The Paul BUTTERFIELD Blues Band - An Anthology The Elecktra Years 1997
Blues
One of the most attractive things about An Anthology is the inclusion of some of the band's earliest recordings for the label, most of which were long thought to have been lost and wouldn't be rediscovered and released until the mid-1990s. The blistering first take of the band's signature "Born In Chicago," originally released on an Elektra Records folk compilation in 1965, showcases Butterfield's high-flying harp skills; by contrast, the version of the Nick Gravenites song that would appear on the band's debut album later that year, recorded with guitarist Mike Bloomfield, would sound much different with his participation as a full band member.
In fact, the first seven songs on An Anthology feature a four-piece version of the Paul Butterfield Blues Band with Bloomfield provided no more than a token participation. These sessions, recorded in 1964, provide a blueprint to the band's later success. Songs such as Butterfield's original, hard-driving "Lovin' Cup," offer the harp player's soulful vocals and blasts of harp tethered to reality only by the band's sturdy rhythm section. Bishop's searing solos here, and on the following cover of James Cotton's "One More Mile," are wiry, taut, and sting like an arrow to the heart. The uncharacteristic "Come On In," one of the band's first single releases, sounds less like the Southside of Chicago and more like the British blues emanating from dreary London town.
By Reverend Keith A. Gordon, About.com Guide.
**
Track 1-1: From Folk Song '65 (Elektra S-78)
Tracks 1-2 to 1-4: From What's Shakin' (Elektra 61343-2)
Track 1-5: From Elektra Single No. 45609
Tracks 1-6 & 1-7: From The Original Lost Elektra Sessions (Rhino R2 73505)
Tracks 1-8 to 1-14: From The Paul Butterfield Blues Band (Elektra 7294-2)
Tracks 1-15 to 1-19: From East-West (Elektra 7315-2)
Tracks 2-1 & 2-2: From The Resurrection Of Pigboy Crabshaw (Elektra 74015-2)
Tracks 2-3 to 2-7: From In My Own Dream (Elektra EKS-74025)
Tracks 2-8 to 2-10: From Keep On Movin' (Elektra EKS-74053)
Tracks 2-11 & 2-12: From The Paul Butterfield Blues Band Live (Elektra 7E-2001)
Tracks 2-13 & 2-14: From Sometimes I Feel Like Smilin' (Elektra EKS-75013)
**
1-01. Born In Chicago 3:13
Bass - Jerome Arnold
Drums - Sam Lay
Guitar - Elvin Bishop
Lead Vocals, Harmonica [Harp] - Paul Butterfield
Organ - Mike Bloomfield
Written-By - Gravenites
1-02. Lovin' Cup 2:39
Bass - Jerome Arnold
Drums - Sam Lay
Guitar [Left Channel] - Elvin Bishop
Guitar [Right Channel], Organ [Hammond, Right Channel], Piano [Right Channel] - Mike Bloomfield
Lead Vocals, Harmonica [Harp] - Paul Butterfield
Written-By - Paul Butterfield
1-03. One More Mile 3:30
Bass - Jerome Arnold
Drums - Sam Lay
Guitar [Left Channel] - Elvin Bishop
Guitar [Right Channel], Organ [Hammond, Right Channel], Piano [Right Channel] - Mike Bloomfield
Lead Vocals, Harmonica [Harp] - Paul Butterfield
Written-By - Paul Butterfield
1-04. Off The Wall 2:04
Bass - Jerome Arnold
Drums - Sam Lay
Guitar [Left Channel] - Elvin Bishop
Guitar [Right Channel], Organ [Hammond, Right Channel], Piano [Right Channel] - Mike Bloomfield
Lead Vocals, Harmonica [Harp] - Paul Butterfield
Written-By - Paul Butterfield
1-05. Come On In 2:05
Bass - Jerome Arnold
Drums - Sam Lay
Guitar [Left Channel] - Elvin Bishop
Guitar [Right Channel] - Mike Bloomfield
Lead Vocals, Harmonica [Harp] - Paul Butterfield
Written-By - Mel London
1-06. Nut Popper #1 2:25
Bass - Jerome Arnold
Drums - Sam Lay
Guitar [Left Channel] - Elvin Bishop
Guitar [Right Channel], Organ [Hammond, Right Channel], Piano [Right Channel] - Mike Bloomfield
Lead Vocals, Harmonica [Harp] - Paul Butterfield
Written-By - Paul Butterfield
1-07. Ain't No Need To Go No Further/It's Too Late Brother 2:43
Bass - Jerome Arnold
Drums - Sam Lay
Guitar [Left Channel] - Elvin Bishop
Guitar [Right Channel], Organ [Hammond, Right Channel], Piano [Right Channel] - Mike Bloomfield
Lead Vocals, Harmonica [Harp] - Paul Butterfield
Written-By - Paul Butterfield
1-08. Born In Chicago 3:06
Bass - Jerome Arnold
Drums - Sam Lay
Guitar - Elvin Bishop
