Tony Joe WHITE - Live In Europa 1971
1986 Issue. DFG 8407
Blues
Recorded Live on tour in Germany, Belgium, Sweden and England in 1971 by Alan Rush.
Also the album is referred to as Live in Europe.
**
Tony Joe White- Guitars,Vocals,Harmonica
Mike Utley- Hammond Organ
Sammy Creason- Drums
Donald "Duck" Dunn- Electric Base
**
A1. Roosevelt And Ira Lee 4:53
A2. Another Night In The Life Of A Swamp Fox 6:10
A3. A Rainy Night In Georgia 4:40
A4. Lustful Earl And The Married Woman 3:46
A5. Willie And Laura Mae Jones 5:58
B1. My Kind Of Woman 5:40
B2. Mississippi River 5:01
B3. Travelin' Bone 3:03
B4. Back To The Country 3:06
B5. Polk Salad Annie 10:25
**
NoPassword
*
DLink
*
Showing posts with label Tony Joe WHITE. Show all posts
Showing posts with label Tony Joe WHITE. Show all posts
Friday, March 19, 2010
Tuesday, February 9, 2010
Tony Joe WHITE - Homemade Ice Cream 1973
Tony Joe WHITE - Homemade Ice Cream 1973
WB 46229
Blues
Some records and artists have got o be brought into the light a little bit more, and we music diggers are her for that I guess.
A long time favorite of mine, Homemade Ice Cream is IMO a underrated key recording in singer-songwriter music from the '70s.
This record features one of the most beautiful and moving breaking up songs with "For Ol' Time Sake", in which you can feel the pain and the need of the one that's just been left behind ("If you don't have nothing else to say, let me hold you once again for ol'time sakes), and the killer instrumental title track.
"Homemade Ice Cream" (the track) is typical of the whole album : the production is stripped to the essential, but every single note is played with feeling, style, and just the right laid back, down home sound. Listening to this record, you just tell yourself why bother with complex production tricks when one can deliver such a feeling with such an economy of means... I mean compared to this guy even J. J. Cale sounds like an epileptic !!!
So it if were just for these two songs, the album is worth the listen. But there are other gems like the great "Lazy", a slow and easy blues about slow joys. In addition to making great and expressive music, Tony Joe can write good-natured lyrics like "babe you know i could go for some good ol' lovin', but you will have to come cause you knows I'm so weak, today I just can't get on my feet". Or "California on my mind", the ecology song "Mother Earth"
**
Norbert Putnam- Bass
Kenny Malone- Drums
Reggie Young- Guitar
David Briggs- Piano, Organ
Tony Joe White- Guitar,Vocals
**
A1. Saturday Night In Oak Grove Louisiana 2:12
A2. For Ol' Time Sake 3:45
A3. I Want Love ('Tween You & Me) 2:40
A4. Homemade Ice Cream 3:10
A5. Ol'Mother Earth 3:06
A6. Lazy 3:38
B1. California On My Mind 3:41
B2. Backwoods Preacher Man 2:45
B3. Takin' The Midnight Train 4:01
B4. No News Is Good News 3:01
B5. Did Somebody Make A Fool Out Of You 4:14
**
NoPassword
*
DLink
*
WB 46229
Blues
Some records and artists have got o be brought into the light a little bit more, and we music diggers are her for that I guess.
A long time favorite of mine, Homemade Ice Cream is IMO a underrated key recording in singer-songwriter music from the '70s.
This record features one of the most beautiful and moving breaking up songs with "For Ol' Time Sake", in which you can feel the pain and the need of the one that's just been left behind ("If you don't have nothing else to say, let me hold you once again for ol'time sakes), and the killer instrumental title track.
"Homemade Ice Cream" (the track) is typical of the whole album : the production is stripped to the essential, but every single note is played with feeling, style, and just the right laid back, down home sound. Listening to this record, you just tell yourself why bother with complex production tricks when one can deliver such a feeling with such an economy of means... I mean compared to this guy even J. J. Cale sounds like an epileptic !!!
