Thursday, October 15, 2009

Tania MARIA & Viva Brazil Quartet - Live at the Blue Note 2002


Tania MARIA & Viva Brazil Quartet - Live at the Blue Note 2002
Label: Concord

Jazz

The spontaneous essence of Brazilian-born pianist and vocalist Tania Maria has been formidably captured on this new release recorded live at the prestigious Blue Note in New York City.
Tania Maria's performance and that of her band the Viva Brazil Quartet--Luiz Augusto Cavani on drums, Carlos Werneck on bass, and Mestre Carneiro on percussion--is permeated with the improvisation of familiar songs, where her fiery vocal gymnastics are coupled with effervescent keyboard work.
Live at the Blue Note is infused with jazz, funk, Afro-Cuban influences, and the music of her native Brazil. It features several of Tania Maria's most beloved compositions including the rhythmic "Funky Tamborim" and "Bom Bom Bom Tchi Tchi Tchi," with classics such as "Florzinha" by Sidney Bechet and "Granada" by Augustin Lara--an essential collection of tunes by extraordinary Brazilian musicians.
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Tania Maria's percussive piano pyrotechnics and fiery vocal gymnastics spark this incessantly grooving dream set. Featuring Tania's singular mosaic of Brazilian samba, bossa nova, pop, jazz, and funk, Live at the Blue Note captures Brazil's fiery musical sensation live, and at her very best. Pull up a front table seat (if you dare try to sit still) and listen as Tania Maria delivers some of the most dynamic recorded versions of some of her most provocative songs
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Most albums by Brazilian female vocalists follow the styles of the queens of the music, like Astrud Gilberto or Gal Costa, making records that are either smoothly romantic or rhythmically kinetic. On 2002's Live at the Blue Note, Tânia Maria delivers an impressive set that owes little to either style. Maria's band, the Viva Brazil Quartet, owes at least as much to hard boppers like the early-'60s Miles Davis group as it does to Antonio Carlos Jobim, and Maria's idiosyncratic, highly percussive keyboard style is much more Cecil Taylor than Walter Wanderley. The recording is rather oddly mixed, with Maria's piano and synthesizer in the forefront, her equally distinctive vocals much farther back, and Carlos Werneck's guitar and bass sometimes barely audible, but the performances are uniformly first-rate. Maria sings in both English and Portuguese, sometimes switching mid-song, but at her most transcendent, Maria breaks into wordless flights of sound, as on the exhilarating "Granada" and the whistled choruses of the ballad "Valeu." At these moments, the occasionally herky-jerky rhythms and fractured melodies coalesce into something magical. Live at the Blue Note may be a bit advanced for those who are just looking for some romantic bossa nova music, but it's an excellent starting point for discovering Tania Maria.
By Stewart Mason, AMG.
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Tania Maria- (Piano, Synthesizer and Vocals)
Luiz Augusto- (Drums)
Carlos Werneck- (Bass Guitar)
Mestre Carneiro- (Percussion)
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01 Funky Tamborim (Tania Maria/Correa Reis) 8:11
02 Quase (Charles Mangione/Jorge Goncalves) 6:43
03 Granada (Augustin Lara) 7:25
04 Bom Bom Bom Tchi Tchi Tchi (Tania Maria/Correa Reis) 9:31
05 Valeu (Tania Maria/Correa Reis) 9:20
06 E' Carnaval (Tania Maria/Correa Reis/Van Gibbs) 6:51
07 Florzinha (Sidney Bechet/Tania Maria/Correa Reis) 7:07
08 Minha Mae and Sangria (Tania Maria/Correa Reis) 6:08
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