c'mon, yeah
Yeah, c'mon
Oh, yeah, ma
Yeah, I'm a back back man
I'm a back back man
The men don't know
But the little girl understand

Hey, all you people that tryin' to sleep
I'm out to make it with my midnight dream, yeah
'Cause I'm a back back man
The men don't know
But the little girls understand

All right, yeah
You men eat your dinner
Eat your pork and beans
I eat more chicken
Than any man ever seen, yeah, yeah
I'm a back back man, wha
The men don't know
But the little girl understand

Well, I'm a back back man
I'm a back back man
Whoa, baby, I'm a back back man
The men don't know
But the little girls understand
**
In southern culture, the phrase "back-door man" refers to a man having an affair with a married woman, using the back door as an exit before the husband comes home."When everybody trying to sleep, I'm somewhere making my midnight creep. / Every morning the rooster crow, something tell me I got to go / I am a back door man", Wolf sings. The promiscuous "back-door man" is a standard theme found in many blues, including those by Charley Patton, Lightnin' Hopkins, Blind Willie McTell and Sara Martin: "every sensible woman got a back-door man," Martin wrote in "Strange Loving Blues" (1925). Robert Plant references the Dixon song in Led Zeppelin's "Whole Lotta Love" (1968): "Shake for me girl, I want to be your back-door man." The phrase "back-door man" dates from the 1920s, but the term became a double entendre in the 1960s, also meaning "one who practices anal intercourse."
**
A1. Howlin' For My Baby  
A2. Chocolate Drop  
A3. Everybody's In The Mood  
A4. Decoration Day  
A5. Dorothy Mae  
A6. Highway Man  
A7. Oh Red  
B1. Smokestack Lightning  
B2. Sitting On Top Of The World  
B3. Wang Dang Doodle  
B4. Back Door Man  
B5. Spoonful  
B6. Built For Comfort  
B7. Killing Floor
**
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Friday, January 22, 2010

Howlin' WOLF - Howlin' Wolf 1962


Howlin' WOLF - Howlin' Wolf 1962
LP-1469

Blues

A formidable blues album that assembles a true all-star blues team: Wolf’s rasp, Willie Dixon’s songwriting, and Hubert Sumlin’s guitar hooks, and on some tracks, Otis Spann’s piano. Many of the songs (Wang-Dang Doodle especially) are really blues/rock rather than straight blues—fast tempo, upbeat, and not in the 12-bar format. Because this album collects the singles at a peak in Wolf’s career, it almost sounds like a greatest hits album. Many of these tracks have unforgettably catchy hooks, especially songs like Spoonful, and Howlin’ for My Darling.

The songs on this album were covered by some of the greatest groups of the 60’s: the Stones (Little Red Rooster, Down in the Bottom), Cream (Spoonful), the Doors (Back Door Man), and the Animals (Going Down Slow). The versions here all have a vitality that some of the later versions match but, in my opinion, never surpass—Wolf’s vocals are simply too good. I managed to obtain an original pressing, which is inexplicably rare, especially given the consistently high quality of these tracks. This album should have sold millions when it was released—an unfortunate victim of poor timing. Had this album been released ten years earlier or a few years later, it likely would have sold a lot more copies.
**
A1. Shake for Me   2:12
A2. The Red Rooster   2:22
A3. You'll Be Mine   2:23
A4. Who's Been Talkin'   2:18
A5. Wang-Dang-Doodle   2:18
A6. Little Baby   2:43
B1. Spoonful   2:42
B2. Going Down Slow   3:18
B3. Down in the Bottom   2:05
B4. Back Door Man   2:45
B5. Howlin' for My Baby   2:28
B6. Tell Me   2:52
**
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