Bernard and Luther ALLISON - Together Live 1991
Bootleg
Live 1991 Baden Baden.Germany
Blues
01. I Think I Need Some Help 3:41
02. Next Generation 6:37
03. All Your Love 7:16
04. Life Is a Bitch 7:19
05. Bad News Is Coming 11:48
06. Parking Lot 9:03
07. L.A.'s Knocking On Your Door 7:02
08. Freedom 5:17
**
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Showing posts with label Bernard ALLISON. Show all posts
Showing posts with label Bernard ALLISON. Show all posts
Thursday, March 4, 2010
Monday, January 11, 2010
Bernard ALLISON - Across The Water 2000
Bernard ALLISON - Across The Water 2000
Blues
With Bernard Allison following the North Mississippi Allstars and Susan Tedeschi onto its roster, Tone-Cool has become home to the blues' most exciting young talents. Like his dad, the late Chicago guitar hero Luther Allison, Bernard likes to mix his music with rock and soul. This CD starts with a burst of uptempo funk ("The River's Rising") and quickly passes through six-string metallurgy ("I Just Came Back to Say Goodbye," with it's ZZ Top rhythmic bedrock and squealing guitar), Johnny Taylor-style ballads (like the Malaco-perfect "Work It Out"), and other permutations. Although Allison's voice possesses a serviceable simplicity, it's his guitar that really sings, chorus after chorus packed with keening wah-wah and daredevil bends. It's also full of down-to-the-bone blues runs, like the solo that tags the funky "Higher Love." Allison shows some Texas sting, too, especially on a Stevie Ray-style guitar epic called "I've Been Down," which should produce fireworks live.
By Ted Drozdowski. AMG.
**
Rock, funk, and straight-ahead blues are all covered with ease on Across the Water, guitarist Bernard Allison's first release on the Tone-cool label. Allison is the son of blues guitarist Luther Allison and while the blues was a constant in his early listening, the rock and funk influences of his generation also played a natural part in his musical upbringing. Allison employs producer Jim Gaines who has worked with Santana, Stevie Ray Vaughan, and Albert Collins, helping to achieve the right blend of musical influences without getting away from the blues focus.
By Al Campbell. AMG.
**
Bernard Allison- (Vocals, Electric & Slide Guitars);
Paul Diethelm- (Guitar, Dobro);
Jim Spake- (Sax);
Joe Mulherin- (Trumpet);
Bruce McCabe- (Piano, Keyboards);
Ernest Williamson- (Hammond B-3 Organ, Tambourine);
Mike Vlahakis- (Keyboards, Tambourine);
Kim Yarbrough, David Smith- (Bass);
James Knowles- (Drums);
Willaim Brown, Jackie Johnson, Reba Russell- (Background Vocals).
**
01. The River's Rising 3:46
02. Meet Me Half Way 3:57
03. I Just Came Back To Say Goodbye 3:47
04. I Want To Get You Back 3:48
05. Love Is Free 5:37
06. Coming Back (Across The Water) 4:40
07. Change Your Way Of Living 4:13
08. Feels Kinda Funny 3:21
09. Work It Out 5:34
10. There's No Higher Love 4:09
11. I've Been Down 6:39
**
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Blues
With Bernard Allison following the North Mississippi Allstars and Susan Tedeschi onto its roster, Tone-Cool has become home to the blues' most exciting young talents. Like his dad, the late Chicago guitar hero Luther Allison, Bernard likes to mix his music with rock and soul. This CD starts with a burst of uptempo funk ("The River's Rising") and quickly passes through six-string metallurgy ("I Just Came Back to Say Goodbye," with it's ZZ Top rhythmic bedrock and squealing guitar), Johnny Taylor-style ballads (like the Malaco-perfect "Work It Out"), and other permutations. Although Allison's voice possesses a serviceable simplicity, it's his guitar that really sings, chorus after chorus packed with keening wah-wah and daredevil bends. It's also full of down-to-the-bone blues runs, like the solo that tags the funky "Higher Love." Allison shows some Texas sting, too, especially on a Stevie Ray-style guitar epic called "I've Been Down," which should produce fireworks live.
By Ted Drozdowski. AMG.
**
Rock, funk, and straight-ahead blues are all covered with ease on Across the Water, guitarist Bernard Allison's first release on the Tone-cool label. Allison is the son of blues guitarist Luther Allison and while the blues was a constant in his early listening, the rock and funk influences of his generation also played a natural part in his musical upbringing. Allison employs producer Jim Gaines who has worked with Santana, Stevie Ray Vaughan, and Albert Collins, helping to achieve the right blend of musical influences without getting away from the blues focus.
By Al Campbell. AMG.
**
Bernard Allison- (Vocals, Electric & Slide Guitars);
Paul Diethelm- (Guitar, Dobro);
Jim Spake- (Sax);
Joe Mulherin- (Trumpet);
Bruce McCabe- (Piano, Keyboards);
Ernest Williamson- (Hammond B-3 Organ, Tambourine);
Mike Vlahakis- (Keyboards, Tambourine);
Kim Yarbrough, David Smith- (Bass);
James Knowles- (Drums);
Willaim Brown, Jackie Johnson, Reba Russell- (Background Vocals).