So it if were just for these two songs, the album is worth the listen. But there are other gems like the great "Lazy", a slow and easy blues about slow joys. In addition to making great and expressive music, Tony Joe can write good-natured lyrics like "babe you know i could go for some good ol' lovin', but you will have to come cause you knows I'm so weak, today I just can't get on my feet". Or "California on my mind", the ecology song "Mother Earth"
**
Norbert Putnam- Bass
Kenny Malone- Drums
Reggie Young- Guitar
David Briggs- Piano, Organ
Tony Joe White- Guitar,Vocals
**
A1. Saturday Night In Oak Grove Louisiana 2:12
A2. For Ol' Time Sake 3:45
A3. I Want Love ('Tween You & Me) 2:40
A4. Homemade Ice Cream 3:10
A5. Ol'Mother Earth 3:06
A6. Lazy 3:38
B1. California On My Mind 3:41
B2. Backwoods Preacher Man 2:45
B3. Takin' The Midnight Train 4:01
B4. No News Is Good News 3:01
B5. Did Somebody Make A Fool Out Of You 4:14
**
NoPassword
*
DLink
*
Friday, January 8, 2010
Tony Joe WHITE - Black And White 1969
Tony Joe WHITE - Black And White 1969
XBLY 921032
Blues
When "Polk Salad Annie" blared from transistor radio speakers in the summer of 1969, the first thought was of Creedence Clearwater Revival, for Tony Joe White's swamp rock bore more than a passing resemblance to the sound John Fogerty whipped up on Bayou Country and Green River. But White was the real thing -- he really was from the bayou country of Louisiana, while Fogerty's bayou country was conjured up in Berkeley, CA. Plus, White had a mellow baritone voice that sounded like it had been dredged up from the bottom of the Delta. Besides "Annie," side one of this album includes several other White originals. The best of these are "Willie and Laura Mae Jones," a song about race relations with an arrangement similar to "Ballad of Billie Joe," and "Soul Francisco," a short piece of funky fluff that had been a big hit in Europe in 1968. "Aspen, Colorado" presages the later "Rainy Night in Georgia," a White composition popularized by Brook Benton. The second side consists of covers of contemporary hits, with the funky "Who's Making Love" and "Scratch My Back" faring better than the slow stuff. Dusty Springfield had a minor hit with "Willie and Laura Mae Jones," and White's songs were recorded by other performers through the years, but "Polk Salad Annie" and the gators that got her granny provided his only march in the American hit parade.
By Jim Newsom, All Music Guide.
**
Jim Isbell- (Drums),
David Briggs- (Keyboards),
Tony Joe White- (Vocals),(Guitar),(Harmonica),
Norbert Putnam- (Bass),
Jerry Carrigan- (Drums),
Chip Young- (Guitar).
**
A1. Willie and Laura Mae Jones 4:55
A2. Soul Francisco 1:55
A3. Aspen Colorado 2:48
A4. Whompt Out on You 2:22
A5. Don't Steal My Love 3:49
A6. Polk Salad Annie 3:43
B1. Who's Making Love 3:11
B2. Scratch My Back 2:59
B3. Little Green Apples 3:56
B4. Wichita Lineman 2:49
B5. Look of Love 3:17
**
NoPassword
*
DLink
*
XBLY 921032
Blues
When "Polk Salad Annie" blared from transistor radio speakers in the summer of 1969, the first thought was of Creedence Clearwater Revival, for Tony Joe White's swamp rock bore more than a passing resemblance to the sound John Fogerty whipped up on Bayou Country and Green River. But White was the real thing -- he really was from the bayou country of Louisiana, while Fogerty's bayou country was conjured up in Berkeley, CA. Plus, White had a mellow baritone voice that sounded like it had been dredged up from the bottom of the Delta. Besides "Annie," side one of this album includes several other White originals. The best of these are "Willie and Laura Mae Jones," a song about race relations with an arrangement similar to "Ballad of Billie Joe," and "Soul Francisco," a short piece of funky fluff that had been a big hit in Europe in 1968. "Aspen, Colorado" presages the later "Rainy Night in Georgia," a White composition popularized by Brook Benton. The second side consists of covers of contemporary hits, with the funky "Who's Making Love" and "Scratch My Back" faring better than the slow stuff. Dusty Springfield had a minor hit with "Willie and Laura Mae Jones," and White's songs were recorded by other performers through the years, but "Polk Salad Annie" and the gators that got her granny provided his only march in the American hit parade.
By Jim Newsom, All Music Guide.
**
Jim Isbell- (Drums),
David Briggs- (Keyboards),
Tony Joe White- (Vocals),(Guitar),(Harmonica),
Norbert Putnam- (Bass),
Jerry Carrigan- (Drums),
Chip Young- (Guitar).