Guitar, Guitar [Slide Guitar] - Mike Bloomfield
Lead Vocals, Harmonica [Harp] - Paul Butterfield
Organ, Piano - Mark Naftalin
Written-By - Gravenites
1-09. Shake Your Money Maker 2:25
Adapted By - Butterfield
Bass - Jerome Arnold
Drums - Sam Lay
Guitar - Elvin Bishop
Guitar, Guitar [Slide Guitar] - Mike Bloomfield
Lead Vocals, Harmonica [Harp] - Paul Butterfield
Organ, Piano - Mark Naftalin
1-10. Blues With A Feeling 4:21
Bass - Jerome Arnold
Drums - Sam Lay
Guitar - Elvin Bishop
Guitar, Guitar [Slide Guitar] - Mike Bloomfield
Lead Vocals, Harmonica [Harp] - Paul Butterfield
Organ, Piano - Mark Naftalin
Written-By - Walter Jacobs
1-11. Thank You Mr. Poobah 4:05
Bass - Jerome Arnold
Drums - Sam Lay
Guitar - Elvin Bishop
Guitar, Guitar [Slide Guitar] - Mike Bloomfield
Lead Vocals, Harmonica [Harp] - Paul Butterfield
Organ, Piano - Mark Naftalin
Written-By - Naftalin , Bloomfield , Butterfield
1-12. Our Love Is Driftin' 3:33
Bass - Jerome Arnold
Drums - Sam Lay
Guitar - Elvin Bishop
Guitar, Guitar [Slide Guitar] - Mike Bloomfield
Lead Vocals, Harmonica [Harp] - Paul Butterfield
Organ, Piano - Mark Naftalin
Written-By - Bishop , Butterfield
1-13. Mystery Train 2:33
Bass - Jerome Arnold
Drums - Sam Lay
Guitar - Elvin Bishop
Guitar, Guitar [Slide Guitar] - Mike Bloomfield
Lead Vocals, Harmonica [Harp] - Paul Butterfield
Organ, Piano - Mark Naftalin
Written-By - Unknown*
1-14. Last Night 4:17
Bass - Jerome Arnold
Drums - Sam Lay
Guitar - Elvin Bishop
Guitar, Guitar [Slide Guitar] - Mike Bloomfield
Lead Vocals, Harmonica [Harp] - Paul Butterfield
Organ, Piano - Mark Naftalin
Written-By - Walter Jacobs
1-15. Walkin' Blues 3:17
Bass - Jerome Arnold
Drums, Percussion - Billy Davenport
Guitar - Elvin Bishop , Mike Bloomfield
Lead Vocals, Harmonica [Harp] - Paul Butterfield
Organ, Piano - Mark Naftalin
Written-By - Johnson*
1-16. I Got A Mind To Give Up Living 4:57
Bass - Jerome Arnold
Drums, Percussion - Billy Davenport
Guitar - Elvin Bishop , Mike Bloomfield
Lead Vocals, Harmonica [Harp] - Paul Butterfield
Organ, Piano - Mark Naftalin
Written-By - Traditional
1-17. Work Song 7:53
Bass - Jerome Arnold
Drums, Percussion - Billy Davenport
Guitar - Elvin Bishop , Mike Bloomfield
Lead Vocals, Harmonica [Harp] - Paul Butterfield
Organ, Piano - Mark Naftalin
Written-By - Adderley , Brown
1-18. All These Blues 2:21
Bass - Jerome Arnold
Drums, Percussion - Billy Davenport
Guitar - Elvin Bishop , Mike Bloomfield
Lead Vocals, Harmonica [Harp] - Paul Butterfield
Organ, Piano - Mark Naftalin
Written-By - Traditional
1-19. East West 13:09
Bass - Jerome Arnold
Drums, Percussion - Billy Davenport
Guitar - Elvin Bishop , Mike Bloomfield
Lead Vocals, Harmonica [Harp] - Paul Butterfield
Organ, Piano - Mark Naftalin
Written-By - Bloomfield , Gravenites
2-01. One More Heartache 3:20
Bass - Bugsy Maugh
Drums - Phillip Wilson
Guitar - Elvin Bishop
Keyboards - Mark Naftalin
Lead Vocals, Harmonica [Harp] - Paul Butterfield
Saxophone [Alto Sax] - David Sanborn
Saxophone [Tenor Sax] - Gene Dinwiddie
Trumpet - Keith Johnson
Written-By - Tarplin , Rogers , White , Robinson , Moore
2-02. Double Trouble 5:38
Bass - Bugsy Maugh
Drums - Phillip Wilson
Guitar - Elvin Bishop
Keyboards - Mark Naftalin
Lead Vocals, Harmonica [Harp] - Paul Butterfield
Saxophone [Alto Sax] - David Sanborn
Saxophone [Tenor Sax] - Gene Dinwiddie
Trumpet - Keith Johnson
Written-By - Rush
2-03. Last Hope's Gone 4:50
Bass - Bugsy Maugh
Drums, Congas - Phillip Wilson
Guitar - Elvin Bishop
Keyboards - Mark Naftalin
Lead Vocals, Harmonica [Harp] - Paul Butterfield
Saxophone [Alto Sax] - David Sanborn
Saxophone [Tenor Sax], Flute - Gene Dinwiddie
Trumpet - Keith Johnson
Written-By - Sanborn , Hayne , Butterfield
2-04. Mornin' Blues 4:56
Drums, Congas - Phillip Wilson
Guitar - Elvin Bishop
Harmonica [Harp] - Paul Butterfield
Keyboards - Mark Naftalin
Lead Vocals, Bass - Bugsy Maugh
Saxophone [Baritone Sax] - David Sanborn
Saxophone [Tenor Sax], Flute - Gene Dinwiddie
Trumpet - Keith Johnson
Written-By - Maugh
2-05. Just To Be With You 6:10
Bass - Bugsy Maugh
Drums, Congas - Phillip Wilson
Guitar - Elvin Bishop