**
01. The River's Rising 3:46
02. Meet Me Half Way 3:57
03. I Just Came Back To Say Goodbye 3:47
04. I Want To Get You Back 3:48
05. Love Is Free 5:37
06. Coming Back (Across The Water) 4:40
07. Change Your Way Of Living 4:13
08. Feels Kinda Funny 3:21
09. Work It Out 5:34
10. There's No Higher Love 4:09
11. I've Been Down 6:39
**
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Monday, December 28, 2009
Bernard ALLISON – Storm Of Life 2002
Bernard ALLISON – Storm Of Life 2002
Blues
Dynastic bluesman Bernard Allison is a second-generation star now shining in his own right. The guitarist-vocalist son of the late legend Luther Allison paid his early dues leading Koko Taylor's crack Blues Machine band, learned the family business leading his father's electrifying group in Europe, and has now created his own catalog of fine recordings. Storms of Life is the most eclectic and uniformly excellent example yet. After the sizzling solo slide guitar opener "Slip Slidin'," Allison roams wide and free, confidently overlaying his blues personality on material ranging from the reggae-tinged "Just Do Me Any Way You Want" to the R&B title track, which glides over a cushion of keyboards and extra percussion. A bouncy, horn-powered rendition of "Goodbye Little Girl" that recalls Bobby "Blue" Bland provides a fitting conclusion. Allison surprisingly, but effectively, mixes a wide variety of cover material, including everything from ZZ Top's "I Wanna Drive You Home" to Mark Knopfler's "I Think I Love You Too Much" to mentor Johnny Winter's suitably manic "Mean Town Blues." The well-chosen covers, including tunes by Anders Osborne, Leon Russell, and papa Luther, convincingly demonstrate his gifts as an interpreter. By Michael Point.
**
Once in a great while, I hear a new blues release that recalls the depth and energy of the great electric blues players I grew up listening to, players like Waters, Winter, Clapton, Green, Rush, et al. After listening to this CD for almost two years, I've come to the conclusion that it's the best blues release of 2002. It's got everything a great blues album needs. Allison's voice and guitar work are tasty, gritty, and well-seasoned, evidence of the amount of work and dedication he put into his apprenticeships with Koko Taylor and his father. And the song choices are superb. My favorites are "Fistful of Dirt," a killer rock-steady mid-tempo shuffle with a profound message about living through hard times; "Mean Town Blues," which is ample proof that Allison can lay claim to Johnny Winter's Texas electric slide legacy; and "Snake Bit Again," a remarkable vehicle for Allison's gritty, dead-on singing. There's a lot of redundancy in more recent blues releases, but this album shows Allison is capable of being a truly original talent in this often hackneyed genre. Check it out.
By Randy Blythe.
**
Bernard Allison- (Vocals, Guitar);
Paul Diethelm- (Guitar);
Ricky Peterson- (Strings, Piano, Organ);
Richard Rosenblatt- (harmonica);
David Eiland- (Sax);
Larry McCabe- (Trombone);
Brian Simmonds, Jim Kogl- (Tenor Sax);
Bruce McCabe- (Piano);
Ron Sutton, Rob Stupka- (Drums);
Chickie Perez- (Percussion);
Kate Wilson, J.D. Steele, Fred Steele- (Background Vocals).
**
01. Slip Slidin'
02. Storms of Life
03. Down South
04. Just Do Me Any Way You Want
05. I Think I Love You Too Much
06. Mean Town Blues
07. Speed Slide
08. I Wanna Drive You Home
09. Snake Bit Again
10. Reaching Out
11. Fistful of Dirt
12. Help Me Through the Day
13. Goodbye Little Girl
**
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Blues
Dynastic bluesman Bernard Allison is a second-generation star now shining in his own right. The guitarist-vocalist son of the late legend Luther Allison paid his early dues leading Koko Taylor's crack Blues Machine band, learned the family business leading his father's electrifying group in Europe, and has now created his own catalog of fine recordings. Storms of Life is the most eclectic and uniformly excellent example yet. After the sizzling solo slide guitar opener "Slip Slidin'," Allison roams wide and free, confidently overlaying his blues personality on material ranging from the reggae-tinged "Just Do Me Any Way You Want" to the R&B title track, which glides over a cushion of keyboards and extra percussion. A bouncy, horn-powered rendition of "Goodbye Little Girl" that recalls Bobby "Blue" Bland provides a fitting conclusion. Allison surprisingly, but effectively, mixes a wide variety of cover material, including everything from ZZ Top's "I Wanna Drive You Home" to Mark Knopfler's "I Think I Love You Too Much" to mentor Johnny Winter's suitably manic "Mean Town Blues." The well-chosen covers, including tunes by Anders Osborne, Leon Russell, and papa Luther, convincingly demonstrate his gifts as an interpreter. By Michael Point.