**
A1. Willie and Laura Mae Jones 4:55
A2. Soul Francisco 1:55
A3. Aspen Colorado 2:48
A4. Whompt Out on You 2:22
A5. Don't Steal My Love 3:49
A6. Polk Salad Annie 3:43
B1. Who's Making Love 3:11
B2. Scratch My Back 2:59
B3. Little Green Apples 3:56
B4. Wichita Lineman 2:49
B5. Look of Love 3:17
**
NoPassword
*
DLink
*
Monday, November 23, 2009
Tony Joe WHITE - Uncovered 2006
Tony Joe WHITE - Uncovered 2006
Blues
Swamp Fox indeed. At this juncture, Tony Joe White should be called the Swamp Monster because on Uncovered he takes it to the limit. There are seven new cuts on Uncovered, and reworked versions of "Rainy Night in Georgia," "Taking the Midnight Train," and "Did Somebody Make a Fool Out of You." White has been making records for a long time, though not many in the U.S. noticed after the late '70s. Since late in the last century, White has been kicking them out from his home studio in Nash Vegas. The sound is trademark, slow-burning, and growling. It's sultry as a late August night in the bayou. There are also, as is becoming de rigueur for legends these days, some surprise guest appearances. White has used them before and recently, on his killer Heroines set, where he played and sang with Shelby Lynne, Lucinda Williams, and Emmylou Harris. This time out he's got some great partners. He cut "Not One Bad Thought," with Mark Knopfler. The skittering interplay between them is worth the disc price to be sure. The pair apparently got together around a campfire with some food and beer and played the tune there first; they cut it in the studio shortly thereafter. Michael McDonald -- yep, that one -- guests on piano and vocals on "Don't Look Down," and it works like a charm, surprisingly. But the biggest news here is "Shakin' the Blues" with the late Waylon Jennings. It's one of the last performances he ever wrote or laid down on tape, and the pair feel like the old friends they are. White can sing or play with anybody, which is why his music translated so well to other performers -- primarily soul and R&B artists -- but when collaborating, that guitar and slow, drawling menace are so sinister, there's no mistake about whose tune it is. Only on "Shakin the Blues" does that feel different, because of the sheer strength of Jennings' enigma. On other tracks, such as "Louvelda," J.J. Cale contributed from Oklahoma, and wrote and sang two new verses for the song. Eric Clapton recorded his additions to "Did Somebody Make a Fool Out of You" from London and sent them -- ahhhh -- via digital technology. The whispering, funky blues of "Rebellion" when White lets it rip is another high point, and his band is perfectly suited to his pace and tension dynamic. "Rainy Night in Georgia," suffers not a bit from having been re-recorded. It's still one of the most beautiful songs to come out of the Deep South. The disc ends on an evil note with "Keeper of the Fire," with its fuzzed-out blues simmer and soulful backing vocals by Odessa Settles, and a horn section featuring Wayne Jackson on trumpet. White never needs to raise his voice because the power in its nearly whispered restraint has all the power of a slow-burning fire that becomes a blaze. For those who didn't already know, White is back -- with a vengeance.
By Thom Jurek, All Music Guide.
**
Tony Joe White says he always saw the friends he invited to play on his new album--Eric Clapton, Mark Knopfler, J.J. Cale, Michael McDonald, and the late Waylon Jennings--as "keepers of the fire." They're also premier custodians of loneliness and despair, the two emotions that lie at the heart of this hypnotic submersion into country/swamp blues. From the kickoff track, "Run for Cover," with Wayne Jackson of the Memphis Horns, these meditations on mourning--lost lovers, spiritual struggles, anxiety that knows no name and no bottom--grab the listener fast and pull him down into swirling dark waters. For that reason, there's a numbing sameness--on occasion, two songs back-to-back seem to simply be extensions of each other. But while Jennings's effort is more a portrait of the artist testing his chops after suffering a stroke, other collaborations stick in the mind. The dour Knopfler shows up on the most optimistic song, "Not One Bad Thought," but his vocals still sound like the barely uttered words of a depressive on a bad down. Clapton's voice remains characteristically modest on "Did Somebody Make a Fool Out of You," yet his guitar work--measured and full of emotion--proves what you don't play is as important as what you do. Still, the best pairing is that with Michael McDonald on "Baby, Don't Look Down." When White's smoky rumble meets McDonald's bruised, angelic tenor, you'll know why God made music.
By Alanna Nash.
**
Robby Turner- Bass, Pedal Steel
Carson Whitsett- Piano, Organ (Hammond), Wurlitzer
Jeff Hale- Percussion, Drums
Tom McGinley- Sax (Baritone)
Shirley SettlesVocals (Background)
Calvin Settles- Vocals (Background)
Odessa Settles- Vocals (Background)
Todd Suttles- Vocals (Background)
Tony Joe White- Guitar, Harmonica, Sound Effects, Percussion, Vocals, Producer
John Catchings- Cello
Eric Clapton- Guitar, Vocals
Wayne Jackson- Trombone, Trumpet
Mark Knopfler- Guitar, Vocals
J.J. Cale Guitar, Vocals
**
01. Run For Cover 4:42
02. Not One Bad Thought (w/ Mark Knopfler) 5:35
03. Did Somebody Make A Fool Out of You (w/ Eric Clapton) 4:50
04. Louvelda (w/ JJ Cale) 7:33
05. Rebellion 5:24
06. Shakin’ The Blues (w/ Waylon Jennings) 5:19
07. Rainy Night In Georgia 5:49
08. Baby, Don’t Look Down (w/ Michael McDonald) 4:48
09. Taking the Midnight Train 4:34
10. Keeper of the Fire 4:50
**
NoPassword
*
DLink
*
Blues