Keyboards - Mark Naftalin
Lead Vocals, Harmonica [Harp] - Paul Butterfield
Organ - Al Kooper
Saxophone [Alto Sax] - David Sanborn
Saxophone [Tenor Sax], Flute - Gene Dinwiddie
Trumpet - Keith Johnson
Written-By - Roth
2-06. Get Yourself Together 4:08
Backing Vocals - Dinwiddie , Maugh , John Court , Wilson
Bass - Bugsy Maugh
Guitar - Elvin Bishop
Harmonica [Harp] - Paul Butterfield
Keyboards - Mark Naftalin
Lead Vocals, Drums, Congas - Phillip Wilson
Saxophone [Alto Sax] - David Sanborn
Saxophone [Tenor Sax], Flute - Gene Dinwiddie
Trumpet - Keith Johnson
Written-By - Maugh
2-07. In My Own Dream 5:46
Backing Vocals - Dinwiddie , Maugh , John Court , Wilson
Bass - Bugsy Maugh
Drums, Congas - Phillip Wilson
Guitar - Elvin Bishop
Keyboards - Mark Naftalin
Lead Vocals, Harmonica [Harp] - Paul Butterfield
Saxophone [Soprano Sax] - David Sanborn
Saxophone [Tenor Sax], Flute - Gene Dinwiddie
Trumpet - Keith Johnson
Written-By - Butterfield
2-08. Love March 2:56
Bass - Rod Hicks
Flute - Paul Butterfield
French Horn - Buzz Feiten
Piano - Ted Harris
Saxophone [Alto Sax] - David Sanborn
Saxophone [Baritone Sax] - Trevor Lawrence
Trumpet - Keith Johnson , Steve Madaio
Vocals, Drums, Percussion - Phillip Wilson
Vocals, Saxophone [Tenor Sax] - Gene Dinwiddie
Written-By - Dinwiddie , Wilson
2-09. Walkin' By Myself 4:28
Bass - Rod Hicks
Drums, Percussion - Phillip Wilson
Guitar - Buzz Feiten
Lead Vocals, Harmonica [Harp] - Paul Butterfield
Piano - Ted Harris
Saxophone [Alto Sax] - David Sanborn
Saxophone [Baritone Sax] - Trevor Lawrence
Saxophone [Tenor Sax] - Gene Dinwiddie
Trumpet - Keith Johnson , Steve Madaio
Written-By - Lane
2-10. Love Disease 3:28
Bass - Rod Hicks
Drums, Percussion - Phillip Wilson
Guitar - Buzz Feiten
Lead Vocals - Paul Butterfield
Piano - Ted Harris
Saxophone [Alto Sax] - David Sanborn
Saxophone [Baritone Sax] - Trevor Lawrence
Saxophone [Tenor Sax] - Gene Dinwiddie
Trumpet - Keith Johnson , Steve Madaio
Written-By - Dinwiddie
2-11. Everything's Gonna Be Alright 10:02
Bass - Rod Hicks
Drums - George Davidson
Guitar - Ralph Walsh
Keyboards - Ted Harris
Saxophone [Alto Sax] - David Sanborn
Saxophone [Baritone Sax] - Trevor Lawrence
Saxophone [Tenor Sax] - Gene Dinwiddie
Trumpet - Steve Madaio
Vocals, Harmonica [Harp] - Paul Butterfield
Written-By - Jacobs
2-12. Driftin' & Driftin' 13:41
Bass - Rod Hicks
Drums - George Davidson
Guitar - Ralph Walsh
Keyboards - Ted Harris
Saxophone [Alto Sax] - David Sanborn
Saxophone [Baritone Sax] - Trevor Lawrence
Saxophone [Tenor Sax] - Gene Dinwiddie
Trumpet - Steve Madaio
Vocals, Harmonica [Harp] - Paul Butterfield
Written-By - Brown , Williams , Moore
2-13. Blind Leading The Blind 3:59
Backing Vocals - Dinwiddie , Clydie King , Merry Clayton , Oma Drake , Butterfield* , Wash , Hicks , Venetta Fields
Bass - Rod Hicks
Congas - Big Black
Congas, Bongos - Bobby Hall
Drums - Dennis Whitted
Guitar - Ralph Walsh
Lead Vocals - Paul Butterfield
Saxophone [Alto Sax] - David Sanborn
Saxophone [Tenor Sax] - Gene Dinwiddie
Trumpet - Steve Madaio
Written-By - Edlen , Butterfield
2-14. Song For Lee 3:42
Bass - Rod Hicks
Congas - Big Black
Congas, Bongos - Bobby Hall
Drums - Dennis Whitted
Guitar - Ralph Walsh
Harmonica [Harp], Piano - Paul Butterfield
Saxophone [Alto Sax] - David Sanborn
Saxophone [Tenor Sax] - Gene Dinwiddie
Trumpet - Steve Madaio
Written-By - Butterfield
**
NoPassword
*
DLinks
*
1 2
*
Showing posts with label Paul BUTTERFIELD. Show all posts
Showing posts with label Paul BUTTERFIELD. Show all posts
Thursday, April 8, 2010
Friday, March 26, 2010
Paul Butterfield Blues Band - Sometimes I Just Feel Like Smilin' 1971
Paul Butterfield Blues Band - Sometimes I Just Feel Like Smilin' 1971
EKS 75013
Blues
The Butterfield Blues Band has been critically acclaimed as one the greatest electric blues bands ever! Lead by singer & harmonica player Paul Butterfield, their albums have stood the test of time as classics of the 60's & early 70's. Sometimes I Just Feel Like Smilin', was their fourth album, originally released in 1971. It features saxophonist David Sanborn. It was the last album the band recorded for Elektra Records.