**
Once in a great while, I hear a new blues release that recalls the depth and energy of the great electric blues players I grew up listening to, players like Waters, Winter, Clapton, Green, Rush, et al. After listening to this CD for almost two years, I've come to the conclusion that it's the best blues release of 2002. It's got everything a great blues album needs. Allison's voice and guitar work are tasty, gritty, and well-seasoned, evidence of the amount of work and dedication he put into his apprenticeships with Koko Taylor and his father. And the song choices are superb. My favorites are "Fistful of Dirt," a killer rock-steady mid-tempo shuffle with a profound message about living through hard times; "Mean Town Blues," which is ample proof that Allison can lay claim to Johnny Winter's Texas electric slide legacy; and "Snake Bit Again," a remarkable vehicle for Allison's gritty, dead-on singing. There's a lot of redundancy in more recent blues releases, but this album shows Allison is capable of being a truly original talent in this often hackneyed genre. Check it out.
By Randy Blythe.
**
Bernard Allison- (Vocals, Guitar);
Paul Diethelm- (Guitar);
Ricky Peterson- (Strings, Piano, Organ);
Richard Rosenblatt- (harmonica);
David Eiland- (Sax);
Larry McCabe- (Trombone);
Brian Simmonds, Jim Kogl- (Tenor Sax);
Bruce McCabe- (Piano);
Ron Sutton, Rob Stupka- (Drums);
Chickie Perez- (Percussion);
Kate Wilson, J.D. Steele, Fred Steele- (Background Vocals).
**
01. Slip Slidin'
02. Storms of Life
03. Down South
04. Just Do Me Any Way You Want
05. I Think I Love You Too Much
06. Mean Town Blues
07. Speed Slide
08. I Wanna Drive You Home
09. Snake Bit Again
10. Reaching Out
11. Fistful of Dirt
12. Help Me Through the Day
13. Goodbye Little Girl
**
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Tuesday, October 27, 2009
Bernard ALLISON - No Mercy! 1996
Bernard ALLISON - No Mercy! 1996
Blues
When it comes to the blues, it seems like there are two different camps, those who are staunch authentic blues enthusiasts, and those who like their blues amped up with a decidedly rock approach. On his 1996 live release, No Mercy, singer/guitarist Bernard Allison certainly falls under the latter category. As with the majority of modern-day blues-rockers, Allison focuses mostly on covers of vintage blues tunes, with the odd original (or more accurately, one lone original, "Next Generation") thrown in for good measure. With Allison backed by a group of studio pros, No Mercy captures blues at its most well-honed, the complete opposite of the grittiness of the original bluesmen, especially on such tracks as the album-opening "Rock Me Baby" and "Breakin' Up Somebody's Home." Also included are a pair of tributes to Bernard's father, Luther Allison ("Change Your Way of Living" and "Help") as well as a reading of "Tin Pan Alley," which is very reminiscent of Stevie Ray Vaughan's version (on his classic Couldn't Stand the Weather release). If you're an admirer of modern-day blues-rock, then No Mercy is certainly worth a spin.
By Greg Prato, All Music Guide.
**
Bernard Allison- Vocals, guitar
Jay Golden- Background vocals
Stephan Le Navelan- Keyboards, background vocals
Vincent Daune- Drums
**
01. Rock Me Baby 7:30
02. Don't Go to Sleep on Me 4:24
03. Break'in up Somebody' Home 4:59
04. Change Your Way of Living 3:50
05. Driven Wheel 8:27
06. Next Generation 5:32
07. Boo Boo's Boogie 1:20
08. Tin Pan Alley 13:23
09. Help 5:12
**
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Blues
When it comes to the blues, it seems like there are two different camps, those who are staunch authentic blues enthusiasts, and those who like their blues amped up with a decidedly rock approach. On his 1996 live release, No Mercy, singer/guitarist Bernard Allison certainly falls under the latter category. As with the majority of modern-day blues-rockers, Allison focuses mostly on covers of vintage blues tunes, with the odd original (or more accurately, one lone original, "Next Generation") thrown in for good measure. With Allison backed by a group of studio pros, No Mercy captures blues at its most well-honed, the complete opposite of the grittiness of the original bluesmen, especially on such tracks as the album-opening "Rock Me Baby" and "Breakin' Up Somebody's Home." Also included are a pair of tributes to Bernard's father, Luther Allison ("Change Your Way of Living" and "Help") as well as a reading of "Tin Pan Alley," which is very reminiscent of Stevie Ray Vaughan's version (on his classic Couldn't Stand the Weather release). If you're an admirer of modern-day blues-rock, then No Mercy is certainly worth a spin.
By Greg Prato, All Music Guide.
**
Bernard Allison- Vocals, guitar
Jay Golden- Background vocals
Stephan Le Navelan- Keyboards, background vocals
Vincent Daune- Drums
**
01. Rock Me Baby 7:30
02. Don't Go to Sleep on Me 4:24
03. Break'in up Somebody' Home 4:59
04. Change Your Way of Living 3:50
05. Driven Wheel 8:27
06. Next Generation 5:32
07. Boo Boo's Boogie 1:20
08. Tin Pan Alley 13:23
09. Help 5:12
**
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Wednesday, October 21, 2009
Bernard ALLISON Group - Hang On 2001
Bernard ALLISON Group - Hang On 2001
Label: Ruf
Recorded: 1992
Blues
This Bernard Allison CD, along with his others, is just outstanding. What a fabulous musician Bernard Allison is! If you love great blues and if you love great music, you will love this extraordinary artist. He is the son of the late, great Luther Allison who died too young. Luther Allison and Bernard Allison make music that will give you pleasure and joy and delight and awe.