Swamp Fox indeed. At this juncture, Tony Joe White should be called the Swamp Monster because on Uncovered he takes it to the limit. There are seven new cuts on Uncovered, and reworked versions of "Rainy Night in Georgia," "Taking the Midnight Train," and "Did Somebody Make a Fool Out of You." White has been making records for a long time, though not many in the U.S. noticed after the late '70s. Since late in the last century, White has been kicking them out from his home studio in Nash Vegas. The sound is trademark, slow-burning, and growling. It's sultry as a late August night in the bayou. There are also, as is becoming de rigueur for legends these days, some surprise guest appearances. White has used them before and recently, on his killer Heroines set, where he played and sang with Shelby Lynne, Lucinda Williams, and Emmylou Harris. This time out he's got some great partners. He cut "Not One Bad Thought," with Mark Knopfler. The skittering interplay between them is worth the disc price to be sure. The pair apparently got together around a campfire with some food and beer and played the tune there first; they cut it in the studio shortly thereafter. Michael McDonald -- yep, that one -- guests on piano and vocals on "Don't Look Down," and it works like a charm, surprisingly. But the biggest news here is "Shakin' the Blues" with the late Waylon Jennings. It's one of the last performances he ever wrote or laid down on tape, and the pair feel like the old friends they are. White can sing or play with anybody, which is why his music translated so well to other performers -- primarily soul and R&B artists -- but when collaborating, that guitar and slow, drawling menace are so sinister, there's no mistake about whose tune it is. Only on "Shakin the Blues" does that feel different, because of the sheer strength of Jennings' enigma. On other tracks, such as "Louvelda," J.J. Cale contributed from Oklahoma, and wrote and sang two new verses for the song. Eric Clapton recorded his additions to "Did Somebody Make a Fool Out of You" from London and sent them -- ahhhh -- via digital technology. The whispering, funky blues of "Rebellion" when White lets it rip is another high point, and his band is perfectly suited to his pace and tension dynamic. "Rainy Night in Georgia," suffers not a bit from having been re-recorded. It's still one of the most beautiful songs to come out of the Deep South. The disc ends on an evil note with "Keeper of the Fire," with its fuzzed-out blues simmer and soulful backing vocals by Odessa Settles, and a horn section featuring Wayne Jackson on trumpet. White never needs to raise his voice because the power in its nearly whispered restraint has all the power of a slow-burning fire that becomes a blaze. For those who didn't already know, White is back -- with a vengeance.
By Thom Jurek, All Music Guide.
**
Tony Joe White says he always saw the friends he invited to play on his new album--Eric Clapton, Mark Knopfler, J.J. Cale, Michael McDonald, and the late Waylon Jennings--as "keepers of the fire." They're also premier custodians of loneliness and despair, the two emotions that lie at the heart of this hypnotic submersion into country/swamp blues. From the kickoff track, "Run for Cover," with Wayne Jackson of the Memphis Horns, these meditations on mourning--lost lovers, spiritual struggles, anxiety that knows no name and no bottom--grab the listener fast and pull him down into swirling dark waters. For that reason, there's a numbing sameness--on occasion, two songs back-to-back seem to simply be extensions of each other. But while Jennings's effort is more a portrait of the artist testing his chops after suffering a stroke, other collaborations stick in the mind. The dour Knopfler shows up on the most optimistic song, "Not One Bad Thought," but his vocals still sound like the barely uttered words of a depressive on a bad down. Clapton's voice remains characteristically modest on "Did Somebody Make a Fool Out of You," yet his guitar work--measured and full of emotion--proves what you don't play is as important as what you do. Still, the best pairing is that with Michael McDonald on "Baby, Don't Look Down." When White's smoky rumble meets McDonald's bruised, angelic tenor, you'll know why God made music.
By Alanna Nash.
**
Robby Turner- Bass, Pedal Steel
Carson Whitsett- Piano, Organ (Hammond), Wurlitzer
Jeff Hale- Percussion, Drums
Tom McGinley- Sax (Baritone)
Shirley SettlesVocals (Background)
Calvin Settles- Vocals (Background)
Odessa Settles- Vocals (Background)
Todd Suttles- Vocals (Background)
Tony Joe White- Guitar, Harmonica, Sound Effects, Percussion, Vocals, Producer
John Catchings- Cello
Eric Clapton- Guitar, Vocals
Wayne Jackson- Trombone, Trumpet
Mark Knopfler- Guitar, Vocals
J.J. Cale Guitar, Vocals
**
01. Run For Cover 4:42
02. Not One Bad Thought (w/ Mark Knopfler) 5:35
03. Did Somebody Make A Fool Out of You (w/ Eric Clapton) 4:50
04. Louvelda (w/ JJ Cale) 7:33
05. Rebellion 5:24
06. Shakin’ The Blues (w/ Waylon Jennings) 5:19
07. Rainy Night In Georgia 5:49
08. Baby, Don’t Look Down (w/ Michael McDonald) 4:48
09. Taking the Midnight Train 4:34
10. Keeper of the Fire 4:50
**
NoPassword
*
DLink
*
Wednesday, October 28, 2009
Tony Joe WHITE - The Path Of A Decent Groove 1993
Tony Joe WHITE - The Path Of A Decent Groove 1993
Blues
Back in the time, rumour had it that this album was recorded in the home of the great TJW, the latter bearing sole responsibility for all the instruments played and recorded. Maybe, maybe not. I am yet to get my hands on some evidence, because I need to know why these supposedly home-sessions songs have kept me wondering for a third of my life.