**
This was the last Butterfield Blues Band studio album. To me it is tied for third best with "Resurrection of Pigboy Crabshaw"--the band's "Butterfield Blues Band" and "East West" are their two greatest albums to me. However, this is a very enjoyable, excellent album, a big step up from "In My Own Dream" and "Keep On Movin'". Butterfield sings and plays harmonica very well. The compositions are strong. The group is really tight and together, with the horns integrated better with the rest of the group than on any other album. In terms of something you can enjoy on repeated listens, it is a very successful album. If only the group could have continued on from this point, who knows what continued heights they could have hit.
**
Paul Butterfield (vocals, harmonica, piano, background vocals);
Ralph Wash (vocals, guitar, background vocals);
Brother Gene Dinwiddie (vocals, flute, saxophone, soprano saxophone, tenor saxophone, tambourine, background vocals);
Dennis Whitted (vocals, drums);
Big Black (vocals, congas, percussion);
Clydie King, Oma Drake, Rod Hicks, Merry Clayton, Venetta Fields (vocals, background vocals);
David Sanborn (saxophone, alto saxophone);
Trevor Lawrence (saxophone, baritone saxophone);
Steve Madaio (trumpet);
Ted Harris (piano);
George Davidson (drums);
Bobbye Hall (congas, bongos, percussion).
**
A1. Play On 3:44
A2. 1000 Ways 4:49
A3. Pretty Woman 3:51
A4. Little Piece Of Dying 3:29
A5. Song For Lee 3:42
B1. Trainman 6:01
B2. Night Child 4:32
B3. Drowned In My Own Tears 5:10
B4. Blind Leading The Blind 3:59
**
NoPassword
*
DLink
*
EKS 75013
Blues
The Butterfield Blues Band has been critically acclaimed as one the greatest electric blues bands ever! Lead by singer & harmonica player Paul Butterfield, their albums have stood the test of time as classics of the 60's & early 70's. Sometimes I Just Feel Like Smilin', was their fourth album, originally released in 1971. It features saxophonist David Sanborn. It was the last album the band recorded for Elektra Records.
**
This was the last Butterfield Blues Band studio album. To me it is tied for third best with "Resurrection of Pigboy Crabshaw"--the band's "Butterfield Blues Band" and "East West" are their two greatest albums to me. However, this is a very enjoyable, excellent album, a big step up from "In My Own Dream" and "Keep On Movin'". Butterfield sings and plays harmonica very well. The compositions are strong. The group is really tight and together, with the horns integrated better with the rest of the group than on any other album. In terms of something you can enjoy on repeated listens, it is a very successful album. If only the group could have continued on from this point, who knows what continued heights they could have hit.
**
Paul Butterfield (vocals, harmonica, piano, background vocals);
Ralph Wash (vocals, guitar, background vocals);
Brother Gene Dinwiddie (vocals, flute, saxophone, soprano saxophone, tenor saxophone, tambourine, background vocals);
Dennis Whitted (vocals, drums);
Big Black (vocals, congas, percussion);
Clydie King, Oma Drake, Rod Hicks, Merry Clayton, Venetta Fields (vocals, background vocals);
David Sanborn (saxophone, alto saxophone);
Trevor Lawrence (saxophone, baritone saxophone);
Steve Madaio (trumpet);
Ted Harris (piano);
George Davidson (drums);
Bobbye Hall (congas, bongos, percussion).
**
A1. Play On 3:44
A2. 1000 Ways 4:49
A3. Pretty Woman 3:51
A4. Little Piece Of Dying 3:29
A5. Song For Lee 3:42
B1. Trainman 6:01
B2. Night Child 4:32
B3. Drowned In My Own Tears 5:10
B4. Blind Leading The Blind 3:59
**
NoPassword
*
DLink
*
Wednesday, February 24, 2010
Paul BUTTERFIELD - San Francisco 1966
1966-09-30
Bootleg
Thx To *Soundboard*
Blues
Paul Butterfield- Vocals,Harmonica
Mike Bloomfield- Guitar
Elvin Bishop- Guitar
Mark Naftalin- Keyboards
Jerome Arnold- Bass
Billy Davenport- Drums
**
01. Dropping Out (2:10)
02. Baby, Please Don't Go (3:44)
03. Drifting (5:27)
04. Born In Chicago (4:36)
05. Willow Tree (6:30)
06. My Babe (4:55)
07. Kansas City (4:18)
08. Work Song (13:35)
**
NoPassword
*
DLink
*
Friday, December 4, 2009
Paul BUTTERFIELD - Put It In Your Ear 1976
Paul BUTTERFIELD - Put It In Your Ear 1976
Blues
Unfortunately, everybody thinks they're some kind of reference to "what is" and "what ain't" the blues.....this isn't
a giant among Butterfield's work, but has some of his personal favorites on it as he wanted to explore genres beyond straight 1,4,5 structures. Recorded relatively late in his short existence, it's definitely worth collecting if you are a fan! Breadline would be one of the blues tunes by the way cowlick!
By Corky Beachglow.
**
Paul Butterfield died of heart failure in 1987.
Like most Chicago-style amplified harmonica players, Butterfield played the instrument like a horn -- a trumpet. Although he sometimes used a chromatic harmonica, Butterfield mostly played the standard Hohner Marine Band in the standard cross position. He was left-handed and held the harp in his left hand, but in the standard position with the low notes facing to the left. He tended to play single notes rather than bursts of chords. His harp playing is always intense, understated, concise, and serious.
The effect of the Butterfield Blues Band on aspiring white blues musicians was enormous and the impact of the band on live audiences was stunning. Butterfield the performer was always intense, serious, and definitive. He is one of the finest harp players (period).
Butterfield and the six members of the original Paul Butterfield Blues Band made a huge contribution to modern music, turning a whole generation of music lovers onto the blues as something other than a quaint piece of music history.