People who actually love great music need to put their money and purchases where they belong and let the really talented artists receive the praise and rewards they deserve. As I write this today, I have just read of performers like Eminem and others of that ilk whose CDs sell astronomically and who get so much media attention.
Come on, music lovers. Put your money where the good music is. You can start with Bernard Allison and Luther Allison.
**
Bernard Allison was introduced to the roots of black music and playing electric guitar by his father, the blues legend Luther Allison.
He joined the tourband of Luther Allison in 1989 after a furious collaboration of 'Father & Son' at the '89 Chicago Blues Festival. Bernard released his first solo album in 1990 and the title was program: 'The Next Generation'. He started touring with his own group all over Europe and released several albums, taking the tradition of black music he grew up with into the new century melting the influences into his own brand - BERNARD ALLISON.
"It's just a big pleasure for me to continue my father's legacy, but you know I don't go out and try to be Luther Allison. I just go and do what I've learned from my Dad and the likes of Koko Taylor, or Stevie Ray Vaughan or Albert King. So, I'm trying to keep the blues alive Bernard Allison style."
By Bernard Allison.
**
Allison began accompanying his famous father to blues festivals in the early 1970's. There, he was introduced to a who's-who of Chicago blues stars: Muddy Waters, Hound Dog Taylor and Albert King, among others. When he was seven or eight, he began having aspirations of becoming a guitar slinger like his father. Allison's father was more then just a casual record collector, and so Bernard benefited from his father and brothers collections of classic blues and gospel.
"...It's just a big pleasure for me to continue my father's legacy, but you know I don't go out and try to be Luther Allison. I just go and do what I've learned from my Dad and the likes of Koko Taylor, or Stevie Ray Vaughan or Albert King. So. I'm trying to keep the blues alive Bernard Allison style."
From Interview on KFAI Radio/USA.
**
Bernard Allison- (Vocals, Guitar);
Don Torsch- (Hammond B-3 organ);
Michael Carras- (Keyboards);
Jay Golden- (Bass);
Vincent Daune- (Drums).
Thierry "Juke" Menesclou- (Harmonica).
**
01.Mai 5:05
02.Going Down 4:16
03.Cadillac Assembly Line 6:03
04.Voodoo Thang 4:47
05.Missing Stevie 3:45
06.Actions Speak Louder 4:13
07.Rockin' Robin 6:48
08.You're Hurting Me 5:01
09.Hang On 0:35
10.Looing Beyond the Past 3:30
11.Idols in Mind 4:21
12.Voodoo Chile Medley 10:26
**
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Label: Ruf
Recorded: 1992
Blues
This Bernard Allison CD, along with his others, is just outstanding. What a fabulous musician Bernard Allison is! If you love great blues and if you love great music, you will love this extraordinary artist. He is the son of the late, great Luther Allison who died too young. Luther Allison and Bernard Allison make music that will give you pleasure and joy and delight and awe.
People who actually love great music need to put their money and purchases where they belong and let the really talented artists receive the praise and rewards they deserve. As I write this today, I have just read of performers like Eminem and others of that ilk whose CDs sell astronomically and who get so much media attention.
Come on, music lovers. Put your money where the good music is. You can start with Bernard Allison and Luther Allison.
**
Bernard Allison was introduced to the roots of black music and playing electric guitar by his father, the blues legend Luther Allison.
He joined the tourband of Luther Allison in 1989 after a furious collaboration of 'Father & Son' at the '89 Chicago Blues Festival. Bernard released his first solo album in 1990 and the title was program: 'The Next Generation'. He started touring with his own group all over Europe and released several albums, taking the tradition of black music he grew up with into the new century melting the influences into his own brand - BERNARD ALLISON.
"It's just a big pleasure for me to continue my father's legacy, but you know I don't go out and try to be Luther Allison. I just go and do what I've learned from my Dad and the likes of Koko Taylor, or Stevie Ray Vaughan or Albert King. So, I'm trying to keep the blues alive Bernard Allison style."
By Bernard Allison.
**
Allison began accompanying his famous father to blues festivals in the early 1970's. There, he was introduced to a who's-who of Chicago blues stars: Muddy Waters, Hound Dog Taylor and Albert King, among others. When he was seven or eight, he began having aspirations of becoming a guitar slinger like his father. Allison's father was more then just a casual record collector, and so Bernard benefited from his father and brothers collections of classic blues and gospel.
"...It's just a big pleasure for me to continue my father's legacy, but you know I don't go out and try to be Luther Allison. I just go and do what I've learned from my Dad and the likes of Koko Taylor, or Stevie Ray Vaughan or Albert King. So. I'm trying to keep the blues alive Bernard Allison style."
From Interview on KFAI Radio/USA.
**
Bernard Allison- (Vocals, Guitar);
Don Torsch- (Hammond B-3 organ);
Michael Carras- (Keyboards);
Jay Golden- (Bass);
Vincent Daune- (Drums).
Thierry "Juke" Menesclou- (Harmonica).
