Lightnin' HOPKINS - Hear Me Talkin'
UV 130
Blues
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**
Jimmy Yancy- Bass (tracks: B9)
Donald Cooks- Bass
Ben Turner- Drums
Lightnin' Hopkins- Guitar, Vocals
Ruth Ames- Vocals (tracks: B4)
**
A1. Hear Me Talkin' 2:27
A2. Hopkins' Sky Hop 2:15
A3. Lightnin's Stomp 2:40
A4. Lightnin' Don't Feel Well 3:23
A5. Flash Lightnin' 2:30
A6. Shine On, Moon! 2:41
A7. Had A Gal Called Sal 2:17
A8. Remember Me 2:40
A9. Let's Move (Moving Out Boogie) 2:16
B1. Blues Is A Mighty Bad Feeling 2:27
B2. Boogie Woogie Dance 2:36
B3. Please Don't Go Baby 2:44
B4. Finally Met My Baby 2:22
B5. Nothin' But The Blues 2:23
B6. Lightnin's Boogie 2:34
B7. Evil Hearted Woman 2:46
B8. Lonesome In Your Home 2:44
B9. Lightnin' Special 2:24
**
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Showing posts with label Lightnin' HOPKINS. Show all posts
Showing posts with label Lightnin' HOPKINS. Show all posts
Sunday, January 10, 2010
Friday, November 27, 2009
Lightnin' HOPKINS - Lightnin' And The Blues
Lightnin' HOPKINS - Lightnin' And The Blues
JAPAN Ltd.Ed ISSUE MINI LP CD
Blues
NO COMMENTS.
**
01.Nothin’ But The Blues
02.Don’t Think ’Cause You’re Pretty (Blues Is A Mighty Bad Feelin’)
03.Lightnin’s Boogie (Boogie Woogie Dance)
04.Life I Used To Live (Gonna Change My Ways)
05.Sick Feeling Blues (I’m Achin’)
06.Evil Hearted Woman
07.Blues For My Cookie
08.Sittin’ Down Thinkin’
09.My Baby’s Gone
10.Lonesome In Your Home
11.Lightnin’s Special (Flash Lightnin’)
12.My Little Kewpie Doll (Bad Boogie)
13.I Love You Baby
14.Shine On Moon
15.Had A Gal Called Sal
16.Hopkins’ Sky Hop
17.Lightnin’ Don’t Feel Well (I Wonder What Is Wrong With Me)
18.Finally Me My Baby
19.That’s Alright Baby
20.Don’t Need No Job
21. Blue Is A Mighty Bad Feeling
22.Remember Me *
23.Grandma’s Boogie (Lightnin’s Stomp)
24.Please Don’t Go Baby
25.Early Mornin’ Boogie (Hear Me Talkin’)
26.Moving On Out Boogie (Let’s Move)
**
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JAPAN Ltd.Ed ISSUE MINI LP CD
Blues
NO COMMENTS.
**
01.Nothin’ But The Blues
02.Don’t Think ’Cause You’re Pretty (Blues Is A Mighty Bad Feelin’)
03.Lightnin’s Boogie (Boogie Woogie Dance)
04.Life I Used To Live (Gonna Change My Ways)
05.Sick Feeling Blues (I’m Achin’)
06.Evil Hearted Woman
07.Blues For My Cookie
08.Sittin’ Down Thinkin’
09.My Baby’s Gone
10.Lonesome In Your Home
11.Lightnin’s Special (Flash Lightnin’)
12.My Little Kewpie Doll (Bad Boogie)
13.I Love You Baby
14.Shine On Moon
15.Had A Gal Called Sal
16.Hopkins’ Sky Hop
17.Lightnin’ Don’t Feel Well (I Wonder What Is Wrong With Me)
18.Finally Me My Baby
19.That’s Alright Baby
20.Don’t Need No Job
21. Blue Is A Mighty Bad Feeling
22.Remember Me *
23.Grandma’s Boogie (Lightnin’s Stomp)
24.Please Don’t Go Baby
25.Early Mornin’ Boogie (Hear Me Talkin’)
26.Moving On Out Boogie (Let’s Move)
**
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Monday, October 19, 2009
Lightnin' HOPKINS - Blues Kingpins 2003
Lightnin' HOPKINS - Blues Kingpins 2003
Label: Virgin/The Right Stuff
Blues
Lightnin' Hopkins ability to take a stock kit bag of boogie riffs and spin endlessly varied blues-based lyrics over the top of them, usually personalizing the story just enough to keep things fresh, served him well throughout his career, but he was arguably at his best at the very start of that career before constant label hopping seemingly became his secondary occupation. This succinct set collects some of Hopkins' very earliest recordings for the Aladdin, RPM and Modern labels, beginning with his impressive 1946 debut on Aladdin, "Katie Mae Blues." Before this recording he was known as Sam Hopkins, but since "Katie Mae" paired him with pianist Wilson "Thunder" Smith, Sam was renamed Lightnin', and the name stuck long after Thunder ceased to be a part of the equation. Also here is the fine "Tim Moore Blues" and a blistering electric take on "Jake Head Boogie." There are literally hundreds of Hopkins releases on the market, most of which deliver variations on the same set of goods, and this set isn't radically different in that regard. Hopkins' never appreciably changed his style in the coming decades (which is either a good thing or a bad thing, depending on one's tolerance), but these at least are some of the sides that got the whole thing rolling, and they seem the fresher for it.
