Label: Ojc
Recorded at the Van Gelder Studio, Hackensack,
New Jersey on December 14, 1956 and May 24 & August 9, 1957
Originally released on Prestige.
Jazz
Red Garland has never received the amount of praise he deserves. Maybe he simply didn't stick around long enough with Miles once the maestro was signed to Columbia. The great Miles Prestige sets which Garland was a part of as well as Round About Midnight and Milestones, are among the greatest piano accompanyments on record.
It was very hard to decide whether this record merits 4 stars or 5. I chose 4 because I cannot put this record on the level of other Garland/Miles records. However, this is Garland's greatest set, because he plays just what is needed and nothing more; something many pianists forget.
To the avid jazz listener: Be warned, while this is a very special set, it will not blow you away, if you've heard Garland in the Miles Quintet. If by some chance you came upon this recording and do not own any of Miles' recordings with Garland, I suggest you purchase that first, particularly Milestones.
By David Solomon.
**
When Red Garland was a member of Miles Davis's band in the late '50s, Davis would regularly depart the stage to feature Garland in a trio format. He was a complete jazz pianist, able to find ideal chordal extensions to prod a soloist, to swing aggressively with block chords, and to string together single note lines with buoyant energy and a bright articulation. He was capable of real delicacy, but his playing never descended to the decorative. His regular trio featured bassist Paul Chambers, his gifted partner from the Davis quintet, and drummer Art Taylor, a rock-solid timekeeper whose balance of subtlety and drive also made him Bud Powell's drummer of choice. Garland mated his harmonic sophistication to elements that communicated directly, his tunefulness, his rhythmic drive, and his vigorous roots in Texas and the Southwest blues traditions. They're evident everywhere here, from the medium-tempo swing of Ellington minimalist masterpiece "C-Jam Blues" to the deep, melancholic blues that infuse "Willow Weep for Me." Garland's Prestige recordings of the late '50s are models for the piano trio in modern jazz, and Groovy is among the best of them.
By Stuart Broomer. AMG.
**
Red Garland- Piano
Paul Chambers- Bass
Arthur Taylor- Drums
**
01. C Jam Blues 8:19
02. Gone Again 6:43
03. Will You Still Be Mine? 4:40
04. Willow Weep For Me 9:34
05. What Can I Say Dear (After I Say I'm Sorry?) 7:11
06. Hey Now 3:38
**
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