**
01.Mai 5:05
02.Going Down 4:16
03.Cadillac Assembly Line 6:03
04.Voodoo Thang 4:47
05.Missing Stevie 3:45
06.Actions Speak Louder 4:13
07.Rockin' Robin 6:48
08.You're Hurting Me 5:01
09.Hang On 0:35
10.Looing Beyond the Past 3:30
11.Idols in Mind 4:21
12.Voodoo Chile Medley 10:26
**
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Tuesday, October 13, 2009
Bernard ALLISON - Next Generation 1990 (REPOST)
Bernard Allison - Next Generation 1990 (REPOST)
Label: Mondo
Blues
Bernard Allison totes the same smokin’ six string shooter that his late father Luther Allison assaulted the blues with. And he is blessed with his father’s soulful voice, spiritual devotion, and a musical freedom which experiments with the blues. Born in Chicago on November 26th, 1965, the youngest of nine children Bernard was first introduced to the roots of black music and the art of the electric guitar by his father, the late great Luther Allison. Like Ken Griffey Jr. hanging out in baseball locker rooms as a youth, Luther’s son was the kid running on-stage throughout the band’s set. Experiences like that profoundly effect one’s aspirations. “That’s when I decided I wanted to be up there like him. I think I was seven.”....
Bernard Allison is the guitar-playing, singing and songwriting son of the late, legendary blues guitarist Luther Allison. True to form for this chip off the old block, the young Allison injects every bit as much energy into his live shows as his late father did. Bernard counts among his influences icons like Albert King, Muddy Waters and Freddie King, and later, Stevie Ray Vaughan and Johnny Winter. Allison began accompanying his famous father to blues festivals in the early 1970s. There, he was introduced to a who's-who of Chicago blues stars: Muddy Waters, Hound Dog Taylor and Albert King, among others. When he was seven or eight, he began having aspirations of becoming a guitar slinger like his father. Allison's father was more than just a casual record collector, and so Bernard benefited from his father and brothers' collections of classic blues and gospel. After graduating from high school, Allison began playing with Koko Taylor in her touring band. He stayed with Taylor's band until 1985, when he left to hustle up his own gigs as Bernard Allison and Back Talk. Allison spent a lot of time in Canada with his first band, and later rejoined Taylor and her Blues Machine for another two years in the late 1980s. After joining his father in Europe for a live recording, Bernard was asked to join Luther's touring band and become his European bandleader. Allison's father helped his son along with the finer points of showmanship for several years until he was good enough to lead his own trio or quartet. At Christmas, 1989, while both were living together in Paris, the elder Allison arranged to give his son the most precious gift for budding musicians: studio time to record his first album. Allison's debut, Next Generation, was recorded for Mondo Records using musicians from his dad's band. His other foreign-label releases include Hang On, No Mercy, and Funkifino. In December 1996, Allison was contacted by Cannonball Records founder Ron Levy. Allison was home in Chicago visiting family at Christmas, and hadn't brought any of his guitars or other equipment with him. Levy wanted something based in traditional electric blues, with a few bones for newer fans of the idiom who have jumped on the blues bandwagon since 1990. Allison released his stunning U.S. debut, Keepin' the Blues Alive in early 1997, receiving a great deal of critical acclaim. On his successful tour of clubs around the U.S. in the latter half of 1997, Allison was joined by drummer Ray "Killer" Allison (no relation) and Buddy Guy bassist Greg Rzab, among others. Times Are Changing followed a year later. In mid-2000, Across the Water was released. Based in Paris full-time, he has the comfort and security that the multitude of blues clubs and festivals around Europe can provide.
By Richard Skelly. AMG.
**
Bernard Allison- Guitar, Drums, Vocals, Keyboards
Luther Allison- Harmonica
Vincent Daune- Drums
Michael Carras- Keyboards
**
01. Low Down and Dirty 3.40
02. Master of Disaster 3.45
03. Help 3.53
04. Walkin' 3.20
05. Baby Child 5.50
06. Next Generation 4.46
07. Wonderful Site 4.00
08. Trav'lin' 6.30
09. B.A.'s Knocking at Your Door 4.00
10. Boogie Woogie Boy 5.18
**
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Label: Mondo
Blues
Bernard Allison totes the same smokin’ six string shooter that his late father Luther Allison assaulted the blues with. And he is blessed with his father’s soulful voice, spiritual devotion, and a musical freedom which experiments with the blues. Born in Chicago on November 26th, 1965, the youngest of nine children Bernard was first introduced to the roots of black music and the art of the electric guitar by his father, the late great Luther Allison. Like Ken Griffey Jr. hanging out in baseball locker rooms as a youth, Luther’s son was the kid running on-stage throughout the band’s set. Experiences like that profoundly effect one’s aspirations. “That’s when I decided I wanted to be up there like him. I think I was seven.”....