By Steve Leggett, All Music Guide.
**
01. Katie May Blues 3:00
02. Feel So Bad 2:07
03. Rocky Mountain Blues 2:46
04. Fast Mail Rambler 2:46
05. Let Me Play With Your Poodle 2:30
06. Short Haired Women 2:23
07. Woman Woman 2:42
08. Sugar Mama 2:41
09. Lightnin' Boogie 2:17
10. Shotgun Blues 2:38
11. Tim Moore's Farm (Tom Moore Blues) 2:37
12. Bad Luck And Trouble 2:35
13. Jake Head Boogie 2:53
14. Lonesome Dog Blues 2:42
15. Last Affair 2:56
16. Another Fool In Town 2:53
17. Santa Fe 2:49
18. Black Cat 2:34
**
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Label: Virgin/The Right Stuff
Blues
Lightnin' Hopkins ability to take a stock kit bag of boogie riffs and spin endlessly varied blues-based lyrics over the top of them, usually personalizing the story just enough to keep things fresh, served him well throughout his career, but he was arguably at his best at the very start of that career before constant label hopping seemingly became his secondary occupation. This succinct set collects some of Hopkins' very earliest recordings for the Aladdin, RPM and Modern labels, beginning with his impressive 1946 debut on Aladdin, "Katie Mae Blues." Before this recording he was known as Sam Hopkins, but since "Katie Mae" paired him with pianist Wilson "Thunder" Smith, Sam was renamed Lightnin', and the name stuck long after Thunder ceased to be a part of the equation. Also here is the fine "Tim Moore Blues" and a blistering electric take on "Jake Head Boogie." There are literally hundreds of Hopkins releases on the market, most of which deliver variations on the same set of goods, and this set isn't radically different in that regard. Hopkins' never appreciably changed his style in the coming decades (which is either a good thing or a bad thing, depending on one's tolerance), but these at least are some of the sides that got the whole thing rolling, and they seem the fresher for it.
By Steve Leggett, All Music Guide.
**
01. Katie May Blues 3:00
02. Feel So Bad 2:07
03. Rocky Mountain Blues 2:46
04. Fast Mail Rambler 2:46
05. Let Me Play With Your Poodle 2:30
06. Short Haired Women 2:23
07. Woman Woman 2:42
08. Sugar Mama 2:41
09. Lightnin' Boogie 2:17
10. Shotgun Blues 2:38
11. Tim Moore's Farm (Tom Moore Blues) 2:37
12. Bad Luck And Trouble 2:35
13. Jake Head Boogie 2:53
14. Lonesome Dog Blues 2:42
15. Last Affair 2:56
16. Another Fool In Town 2:53
17. Santa Fe 2:49
18. Black Cat 2:34
**
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Tuesday, October 13, 2009
Lightnin' HOPKINS - How Many More Years I Got 1961
Lightnin' HOPKINS - How Many More Years I Got 1961
Label: Fantasy
Release Date: September 26, 2006
Blues
This album put blues in most finished yet raw feel of the Mississippi Blues. Lightnin Hopkins is pure and he has a way of you feel you are sitting right next to him, while he is sing of making money from a fox hunt. Thank you amazon for keeping the bolt of Lightnin alive.
By Davis G.