**
Irwin "Marky" Markowitz- Trumpet
Lloyd Michels- Trumpet
Chris Parker- Percussion, Drums
Jack Peppe- rStrings
Bernard "Pretty" Purdie- Percussion, Drums
Sonny Russo- Trombone
Julia Tillman Waters- Vocals
Wilbur Schwartz- Alto, Soprano Saxophone
Clifford Shank- Alto, Saxophone
Paul Shure- Strings
Annie Sutton- Vocals, Vocals (Background)
Melvin Tax- Saxophone
Frank West- Alto, Saxophone
Lorna Willard- Vocals, Vocals (Background)
Andrea Willis- Vocals, Vocals (Background)
Mel Tax-Baritone
Richard Kaufman- Strings
Fred Carter, Jr.Guitar
Sidney Sharp- Strings
Babe Clark- Baritone
Julia Tilman- Vocals (Background)
James Jameson- Bass (Electric)
Karen Jones- Strings
Nick Jameson- Guitar
Fred Carter- Guitar
Ben Keith- Guitar
Richard Bell- Keyboards
Meyer Bello- Strings
Evangeline Carmichael- Vocals, Vocals (Background)
Gene Cipriano- Alto, Soprano, Saxophone
Babe Clarke- Saxophone
Al DeRisi- Trumpet
Erin Dickens- Vocals
Tim Drummond- Bass
Gordon Edwards- Bass, Bass (Electric)
Jesse Ehrlich- Strings
Christine Ermacoff- Strings
Norman Forrest- Strings
Eric Gale- Guitar
Henry Glover- Keyboards, Producer
Levon Helm- Percussion, Drums
John Holbrook- Guitar, Engineer
Garth Hudson- Reeds, Keyboards
James Jamerson- Bass
Gail Kantor- Vocals, Vocals (Background)
Raphael Kramer- Strings
Steve Kroon- Drums
Bernard Kundell- Strings
Jerome Richardson- Alto, Saxophone
David Sanborn- Alto, Saxophone, Soprano
Seldon Powell- Saxophone, Sax (Tenor)
Chuck Rainey- Bass, Bass (Electric)
Paul Butterfield- Synthesizer, Harmonica, Keyboards, Vocals, Main Performer, Arp
**
A1. You Can Run But You Can't Hide (3:43)
A2. (If I Never Sing) My Song (2:55)
A3. The Animal (3:46)
A4. The Breadline (3:06)
A5. Ain't That A Lot Of Love (4:06)
B1. I Don't Wanna Go (4:31)
B2. Day To Day (3:17)
B3. Here I Go Again (3:51)
B4. The Flame (3:19)
B5. Watch'emTell A Lie (2:59)
**
NoPassword
*
DLink
*
Blues
Unfortunately, everybody thinks they're some kind of reference to "what is" and "what ain't" the blues.....this isn't
a giant among Butterfield's work, but has some of his personal favorites on it as he wanted to explore genres beyond straight 1,4,5 structures. Recorded relatively late in his short existence, it's definitely worth collecting if you are a fan! Breadline would be one of the blues tunes by the way cowlick!
By Corky Beachglow.
**
Paul Butterfield died of heart failure in 1987.
Like most Chicago-style amplified harmonica players, Butterfield played the instrument like a horn -- a trumpet. Although he sometimes used a chromatic harmonica, Butterfield mostly played the standard Hohner Marine Band in the standard cross position. He was left-handed and held the harp in his left hand, but in the standard position with the low notes facing to the left. He tended to play single notes rather than bursts of chords. His harp playing is always intense, understated, concise, and serious.
The effect of the Butterfield Blues Band on aspiring white blues musicians was enormous and the impact of the band on live audiences was stunning. Butterfield the performer was always intense, serious, and definitive. He is one of the finest harp players (period).
Butterfield and the six members of the original Paul Butterfield Blues Band made a huge contribution to modern music, turning a whole generation of music lovers onto the blues as something other than a quaint piece of music history.