Bernard Allison is the guitar-playing, singing and songwriting son of the late, legendary blues guitarist Luther Allison. True to form for this chip off the old block, the young Allison injects every bit as much energy into his live shows as his late father did. Bernard counts among his influences icons like Albert King, Muddy Waters and Freddie King, and later, Stevie Ray Vaughan and Johnny Winter. Allison began accompanying his famous father to blues festivals in the early 1970s. There, he was introduced to a who's-who of Chicago blues stars: Muddy Waters, Hound Dog Taylor and Albert King, among others. When he was seven or eight, he began having aspirations of becoming a guitar slinger like his father. Allison's father was more than just a casual record collector, and so Bernard benefited from his father and brothers' collections of classic blues and gospel. After graduating from high school, Allison began playing with Koko Taylor in her touring band. He stayed with Taylor's band until 1985, when he left to hustle up his own gigs as Bernard Allison and Back Talk. Allison spent a lot of time in Canada with his first band, and later rejoined Taylor and her Blues Machine for another two years in the late 1980s. After joining his father in Europe for a live recording, Bernard was asked to join Luther's touring band and become his European bandleader. Allison's father helped his son along with the finer points of showmanship for several years until he was good enough to lead his own trio or quartet. At Christmas, 1989, while both were living together in Paris, the elder Allison arranged to give his son the most precious gift for budding musicians: studio time to record his first album. Allison's debut, Next Generation, was recorded for Mondo Records using musicians from his dad's band. His other foreign-label releases include Hang On, No Mercy, and Funkifino. In December 1996, Allison was contacted by Cannonball Records founder Ron Levy. Allison was home in Chicago visiting family at Christmas, and hadn't brought any of his guitars or other equipment with him. Levy wanted something based in traditional electric blues, with a few bones for newer fans of the idiom who have jumped on the blues bandwagon since 1990. Allison released his stunning U.S. debut, Keepin' the Blues Alive in early 1997, receiving a great deal of critical acclaim. On his successful tour of clubs around the U.S. in the latter half of 1997, Allison was joined by drummer Ray "Killer" Allison (no relation) and Buddy Guy bassist Greg Rzab, among others. Times Are Changing followed a year later. In mid-2000, Across the Water was released. Based in Paris full-time, he has the comfort and security that the multitude of blues clubs and festivals around Europe can provide.
By Richard Skelly. AMG.
**
Bernard Allison- Guitar, Drums, Vocals, Keyboards
Luther Allison- Harmonica
Vincent Daune- Drums
Michael Carras- Keyboards
**
01. Low Down and Dirty 3.40
02. Master of Disaster 3.45
03. Help 3.53
04. Walkin' 3.20
05. Baby Child 5.50
06. Next Generation 4.46
07. Wonderful Site 4.00
08. Trav'lin' 6.30
09. B.A.'s Knocking at Your Door 4.00
10. Boogie Woogie Boy 5.18
**
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Thursday, October 8, 2009
Bernard ALLISON - Triple Fret 2005
Bernard ALLISON - Triple Fret 2005
Label: JSP
Blues
As the title and cover art suggests, Triple Fret is a player's album. Although Bernard Allison gets star billing (and does all the vocals), this is a trio record, with fellow electric blues guitarists Larry McCray and Carl Weathersby contributing as much guitar firepower as Allison. Even better, second-generation Hammond organ legend Lucky Peterson guests, adding some welcome musical variety to the otherwise fret-heavy selection and getting his own showcase, the smoking seven-minute instrumental workout "Where's Lucky?" That leaves the songwriting as the only weak spot, but unfortunately, it's pretty seriously weak. Most of the songs on Triple Fret are hackneyed Chicago blues riffs with self-referential lyrics about how hard it is to be a bluesman. Tune out the lyrics and the undistinguished chord changes and the sheer enjoyment of the trio's playing comes through. For some, however, that might not be quite enough.
By Stewart Mason, All Music Guide.
**
Bernard Allison- Guitar, Guitar (Rhythm), Vocals
John Colby- Piano, Arranger, Clavinet, Fender Rhodes, Horn Arrangements
Bruce Feiner- Arranger, Horn Arrangements
Robert Feiner- Sax (Tenor)
Jamie Finegan- Trumpet
Johnny B. Gayden- Bass
Larry McCray- Guitar, Guitar (Rhythm), Vocals
Steve McCray- Drums
Lucky Peterson- Organ, Guest Appearance
Carl Weathersby- Guitar, Vocals
**
01. Bottle of Whiskey 7:22
02. Bluesman 6:53
03. Get Drunk and Pop the Trunk 3:34
04. Don't Tie Me Down (Feiner, Harris) 5:30
05. I'm Praying for You 4:09
06. Where's Lucky 7:18
07. Good to Me 4:08
08. Ain't Nothing But the Truth 4:48
09. Take It Slow 6:27
**
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Label: JSP
Blues
As the title and cover art suggests, Triple Fret is a player's album. Although Bernard Allison gets star billing (and does all the vocals), this is a trio record, with fellow electric blues guitarists Larry McCray and Carl Weathersby contributing as much guitar firepower as Allison. Even better, second-generation Hammond organ legend Lucky Peterson guests, adding some welcome musical variety to the otherwise fret-heavy selection and getting his own showcase, the smoking seven-minute instrumental workout "Where's Lucky?" That leaves the songwriting as the only weak spot, but unfortunately, it's pretty seriously weak. Most of the songs on Triple Fret are hackneyed Chicago blues riffs with self-referential lyrics about how hard it is to be a bluesman. Tune out the lyrics and the undistinguished chord changes and the sheer enjoyment of the trio's playing comes through. For some, however, that might not be quite enough.