**
Lightnin' Hopkins' fast finger style is very distinct, a style which often included playing, in effect, bass, rhythm, lead, percussion, and vocals, all at the same time. His musical phrasing would often include a long low note at the beginning, the rhythm played in the middle range, then the lead in the high range. By playing this quickly, with occasional slaps of the guitar, the effect of bass, rhythm, percussion & lead would be created. It is said his style was born from spending many hours playing informally without a backing band. He had an incredible knack for writing songs impromptu, and frequently wove myths and legends around a core of truth. His songs were often autobiographical, making him a spokesperson for the southern black community that had no voice in the white mainstream until blues attained a broader popularity through white singers like Elvis.
QUOTE ... Indeed, Hopkins had a bag of licks and patterns that fit largely into two divisions -- slow E and Fast E (with an occasional venture into A). His rhythm and the chord changes go with his feelings at that moment in time and, as such, made it difficult for other musicians to follow. With a few exceptions, his solo recordings later in his life have that quirky sense to them and work well as opposed to hired bands that became hopelessly entangled, to quote a Hopkins song, "like a ball of twine."
By Brian Robertson.
**
Lightnin' Hopkins- (Vocals, Guitar);
Billy Bizor- (Vocals, Harmonica);
Buster Pickens- (Piano);
Donald Cooks- (Bass);
Spider Kilpatrick- (Drums).
**
01. How Many More Years I Got 2:59
02. Walkin' This Road By Myself 4:50
03. The Devil Jumped The Black Man 4:11
04. My Baby Don't Stand No Cheatin' 2:05
05. Black Cadillac 3:38
06. You Is One Black Rat 2:29
07. The Fox Chase 3:18
08. Mojo Hand 3:20
09. Mama Blues 5:15
10. My Black Name 3:58
11. Prison Farm Blues 4:32
12. Ida Mae 5:27
13. I Got A Leak In This Old Building 5:19
14. Happy Blues For John Glenn 5:21
15. Worried Life Blues 2:54
16. Sinner's Prayer 3:45
17. Angel Child 3:33
18. Pneumonia Blues Sam 3:30
19. Have You Ever Been Mistreated 4:04
*
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Label: Fantasy
Release Date: September 26, 2006
Blues
This album put blues in most finished yet raw feel of the Mississippi Blues. Lightnin Hopkins is pure and he has a way of you feel you are sitting right next to him, while he is sing of making money from a fox hunt. Thank you amazon for keeping the bolt of Lightnin alive.
By Davis G.
**
Lightnin' Hopkins' fast finger style is very distinct, a style which often included playing, in effect, bass, rhythm, lead, percussion, and vocals, all at the same time. His musical phrasing would often include a long low note at the beginning, the rhythm played in the middle range, then the lead in the high range. By playing this quickly, with occasional slaps of the guitar, the effect of bass, rhythm, percussion & lead would be created. It is said his style was born from spending many hours playing informally without a backing band. He had an incredible knack for writing songs impromptu, and frequently wove myths and legends around a core of truth. His songs were often autobiographical, making him a spokesperson for the southern black community that had no voice in the white mainstream until blues attained a broader popularity through white singers like Elvis.
QUOTE ... Indeed, Hopkins had a bag of licks and patterns that fit largely into two divisions -- slow E and Fast E (with an occasional venture into A). His rhythm and the chord changes go with his feelings at that moment in time and, as such, made it difficult for other musicians to follow. With a few exceptions, his solo recordings later in his life have that quirky sense to them and work well as opposed to hired bands that became hopelessly entangled, to quote a Hopkins song, "like a ball of twine."
By Brian Robertson.
**
Lightnin' Hopkins- (Vocals, Guitar);
Billy Bizor- (Vocals, Harmonica);
Buster Pickens- (Piano);
Donald Cooks- (Bass);
Spider Kilpatrick- (Drums).