**
Irwin "Marky" Markowitz- Trumpet
Lloyd Michels- Trumpet
Chris Parker- Percussion, Drums
Jack Peppe- rStrings
Bernard "Pretty" Purdie- Percussion, Drums
Sonny Russo- Trombone
Julia Tillman Waters- Vocals
Wilbur Schwartz- Alto, Soprano Saxophone
Clifford Shank- Alto, Saxophone
Paul Shure- Strings
Annie Sutton- Vocals, Vocals (Background)
Melvin Tax- Saxophone
Frank West- Alto, Saxophone
Lorna Willard- Vocals, Vocals (Background)
Andrea Willis- Vocals, Vocals (Background)
Mel Tax-Baritone
Richard Kaufman- Strings
Fred Carter, Jr.Guitar
Sidney Sharp- Strings
Babe Clark- Baritone
Julia Tilman- Vocals (Background)
James Jameson- Bass (Electric)
Karen Jones- Strings
Nick Jameson- Guitar
Fred Carter- Guitar
Ben Keith- Guitar
Richard Bell- Keyboards
Meyer Bello- Strings
Evangeline Carmichael- Vocals, Vocals (Background)
Gene Cipriano- Alto, Soprano, Saxophone
Babe Clarke- Saxophone
Al DeRisi- Trumpet
Erin Dickens- Vocals
Tim Drummond- Bass
Gordon Edwards- Bass, Bass (Electric)
Jesse Ehrlich- Strings
Christine Ermacoff- Strings
Norman Forrest- Strings
Eric Gale- Guitar
Henry Glover- Keyboards, Producer
Levon Helm- Percussion, Drums
John Holbrook- Guitar, Engineer
Garth Hudson- Reeds, Keyboards
James Jamerson- Bass
Gail Kantor- Vocals, Vocals (Background)
Raphael Kramer- Strings
Steve Kroon- Drums
Bernard Kundell- Strings
Jerome Richardson- Alto, Saxophone
David Sanborn- Alto, Saxophone, Soprano
Seldon Powell- Saxophone, Sax (Tenor)
Chuck Rainey- Bass, Bass (Electric)
Paul Butterfield- Synthesizer, Harmonica, Keyboards, Vocals, Main Performer, Arp
**
A1. You Can Run But You Can't Hide (3:43)
A2. (If I Never Sing) My Song (2:55)
A3. The Animal (3:46)
A4. The Breadline (3:06)
A5. Ain't That A Lot Of Love (4:06)
B1. I Don't Wanna Go (4:31)
B2. Day To Day (3:17)
B3. Here I Go Again (3:51)
B4. The Flame (3:19)
B5. Watch'emTell A Lie (2:59)
**
NoPassword
*
DLink
*
Friday, November 13, 2009
The Paul Butterfield Blues Band - Fillmore West, San Francisco-CA, September 30 1966
The Paul Butterfield Blues Band - Fillmore West, San Francisco-CA, September 30 1966
Bootleg
All Credit Goes To *SILVERADO*
Blues
Paul Butterfield- Vocals, Harmonica
Mike Bloomfield- Guitar
Elvin Bishop- Guitar
Mark Naftalin- Keyboards
Jerome Arnold- Bass
Billy Davenport- Drums
**
01. Dropping Out 2:10
02. Baby, Please Don't Go 3:44
03. Drifting 5:27
04. Born In Chicago 4:36
05. Willow Tree 6:30
06. My Babe 4:55
07. Kansas City 4:18
08. Work Song 13:35
**
NoPassword
*
DLink
*
Bootleg
All Credit Goes To *SILVERADO*
Blues
Paul Butterfield- Vocals, Harmonica
Mike Bloomfield- Guitar
Elvin Bishop- Guitar
Mark Naftalin- Keyboards
Jerome Arnold- Bass
Billy Davenport- Drums
**
01. Dropping Out 2:10
02. Baby, Please Don't Go 3:44
03. Drifting 5:27
04. Born In Chicago 4:36
05. Willow Tree 6:30
06. My Babe 4:55
07. Kansas City 4:18
08. Work Song 13:35
**
NoPassword
*
DLink
*
Tuesday, October 20, 2009
The Butterfield Blues Band - The Resurrection Of Pigboy Crabshaw 1967
The Butterfield Blues Band - The Resurrection Of Pigboy Crabshaw 1967
Label: Elektra / Wea
Blues
The 1968 edition of the Paul Butterfield Blues Band featured a larger ensemble with a horn section, allowing for a jazzier feeling while retaining its Chicago blues core. They also adopted the psychedelic flower power stance of the era, as evidenced by a few selections, the rather oblique title, and the stunning pastiche art work on the cover. Butterfield himself was really coming into his own playing harmonica and singing, while his band of keyboardist Mark Naftalin, guitarist Elvin Bishop, drummer Phil Wilson, electric bassist Bugsy Maugh, and the horns featuring young alto saxophonist David Sanborn was as cohesive a unit as you'd find in this time period. Butterfield's most well known song "One More Heartache" kicks off the album, a definitive blues-rock radio favorite with great harmonica and an infectious beat urged on by the top-notch horns. The band covers "Born Under a Bad Sign" at a time when Cream also did it — which one was better? "Driftin' & Driftin'" is another well known tune, and over nine minutes is stretched out with the horns cryin' and sighin', including a definitive solo from Sanborn over the choruses. There's the Otis Rush tune "Double Trouble," and "Drivin' Wheel" penned by Roosevelt Sykes; Butterfield wrote two tunes, including "Run Out of Time" and the somewhat psychedelic "Tollin' Bells" where Bishop's guitar and Naftalin's slow ringing, resonant keyboard evokes a haunting sound. Likely this is the single best Butterfield album of this time period, and though compilations or "best-of" discs are available (Golden Butter being the best), you'd be well served to pick this one first and go from there.
By Michael G. Nastos.
**
Nowadays, not many people remember that The Butterfield Blues Band played at the '65 Newport Festival, Monterey Pop in '67, AND at Woodstock in '69! Not only that, but two days after Dylan was booed off the stage at Newport, Butterfield came on stage with an electric set that was enthusiastically received! In the years before he died, apparently, Butterfield suffered from recurrent stomach hernias, caused by "his forceful style of playing the harmonica." Get the idea? These guys were truly hot! The earlier "raw" albums are often cited as Butterfield's best, but I've always had a stronger affection for 1967's "The Resurrection of Pigboy Crabshaw." Mike Bloomfield had left the band at this point. But, as far as that goes, I think Elvin Bishop's guitar on this album (and on 1968's "In My Own Dream") was about as good as it gets. Mark Naftalin is on keyboards. The horn arrangements are superb. The songs are great! And Butterfield's soul is heavy and deep. One of my all-time favorite albums. HIGHLY recommended.