By Stewart Mason, All Music Guide.
**
Bernard Allison- Guitar, Guitar (Rhythm), Vocals
John Colby- Piano, Arranger, Clavinet, Fender Rhodes, Horn Arrangements
Bruce Feiner- Arranger, Horn Arrangements
Robert Feiner- Sax (Tenor)
Jamie Finegan- Trumpet
Johnny B. Gayden- Bass
Larry McCray- Guitar, Guitar (Rhythm), Vocals
Steve McCray- Drums
Lucky Peterson- Organ, Guest Appearance
Carl Weathersby- Guitar, Vocals
**
01. Bottle of Whiskey 7:22
02. Bluesman 6:53
03. Get Drunk and Pop the Trunk 3:34
04. Don't Tie Me Down (Feiner, Harris) 5:30
05. I'm Praying for You 4:09
06. Where's Lucky 7:18
07. Good to Me 4:08
08. Ain't Nothing But the Truth 4:48
09. Take It Slow 6:27
**
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Monday, October 5, 2009
Bernard ALLISON - Born With The Blues 1997
Bernard ALLISON - Born With The Blues 1997
Label: RUF
Blues
Using a group of hand-picked Chicago musicians he was friendly with, and borrowed equipment, Bernard Allison recorded his stunning U.S. debut, Keepin' the Blues Alive. The album was released early in 1997, perfectly blending traditional post-WWII Chicago blues with a few blues-rock riffs from the 1970s and '80s thrown in. Songs like "Young Boy's Blues," "When I'm Lonely" and "Tell Me Why" demonstrate a refreshing approach to blues songwriting reminiscent of Louisiana bluesman Larry Garner.
By Richard Skelly, All Music Guide.
**
Greg Rzab Guitar- Bass
Matthew Skoller- Harmonica
Bernard Allison Guitar- Vocals, Slide Guitar
Ray Allison- Drums
Will Crosby- Guitar Rhythm
Ron Levy- Piano, Mixing, Organ Hammond
**
01. Baby Chile 4:42
02. Tell Me Why 4:26
03. Walkin' 3:29
04. Young Boy's Blues 6:31
05. In The Open 4:18
06. You Gave Me The Blues 4:34
07. Home Goin' 5:44
08. When I'm Lonely 3:21
09. A Change Must Come 4:58
10. Rocket 88 3:43
11. Garbage Man 6:52
**
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Label: RUF
Blues
Using a group of hand-picked Chicago musicians he was friendly with, and borrowed equipment, Bernard Allison recorded his stunning U.S. debut, Keepin' the Blues Alive. The album was released early in 1997, perfectly blending traditional post-WWII Chicago blues with a few blues-rock riffs from the 1970s and '80s thrown in. Songs like "Young Boy's Blues," "When I'm Lonely" and "Tell Me Why" demonstrate a refreshing approach to blues songwriting reminiscent of Louisiana bluesman Larry Garner.
By Richard Skelly, All Music Guide.
**
Greg Rzab Guitar- Bass
Matthew Skoller- Harmonica
Bernard Allison Guitar- Vocals, Slide Guitar
Ray Allison- Drums
Will Crosby- Guitar Rhythm
Ron Levy- Piano, Mixing, Organ Hammond
**
01. Baby Chile 4:42
02. Tell Me Why 4:26
03. Walkin' 3:29
04. Young Boy's Blues 6:31
05. In The Open 4:18
06. You Gave Me The Blues 4:34
07. Home Goin' 5:44
08. When I'm Lonely 3:21
09. A Change Must Come 4:58
10. Rocket 88 3:43
11. Garbage Man 6:52
**
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Thursday, October 1, 2009
Bernard ALLISON - The River Is Rising 2008
Bernard ALLISON - The River Is Rising 2008
Label: Music Avenue
Blues
The son of the late great Blues guitarist, Luther Allison, Bernard has spent years honing his skills to become a great guitarist in his own right, as well as a mature vocalist and gifted songwriter. His scorching guitar licks, dazzling slides, and thick-toned solos, currently make him one of the most tasteful young guitar wizards of the genre.
From Music Avenue.
**
Bernard Allison is the guitar-playing, singing and songwriting son of the late, legendary blues guitarist Luther Allison. True to form for this chip off the old block, the young Allison injects every bit as much energy into his live shows as his late father did.
Bernard counts among his influences icons like Albert King, Muddy Waters and Freddie King, and later, Stevie Ray Vaughan and Johnny Winter.
Allison began accompanying his famous father to blues festivals in the early 1970s. There, he was introduced to a who's-who of Chicago blues stars: Muddy Waters, Hound Dog Taylor and Albert King, among others. When he was seven or eight, he began having aspirations of becoming a guitar slinger like his father. Allison's father was more than just a casual record collector, and so Bernard benefited from his father and brothers' collections of classic blues and gospel.
After graduating from high school, Allison began playing with Koko Taylor in her touring band. He stayed with Taylor's band until 1985, when he left to hustle up his own gigs as Bernard Allison and Back Talk. Allison spent a lot of time in Canada with his first band, and later rejoined Taylor and her Blues Machine for another two years in the late 1980s.