**
01. How Many More Years I Got 2:59
02. Walkin' This Road By Myself 4:50
03. The Devil Jumped The Black Man 4:11
04. My Baby Don't Stand No Cheatin' 2:05
05. Black Cadillac 3:38
06. You Is One Black Rat 2:29
07. The Fox Chase 3:18
08. Mojo Hand 3:20
09. Mama Blues 5:15
10. My Black Name 3:58
11. Prison Farm Blues 4:32
12. Ida Mae 5:27
13. I Got A Leak In This Old Building 5:19
14. Happy Blues For John Glenn 5:21
15. Worried Life Blues 2:54
16. Sinner's Prayer 3:45
17. Angel Child 3:33
18. Pneumonia Blues Sam 3:30
19. Have You Ever Been Mistreated 4:04
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Tuesday, October 6, 2009
Lightnin' HOPKINS - Lightnin' In New York 1960 (FLAC)
Lightnin' HOPKINS - Lightnin' In New York 1960 (FLAC)
Label: Candid
Recorded at Nola Penthouse Studios, New York on November 15, 1960
Blues
This solo album from 1970 features the classic bluesman Lightnin' Hopkins on eight unaccompanied solos, not only singing and playing guitar but taking some rare solos on piano (including "Lightnin's Piano Boogie"). Hopkins recorded a lot of ... Full Descriptionalbums in the
Solo performer: Lightnin' Hopkins (vocals, guitar, piano).Rolling Stone (12/2/70) - "...Lightnin' is one of the most powerful bluesmen going, and this is probably his finest album..."
**
Artists Only and Candid are proud to release this quintessential and classic recording by the Blues legend, Lightnin' Hopkins.
Lightnin' in New York is essential for both the aficionado and the new comer to the blues. Lightnin' in New York captures the essence of the artist at his prime. This true classic was recorded in 1960 and was produced by Nat Hentoff. Nat and engineer, Bob d'Orleans, captured Lightnin's singing with more presence and depth of timbre than perhaps ever before. His guitar playing aches with the same emotion as his singing voice, sometimes more. Highlights from Lightnin' in New York include: "Mighty Crazy."
**
Sam Lightnin’ Hopkins went alone to New York in October, 1960. He had been in the city briefly for a few years before to record, but this was to be the first extended stay and his initial series of concert and night club appearances in the East.
It was at this time that this recording was made in featuring Lightnin’ on piano, guitar and vocals (he even does all three simultaneously at one point!) In this album, he has continued to illustrate how fresh, personal and surprising the blues still can be when they’re moulded by so strong and confident a source as this man from Houston.
**
Lightnin Hopkins : Vocal, guitar & piano
**
Side A:
01. Take It Easy 6.21
02. Mighty Crazy 7.10
03. Your Own Fault, Baby, To Treat Me The Way You Do 4.49
04. I've Had My Fun If I Don't Get Well No More 3.57
Side B:
01. The Trouble Blues 4.46
02. Lightnin's Piano Boogie 2.34
03. Wonder Why 6.18
04. Mister Charlie 7.32
05. Black Cat 4.10
**
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Label: Candid
Recorded at Nola Penthouse Studios, New York on November 15, 1960
Blues
This solo album from 1970 features the classic bluesman Lightnin' Hopkins on eight unaccompanied solos, not only singing and playing guitar but taking some rare solos on piano (including "Lightnin's Piano Boogie"). Hopkins recorded a lot of ... Full Descriptionalbums in the
Solo performer: Lightnin' Hopkins (vocals, guitar, piano).Rolling Stone (12/2/70) - "...Lightnin' is one of the most powerful bluesmen going, and this is probably his finest album..."
**
Artists Only and Candid are proud to release this quintessential and classic recording by the Blues legend, Lightnin' Hopkins.
Lightnin' in New York is essential for both the aficionado and the new comer to the blues. Lightnin' in New York captures the essence of the artist at his prime. This true classic was recorded in 1960 and was produced by Nat Hentoff. Nat and engineer, Bob d'Orleans, captured Lightnin's singing with more presence and depth of timbre than perhaps ever before. His guitar playing aches with the same emotion as his singing voice, sometimes more. Highlights from Lightnin' in New York include: "Mighty Crazy."
**
Sam Lightnin’ Hopkins went alone to New York in October, 1960. He had been in the city briefly for a few years before to record, but this was to be the first extended stay and his initial series of concert and night club appearances in the East.
It was at this time that this recording was made in featuring Lightnin’ on piano, guitar and vocals (he even does all three simultaneously at one point!) In this album, he has continued to illustrate how fresh, personal and surprising the blues still can be when they’re moulded by so strong and confident a source as this man from Houston.
**
Lightnin Hopkins : Vocal, guitar & piano
**
Side A:
01. Take It Easy 6.21
02. Mighty Crazy 7.10
03. Your Own Fault, Baby, To Treat Me The Way You Do 4.49
04. I've Had My Fun If I Don't Get Well No More 3.57
Side B:
01. The Trouble Blues 4.46
02. Lightnin's Piano Boogie 2.34
03. Wonder Why 6.18
04. Mister Charlie 7.32
05. Black Cat 4.10
**
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