Indeed, were they really recorded with programmed backing tracks or did TJW play all the instruments throughout? After all, the album was named 'The path of a decent groove' and maybe we should expect more groove than what the drums graced our ears with. After all, those times were the early nineties, and those 'a la Enigma' standards could be accepted, although I doubt TJ listened to a lot of Enigma. And on a few tracks, the bass lines sound like synth bass lines. So? Why do I like the whole set so much?
Well, simply put, the songs are all great. Or, at least, there is no bad song written and recorded. In fact, after all those years of listening to this album, only one thing remains: this recording really laid the path of a decent groove for both the songwriting and guitar-playing skills of TJW. While his then most recent outing (Closer to the truth) had been received with critical acclaim, and been hailed as a work of genius by the French critics of the time, I personally prefer and enjoy 'The path of a decent groove' as being one of my personal favourite, and a serious contender for my list of all-time faves.
Maybe this album was recorded for the sole sake of playing very good swamp-music, as opposed to the idea of selling lots of records. Maybe the songs sound a little alike, and maybe this was the way it was intended. And this is the way I like them to be on this album. It's got an atmosphere or mood that prevail through the album. It's the way I like and am glad it's not been any other way. No sudden change of genre from one song to the other. You don't hope for the next track, or skip songs.
For sure, you don't get lost in the groove.
Oh, and my favourite songs are 'I want to be with you', 'Tina', 'Jaguar Man', and 'Always the song'.
The rest on this collection just fall close.
Thank you, TJW.
By Eric Ah Kow.
**
01. On the Return to Muscle Shoals
02. Catawalling Alley in Nice
03. I Want to Be With You
04. Backside of Paradise
05. Mojo Dollar
06. Way Down South
07. Tina
08. Jaguar Man
09. Up in Arkansas
10. Always the Song
11. Hot 4 U
12. The Coldness of the Chain
13. The Path of a Decent Groove
**
NoPassword
*
DLink
*
Blues
Back in the time, rumour had it that this album was recorded in the home of the great TJW, the latter bearing sole responsibility for all the instruments played and recorded. Maybe, maybe not. I am yet to get my hands on some evidence, because I need to know why these supposedly home-sessions songs have kept me wondering for a third of my life.
Indeed, were they really recorded with programmed backing tracks or did TJW play all the instruments throughout? After all, the album was named 'The path of a decent groove' and maybe we should expect more groove than what the drums graced our ears with. After all, those times were the early nineties, and those 'a la Enigma' standards could be accepted, although I doubt TJ listened to a lot of Enigma. And on a few tracks, the bass lines sound like synth bass lines. So? Why do I like the whole set so much?
Well, simply put, the songs are all great. Or, at least, there is no bad song written and recorded. In fact, after all those years of listening to this album, only one thing remains: this recording really laid the path of a decent groove for both the songwriting and guitar-playing skills of TJW. While his then most recent outing (Closer to the truth) had been received with critical acclaim, and been hailed as a work of genius by the French critics of the time, I personally prefer and enjoy 'The path of a decent groove' as being one of my personal favourite, and a serious contender for my list of all-time faves.
Maybe this album was recorded for the sole sake of playing very good swamp-music, as opposed to the idea of selling lots of records. Maybe the songs sound a little alike, and maybe this was the way it was intended. And this is the way I like them to be on this album. It's got an atmosphere or mood that prevail through the album. It's the way I like and am glad it's not been any other way. No sudden change of genre from one song to the other. You don't hope for the next track, or skip songs.
For sure, you don't get lost in the groove.
Oh, and my favourite songs are 'I want to be with you', 'Tina', 'Jaguar Man', and 'Always the song'.
The rest on this collection just fall close.
Thank you, TJW.
By Eric Ah Kow.
**
01. On the Return to Muscle Shoals
02. Catawalling Alley in Nice
03. I Want to Be With You
04. Backside of Paradise
05. Mojo Dollar
06. Way Down South
07. Tina
08. Jaguar Man
09. Up in Arkansas
10. Always the Song
11. Hot 4 U
12. The Coldness of the Chain
13. The Path of a Decent Groove
**
NoPassword
*
DLink
*
Saturday, October 10, 2009
Tony Joe WHITE - The Heroines 2004
Tony Joe WHITE - The Heroines 2004
Label: Sanctuary
Recorded at: Church St. Studio, Franklin, Tennessee
Blues
For The Heroines, Tony Joe White invited some of his favorite female friends to the party. Unlike Hollywood movie stars, White likes his costars within spittin’ distance of his own age. Shelby Lynne’s lines in “Can’t Go Back Home” fit like a glove; her voice is reminiscent of White’s own, like someone simultaneously whispering sweet nothings and the secrets of the universe into your ear. Lucinda Williams, Emmylou Harris, and Jessi Colter also join the swamp fox on a record that provides plenty of what one tune aptly calls “Back Porch Therapy.” The Heroines manages to tweak your libido and save your soul, magically, at once. ”
By Michael Ross.