After joining his father in Europe for a live recording, Bernard was asked to join Luther's touring band and become his European bandleader. Allison's father helped his son along with the finer points of showmanship for several years until he was good enough to lead his own trio or quartet. At Christmas, 1989, while both were living together in Paris, the elder Allison arranged to give his son the most precious gift for budding musicians: studio time to record his first album. Allison's debut, Next Generation, was recorded for Mondo Records using musicians from his dad's band. His other foreign-label releases include Hang On, No Mercy, and Funkifino.
In December 1996, Allison was contacted by Cannonball Records founder Ron Levy. Allison was home in Chicago visiting family at Christmas, and hadn't brought any of his guitars or other equipment with him. Levy wanted something based in traditional electric blues, with a few bones for newer fans of the idiom who have jumped on the blues bandwagon since 1990. Allison released his stunning U.S. debut, Keepin' the Blues Alive in early 1997, receiving a great deal of critical acclaim. On his successful tour of clubs around the U.S. in the latter half of 1997, Allison was joined by drummer Ray "Killer" Allison (no relation) and Buddy Guy bassist Greg Rzab, among others. Times Are Changing followed a year later. In mid-2000, Across the Water was released. Based in Paris full-time, he has the comfort and security that the multitude of blues clubs and festivals around Europe can provide.
By Richard Skelly, All Music Guide.
**
01. The River Is Rising 3:44
02. I Just Came Back To Say Goodbye 4:39
03. Coming Back (Across The Water) 10.64
04. Feels Kinda Funny 3:19
05. There's No Higher Love 4:07
06. I've Been Down 6:39
07. Slip Slidin' 1:44
08. Down South 4:13
09. I Think I Love You Too Much 3:56
10. Mean Town Blues 3:08
11. Speed Slide 3:09
12. Snake Bit Again 3:42
13. Fistful Of Dirt 3:45
14. Help Me Through The Day 4:49
**
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Label: Music Avenue
Blues
The son of the late great Blues guitarist, Luther Allison, Bernard has spent years honing his skills to become a great guitarist in his own right, as well as a mature vocalist and gifted songwriter. His scorching guitar licks, dazzling slides, and thick-toned solos, currently make him one of the most tasteful young guitar wizards of the genre.
From Music Avenue.
**
Bernard Allison is the guitar-playing, singing and songwriting son of the late, legendary blues guitarist Luther Allison. True to form for this chip off the old block, the young Allison injects every bit as much energy into his live shows as his late father did.
Bernard counts among his influences icons like Albert King, Muddy Waters and Freddie King, and later, Stevie Ray Vaughan and Johnny Winter.
Allison began accompanying his famous father to blues festivals in the early 1970s. There, he was introduced to a who's-who of Chicago blues stars: Muddy Waters, Hound Dog Taylor and Albert King, among others. When he was seven or eight, he began having aspirations of becoming a guitar slinger like his father. Allison's father was more than just a casual record collector, and so Bernard benefited from his father and brothers' collections of classic blues and gospel.
After graduating from high school, Allison began playing with Koko Taylor in her touring band. He stayed with Taylor's band until 1985, when he left to hustle up his own gigs as Bernard Allison and Back Talk. Allison spent a lot of time in Canada with his first band, and later rejoined Taylor and her Blues Machine for another two years in the late 1980s.
After joining his father in Europe for a live recording, Bernard was asked to join Luther's touring band and become his European bandleader. Allison's father helped his son along with the finer points of showmanship for several years until he was good enough to lead his own trio or quartet. At Christmas, 1989, while both were living together in Paris, the elder Allison arranged to give his son the most precious gift for budding musicians: studio time to record his first album. Allison's debut, Next Generation, was recorded for Mondo Records using musicians from his dad's band. His other foreign-label releases include Hang On, No Mercy, and Funkifino.
In December 1996, Allison was contacted by Cannonball Records founder Ron Levy. Allison was home in Chicago visiting family at Christmas, and hadn't brought any of his guitars or other equipment with him. Levy wanted something based in traditional electric blues, with a few bones for newer fans of the idiom who have jumped on the blues bandwagon since 1990. Allison released his stunning U.S. debut, Keepin' the Blues Alive in early 1997, receiving a great deal of critical acclaim. On his successful tour of clubs around the U.S. in the latter half of 1997, Allison was joined by drummer Ray "Killer" Allison (no relation) and Buddy Guy bassist Greg Rzab, among others. Times Are Changing followed a year later. In mid-2000, Across the Water was released. Based in Paris full-time, he has the comfort and security that the multitude of blues clubs and festivals around Europe can provide.
By Richard Skelly, All Music Guide.
**
01. The River Is Rising 3:44
02. I Just Came Back To Say Goodbye 4:39
03. Coming Back (Across The Water) 10.64
04. Feels Kinda Funny 3:19
05. There's No Higher Love 4:07
06. I've Been Down 6:39
07. Slip Slidin' 1:44
08. Down South 4:13
09. I Think I Love You Too Much 3:56
10. Mean Town Blues 3:08
11. Speed Slide 3:09
12. Snake Bit Again 3:42
13. Fistful Of Dirt 3:45
14. Help Me Through The Day 4:49
**
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