**
Elvin Bishop Guitar- Vocals
Paul Butterfield- Harmonica, Vocals
Brother Gene Dinwiddie- Saxophone, Sax (Tenor)
Keith Johnson- Trumpet
Bugsy Maugh- Bass, Vocals
Mark Naftalin- Keyboards
David Sanborn- Saxophone, Sax (Alto)
Phillip Wilson- Drums
**
01. One More Heartache 3:20
02. Driftin' and Driftin' 9:09
03. I Pity the Fool 6:00
04. Born Under a Bad Sign 4:10
05. Run Out of Time 2:59
06. Double Trouble 5:38
07. Drivin' Wheel 5:34
08. Droppin' Out 2:16
09. Tollin' Bells 5:23
**
NoPassword
*
DLink
*
Label: Elektra / Wea
Blues
The 1968 edition of the Paul Butterfield Blues Band featured a larger ensemble with a horn section, allowing for a jazzier feeling while retaining its Chicago blues core. They also adopted the psychedelic flower power stance of the era, as evidenced by a few selections, the rather oblique title, and the stunning pastiche art work on the cover. Butterfield himself was really coming into his own playing harmonica and singing, while his band of keyboardist Mark Naftalin, guitarist Elvin Bishop, drummer Phil Wilson, electric bassist Bugsy Maugh, and the horns featuring young alto saxophonist David Sanborn was as cohesive a unit as you'd find in this time period. Butterfield's most well known song "One More Heartache" kicks off the album, a definitive blues-rock radio favorite with great harmonica and an infectious beat urged on by the top-notch horns. The band covers "Born Under a Bad Sign" at a time when Cream also did it — which one was better? "Driftin' & Driftin'" is another well known tune, and over nine minutes is stretched out with the horns cryin' and sighin', including a definitive solo from Sanborn over the choruses. There's the Otis Rush tune "Double Trouble," and "Drivin' Wheel" penned by Roosevelt Sykes; Butterfield wrote two tunes, including "Run Out of Time" and the somewhat psychedelic "Tollin' Bells" where Bishop's guitar and Naftalin's slow ringing, resonant keyboard evokes a haunting sound. Likely this is the single best Butterfield album of this time period, and though compilations or "best-of" discs are available (Golden Butter being the best), you'd be well served to pick this one first and go from there.
By Michael G. Nastos.
**
Nowadays, not many people remember that The Butterfield Blues Band played at the '65 Newport Festival, Monterey Pop in '67, AND at Woodstock in '69! Not only that, but two days after Dylan was booed off the stage at Newport, Butterfield came on stage with an electric set that was enthusiastically received! In the years before he died, apparently, Butterfield suffered from recurrent stomach hernias, caused by "his forceful style of playing the harmonica." Get the idea? These guys were truly hot! The earlier "raw" albums are often cited as Butterfield's best, but I've always had a stronger affection for 1967's "The Resurrection of Pigboy Crabshaw." Mike Bloomfield had left the band at this point. But, as far as that goes, I think Elvin Bishop's guitar on this album (and on 1968's "In My Own Dream") was about as good as it gets. Mark Naftalin is on keyboards. The horn arrangements are superb. The songs are great! And Butterfield's soul is heavy and deep. One of my all-time favorite albums. HIGHLY recommended.
**
Elvin Bishop Guitar- Vocals
Paul Butterfield- Harmonica, Vocals
Brother Gene Dinwiddie- Saxophone, Sax (Tenor)
Keith Johnson- Trumpet
Bugsy Maugh- Bass, Vocals
Mark Naftalin- Keyboards
David Sanborn- Saxophone, Sax (Alto)
Phillip Wilson- Drums
**
01. One More Heartache 3:20
02. Driftin' and Driftin' 9:09
03. I Pity the Fool 6:00
04. Born Under a Bad Sign 4:10
05. Run Out of Time 2:59
06. Double Trouble 5:38
07. Drivin' Wheel 5:34
08. Droppin' Out 2:16
09. Tollin' Bells 5:23
**
NoPassword
*
DLink
*
Thursday, October 15, 2009
Paul BUTTERFIELD and Walter HORTON - An Offer You Can't Refuse 1997
Paul BUTTERFIELD and Walter HORTON - An Offer You Can't Refuse 1997
Label: M.I.L. Multimedia.
Label: Red Lightnin 1972 (Split)
Release date: Feb 16, 1999
Blues
An album released on the Red Lightnin' label in 1972 consisting of one side of Big Walter Horton and the other side with very early Paul Butterfield (1963). The Horton side consists of eight tracks of Horton with guitarist Robert Nighthawk (no bass or drums). Nighthawk is playing pure backup here, very little else. It is not clear when these were recorded. Perhaps not classic Walter, but any Big Walter is worth a listen. There are three instrumentals that make for good listening, including a version of "Easy" (not up to the original Walter recording). The instrumental "West Side Blues" has some interesting Walter harp licks that I have not heard elsewhere. The other five cuts are Walter singing. Of these, there is a great version of "Louise" and Walter singing "Tin Pan Alley" which never fails to raise the hair on the back of my neck. If you can find this album, it is good to have.
By Michael Erlewine.
**
01 Easy 3:17
02 Have a Good Time 3:19
03 Mean Mistreater 3:04
04 In the Mood Horton 3:08
05 West Side Blues 3:09
06 Louise 4:05
07 Tin Pan Alley 2:54
08 Walter's Boogie 2:56
09 Everything's Gonna Be Alright 3:40
10 Poor Boy 3:53
11 I Got My Mojo Working 3:09
12 Last Night 4:40
13 Loaded 2:55
14 One Room Country Shack 4:57
*
NoPassword
*
DLink
*
Label: M.I.L. Multimedia.