**
On "The Heroines," Tony Joe White, the swamp fox, rides high again. Two of the tracks are songs from his excellent 2001 effort "The Beginning." "Ice Cream Man" sounds as excellent as when it rode into my personal top ten in 2001! The new version has a more full band sound and pours on the smoking White guitar. "Rich Woman Blues" is another excellent track that smolders with White's growl-sing blues groove, "Got a telephone call this morning, My baby wrecked her Mercedes Benz, she totaled out her Mercedes Benz, I said long as you're alright baby, that's all that matters, let them tow the thing on in." One of my favorites is the duet with Jessi Colter, "Fireflies in the Storm" with its searing slow burn, "Out of the shadows the wildness begins, we wait for morning & darkness moves in, but there's a light that keeps shining warm like fireflies in the storm." "Chaos Boogie" is a great rocking TJW track that sets your toe to tapping. The duets with Shelby Lynne, Lucinda Williams, Emmylou Harris, and Tony Joe's daughter Michelle are all excellent. The set begins & ends with two brief guitar instrumentals. "The Heroines" continues Tony Joe White's artistic peak, some 30 albums into his career. Enjoy!
By Lee Armstrong.
**
Tony Joe White- Vocals, Guitar
David Ralicke- Saxophone, Trombone
Jessi Colter- Vocals, Guitar
Carson Whitsett- Hammond B-3 Organ
Jack Bruno- Drums
Marc Cohen- Drums
Jennifer Lynn Young- Fiddle, Cello
Michael Bolger- Trumpet
Michelle White- Vocals, Guitar
Steve Forrest- Bass Guitar
Also:
Emmylou Harris, Lucinda Williams, Shelby Lynne
**
01. Gabriella 1:49
02. Can’t Go Back Home(with Shelby Lynne) 4:23
03. Ice Cream Man 4:28
04. Closing In On The Fire(with Lucinda Williams) 4:29
05. Back Porch Therapy 4:17
06. Playa Del Carmen Nights(with Michelle White) 4:37
07. Wild Wolf Calling(with Emmylou Harris) 4:08
08. Rich Woman Blues 4:56
09. Robbin’ My Honeycomb 5:10
10. Fireflies In The Storm(with Jessi Colter) 4:18
11. Chaos Boogie 5:38
12. Gabriella’s Affair 1:26
**
NoPassword
*
DLink
*
Label: Sanctuary
Recorded at: Church St. Studio, Franklin, Tennessee
Blues
For The Heroines, Tony Joe White invited some of his favorite female friends to the party. Unlike Hollywood movie stars, White likes his costars within spittin’ distance of his own age. Shelby Lynne’s lines in “Can’t Go Back Home” fit like a glove; her voice is reminiscent of White’s own, like someone simultaneously whispering sweet nothings and the secrets of the universe into your ear. Lucinda Williams, Emmylou Harris, and Jessi Colter also join the swamp fox on a record that provides plenty of what one tune aptly calls “Back Porch Therapy.” The Heroines manages to tweak your libido and save your soul, magically, at once. ”
By Michael Ross.
**
On "The Heroines," Tony Joe White, the swamp fox, rides high again. Two of the tracks are songs from his excellent 2001 effort "The Beginning." "Ice Cream Man" sounds as excellent as when it rode into my personal top ten in 2001! The new version has a more full band sound and pours on the smoking White guitar. "Rich Woman Blues" is another excellent track that smolders with White's growl-sing blues groove, "Got a telephone call this morning, My baby wrecked her Mercedes Benz, she totaled out her Mercedes Benz, I said long as you're alright baby, that's all that matters, let them tow the thing on in." One of my favorites is the duet with Jessi Colter, "Fireflies in the Storm" with its searing slow burn, "Out of the shadows the wildness begins, we wait for morning & darkness moves in, but there's a light that keeps shining warm like fireflies in the storm." "Chaos Boogie" is a great rocking TJW track that sets your toe to tapping. The duets with Shelby Lynne, Lucinda Williams, Emmylou Harris, and Tony Joe's daughter Michelle are all excellent. The set begins & ends with two brief guitar instrumentals. "The Heroines" continues Tony Joe White's artistic peak, some 30 albums into his career. Enjoy!
By Lee Armstrong.