Label: Red Lightnin 1972 (Split)
Release date: Feb 16, 1999
Blues
An album released on the Red Lightnin' label in 1972 consisting of one side of Big Walter Horton and the other side with very early Paul Butterfield (1963). The Horton side consists of eight tracks of Horton with guitarist Robert Nighthawk (no bass or drums). Nighthawk is playing pure backup here, very little else. It is not clear when these were recorded. Perhaps not classic Walter, but any Big Walter is worth a listen. There are three instrumentals that make for good listening, including a version of "Easy" (not up to the original Walter recording). The instrumental "West Side Blues" has some interesting Walter harp licks that I have not heard elsewhere. The other five cuts are Walter singing. Of these, there is a great version of "Louise" and Walter singing "Tin Pan Alley" which never fails to raise the hair on the back of my neck. If you can find this album, it is good to have.
By Michael Erlewine.
**
01 Easy 3:17
02 Have a Good Time 3:19
03 Mean Mistreater 3:04
04 In the Mood Horton 3:08
05 West Side Blues 3:09
06 Louise 4:05
07 Tin Pan Alley 2:54
08 Walter's Boogie 2:56
09 Everything's Gonna Be Alright 3:40
10 Poor Boy 3:53
11 I Got My Mojo Working 3:09
12 Last Night 4:40
13 Loaded 2:55
14 One Room Country Shack 4:57
*
NoPassword
*
DLink
*
Tuesday, October 13, 2009
Paul BUTTERFIELD - It All Comes Back 1973
Paul BUTTERFIELD - It All Comes Back 1973
Label: Rhino / Wea
Blues
Paul Butterfield - an experience you'll never forget. This aalbum, "It All Comes Back" together with it's predecessor, "Better Days" form a unity. If you bet one, definitely get the other. They compliment and complete each other.
On "It All Comes back" the Paul Butterfield magic just grabs you by your ears and pulls you deep down into the feel and the miracle of his music. From "If You Live" to "It All Come Back" you can just feel the emotion and the electricity of this super band of musicians. They don't just "feel" the music of these blues . . .and they don't just "play" the music of these blues . . .but they bring that experience right into your soul. You just know the music and you become "one".
My favorite track on this album is, "Small Town Talk". It is a song of assurance and consolation that the small minded talk of small minded people doesn't really matter. "Don't pay it any mind", the song teaches, "it's just small town talk, don't listen to a word they're sayin'"! Amazing, nothing in the world or in life is that different today . . .whether in a metropolitan city or a small-town -- the talk is the same and is just as irrelevant to your life. Just keep on doin' what you know is right and ignore the empty hollow words of crisicisms. I love this song and would buy the album just for this song alone. But the rest of the album (and the rest of "Better Days as well) is more than worth buying and owning and listening to over and over again.
I miss Paul Butterfield . . . and I thank him for the music he left behind for us . . . it will last a long long time.
By Michael G. Batcho.
**
Chris Parker- Drums,
Billy Rich- Bass,
Maria Muldaur- Vocals
Amos Garrett- Guitar,
Ronnie Barron- Keyboards, Vocals
Bobby Charles- Vocals,
Bobbye Hall- Conga,
Geoff Muldaur- Guitar, Arranger, Adaptation, Producer, Vocals (Background), Vocals,
Paul Butterfield- Harmonica, Vocals, Producer, Main Performer.
**
01. Too Many Drivers 3:21
02. It's Getting Harder To Survive 4:02
03. If You Live 3:29
04. Win Or Lose 4:38
05. Small Town Talk 5:37
06. Take Your Pleasure Where You Find It 3:43
07. Poor Boy 4:22
08. Louisiana Flood 3:42
09. It All Comes Back 6:08
**
NoPassword
*
DLink
*
Label: Rhino / Wea
Blues
Paul Butterfield - an experience you'll never forget. This aalbum, "It All Comes Back" together with it's predecessor, "Better Days" form a unity. If you bet one, definitely get the other. They compliment and complete each other.
On "It All Comes back" the Paul Butterfield magic just grabs you by your ears and pulls you deep down into the feel and the miracle of his music. From "If You Live" to "It All Come Back" you can just feel the emotion and the electricity of this super band of musicians. They don't just "feel" the music of these blues . . .and they don't just "play" the music of these blues . . .but they bring that experience right into your soul. You just know the music and you become "one".
My favorite track on this album is, "Small Town Talk". It is a song of assurance and consolation that the small minded talk of small minded people doesn't really matter. "Don't pay it any mind", the song teaches, "it's just small town talk, don't listen to a word they're sayin'"! Amazing, nothing in the world or in life is that different today . . .whether in a metropolitan city or a small-town -- the talk is the same and is just as irrelevant to your life. Just keep on doin' what you know is right and ignore the empty hollow words of crisicisms. I love this song and would buy the album just for this song alone. But the rest of the album (and the rest of "Better Days as well) is more than worth buying and owning and listening to over and over again.
I miss Paul Butterfield . . . and I thank him for the music he left behind for us . . . it will last a long long time.
By Michael G. Batcho.
**
Chris Parker- Drums,
Billy Rich- Bass,
Maria Muldaur- Vocals
Amos Garrett- Guitar,
Ronnie Barron- Keyboards, Vocals
Bobby Charles- Vocals,
Bobbye Hall- Conga,
Geoff Muldaur- Guitar, Arranger, Adaptation, Producer, Vocals (Background), Vocals,
Paul Butterfield- Harmonica, Vocals, Producer, Main Performer.
**
01. Too Many Drivers 3:21
02. It's Getting Harder To Survive 4:02
03. If You Live 3:29
04. Win Or Lose 4:38
05. Small Town Talk 5:37
06. Take Your Pleasure Where You Find It 3:43
07. Poor Boy 4:22
08. Louisiana Flood 3:42
09. It All Comes Back 6:08
**
NoPassword
*
DLink
*
Subscribe to:
Posts (Atom)