**
Tony Joe White- Vocals, Guitar
David Ralicke- Saxophone, Trombone
Jessi Colter- Vocals, Guitar
Carson Whitsett- Hammond B-3 Organ
Jack Bruno- Drums
Marc Cohen- Drums
Jennifer Lynn Young- Fiddle, Cello
Michael Bolger- Trumpet
Michelle White- Vocals, Guitar
Steve Forrest- Bass Guitar
Also:
Emmylou Harris, Lucinda Williams, Shelby Lynne
**
01. Gabriella 1:49
02. Can’t Go Back Home(with Shelby Lynne) 4:23
03. Ice Cream Man 4:28
04. Closing In On The Fire(with Lucinda Williams) 4:29
05. Back Porch Therapy 4:17
06. Playa Del Carmen Nights(with Michelle White) 4:37
07. Wild Wolf Calling(with Emmylou Harris) 4:08
08. Rich Woman Blues 4:56
09. Robbin’ My Honeycomb 5:10
10. Fireflies In The Storm(with Jessi Colter) 4:18
11. Chaos Boogie 5:38
12. Gabriella’s Affair 1:26
**
NoPassword
*
DLink
*
Friday, October 9, 2009
Tony Joe WHITE - Best Of Tony Joe White, Featuring Polk Salad Annie 1993
Tony Joe WHITE - Best Of Tony Joe White, Featuring Polk Salad Annie 1993
Label: Warner Nashville
Blues
Back in 1969 I was working a summer job, unloading freight trains in Chicago. We had all kinds of guys there, young white city boys, chicanos, older black men from waaayyy far south, hillbillies from West Virginia, middle-aged foremen who thought music began and ended with Frank Sinatra. No radios were allowed, because we couldn't tolerate each others' musical tastes. Until Tony Joe White came out with Polk Salad Annie. Everyone dug that darkly cool, gruff voice...and that funky guitar hook! Tony Joe crossed over from the r&b side (back when r&b came from the heart, not the synthesizer)and had a huge hit. A lot of folks had success with covers of his tunes at that time. Brook Benton scored big with Rainy Night in Ga., and Dusty Springfield did Willie and Laura Mae Jones. Both were really good, but Tony Joe does 'em better. Tom Jones and Elvis both did Polk Salad Annie(kind of a homage to TJW from the lounge lizard kings), but it was no contest. This is a great collection of material, done in that "womper stomper" guitar style by the swamp fox hisself, you'll like it.
By UnKnown.
**
Tony Joe White has parlayed his songwriting talent into a modestly successful country and rock career in Europe as well as America. Born July 23, 1943, in Goodwill, LA, White was born into a part-Cherokee family. He began working clubs in Texas during the mid-'60s and moved to Nashville by 1968. White's 1969 debut album for Monument, Black and White, featured his Top Ten pop hit "Polk Salad Annie" and another charting single, "Roosevelt and Ira Lee (Night of the Moccasin)." That same year, Dusty Springfield reached the charts with White's "Willie and Laura Mae Jones." Brook Benton recorded a version of White's "Rainy Night in Georgia" that hit number four early in 1970; the song has since become a near-standard with more than 100 credits. White's own "Groupie Girl" began his European success with a short stay on the British charts in 1970.
White moved to Warner Bros. in 1971, but success eluded him on his three albums: Tony Joe White, The Train I'm On, and Homemade Ice Cream. Other stars, however, continued to keep his name on the charts during the 1970s: Elvis charted with "For Ol' Times Sake" and "I've Got a Thing About You Baby" (Top Five on the country charts), and Hank Williams, Jr., took "Rainy Night in Georgia" to number 13 on the country charts. White himself recorded Eyes for 20th Century Fox in 1976, but then disappeared for four years. He signed to Casablanca for 1980's The Real Thang but moved to Columbia in 1983 for Dangerous, which included the modest country hits "The Lady in My Life" and "We Belong Together."
White was inactive through much of the '80s, but worked with Tina Turner on her 1989 Foreign Affair album, writing four songs and playing guitar and harmonica. He released Closer to the Truth a year later for his own Swamp label and toured with Eric Clapton and Joe Cocker to very receptive French crowds (Closer to the Truth has sold 100,000 copies in that country alone). His 1993 album Path of a Decent Groove was released only in France, though Warner's The Best of Tony Joe White earned an American release the same year. Lake Placid Blues (1995) and One Hot July (1998) were Europe-only efforts until 2000, when Hip-O Records brought out One Hot July in the U.S., giving White his first new major-label domestic release in 17 years. But White was just beginning to roll, or reroll, as the case may be. The critically acclaimed The Beginning appeared from Swamp Records in 2001, followed by Heroines, featuring several duets with female vocalists, from Sanctuary in 2004, and a live Austin City Limits concert, Live from Austin, TX, from New West Records in 2006. In 2007 White released another live recording, Take Home the Swamp, as well as the compilation Introduction to Tony Joe White.
By John Bush, All Music Guide.
**
01. Polk Salad Annie 3:44
02. Soul Francisco 1:57
03. Willie And Laura Mae Jones 4:57
04. Rainy Night In Georgia 3:37
05. Roosevelt And Ira Lee (Night Of The Mossacin) 3:03
06. Stockholm Blues 3:28
07. High Sheriff Of Calhoun Parrish 3:51
08. Old Man Willis 3:09
09. The Train I'm On 3:09
10. If I Ever Saw A Good Thing 3:21
11. As The Crow Flies 3:50 $0.99
12. Even Trolls Love Rock And Roll 4:50
13. Backwoods Preacher Man 2:46
14. Takin' The Midnight Train 4:05
15. Did Somebody Make A Fool Out Of You 4:17
16. They Caught The Devil And Put Him In Jail In Eudora, Arkansas 3:49
17. Saturday Night In Oak Grove, Louisiana 2:13
18. I've Got A Thing About You Baby 2:42
20. Ol' Mother Earth 3:06
*
NoPassword
*
DLink
*
Label: Warner Nashville
Blues
Back in 1969 I was working a summer job, unloading freight trains in Chicago. We had all kinds of guys there, young white city boys, chicanos, older black men from waaayyy far south, hillbillies from West Virginia, middle-aged foremen who thought music began and ended with Frank Sinatra. No radios were allowed, because we couldn't tolerate each others' musical tastes. Until Tony Joe White came out with Polk Salad Annie. Everyone dug that darkly cool, gruff voice...and that funky guitar hook! Tony Joe crossed over from the r&b side (back when r&b came from the heart, not the synthesizer)and had a huge hit. A lot of folks had success with covers of his tunes at that time. Brook Benton scored big with Rainy Night in Ga., and Dusty Springfield did Willie and Laura Mae Jones. Both were really good, but Tony Joe does 'em better. Tom Jones and Elvis both did Polk Salad Annie(kind of a homage to TJW from the lounge lizard kings), but it was no contest. This is a great collection of material, done in that "womper stomper" guitar style by the swamp fox hisself, you'll like it.
By UnKnown.
**
Tony Joe White has parlayed his songwriting talent into a modestly successful country and rock career in Europe as well as America. Born July 23, 1943, in Goodwill, LA, White was born into a part-Cherokee family. He began working clubs in Texas during the mid-'60s and moved to Nashville by 1968. White's 1969 debut album for Monument, Black and White, featured his Top Ten pop hit "Polk Salad Annie" and another charting single, "Roosevelt and Ira Lee (Night of the Moccasin)." That same year, Dusty Springfield reached the charts with White's "Willie and Laura Mae Jones." Brook Benton recorded a version of White's "Rainy Night in Georgia" that hit number four early in 1970; the song has since become a near-standard with more than 100 credits. White's own "Groupie Girl" began his European success with a short stay on the British charts in 1970.
White moved to Warner Bros. in 1971, but success eluded him on his three albums: Tony Joe White, The Train I'm On, and Homemade Ice Cream. Other stars, however, continued to keep his name on the charts during the 1970s: Elvis charted with "For Ol' Times Sake" and "I've Got a Thing About You Baby" (Top Five on the country charts), and Hank Williams, Jr., took "Rainy Night in Georgia" to number 13 on the country charts. White himself recorded Eyes for 20th Century Fox in 1976, but then disappeared for four years. He signed to Casablanca for 1980's The Real Thang but moved to Columbia in 1983 for Dangerous, which included the modest country hits "The Lady in My Life" and "We Belong Together."
White was inactive through much of the '80s, but worked with Tina Turner on her 1989 Foreign Affair album, writing four songs and playing guitar and harmonica. He released Closer to the Truth a year later for his own Swamp label and toured with Eric Clapton and Joe Cocker to very receptive French crowds (Closer to the Truth has sold 100,000 copies in that country alone). His 1993 album Path of a Decent Groove was released only in France, though Warner's The Best of Tony Joe White earned an American release the same year. Lake Placid Blues (1995) and One Hot July (1998) were Europe-only efforts until 2000, when Hip-O Records brought out One Hot July in the U.S., giving White his first new major-label domestic release in 17 years. But White was just beginning to roll, or reroll, as the case may be. The critically acclaimed The Beginning appeared from Swamp Records in 2001, followed by Heroines, featuring several duets with female vocalists, from Sanctuary in 2004, and a live Austin City Limits concert, Live from Austin, TX, from New West Records in 2006. In 2007 White released another live recording, Take Home the Swamp, as well as the compilation Introduction to Tony Joe White.
By John Bush, All Music Guide.
**
01. Polk Salad Annie 3:44
02. Soul Francisco 1:57
03. Willie And Laura Mae Jones 4:57
04. Rainy Night In Georgia 3:37
05. Roosevelt And Ira Lee (Night Of The Mossacin) 3:03
06. Stockholm Blues 3:28
07. High Sheriff Of Calhoun Parrish 3:51
08. Old Man Willis 3:09
09. The Train I'm On 3:09
10. If I Ever Saw A Good Thing 3:21
11. As The Crow Flies 3:50 $0.99
12. Even Trolls Love Rock And Roll 4:50
13. Backwoods Preacher Man 2:46
14. Takin' The Midnight Train 4:05
15. Did Somebody Make A Fool Out Of You 4:17
16. They Caught The Devil And Put Him In Jail In Eudora, Arkansas 3:49
17. Saturday Night In Oak Grove, Louisiana 2:13
18. I've Got A Thing About You Baby 2:42
20. Ol' Mother Earth 3:06
*
NoPassword
*
DLink
*
Subscribe to:
Posts (Atom)