Anson FUNDERBURGH & The Rockets (Featuring Sam Myers) - Tell Me What I Want to Hear 1991
Blues
First-rate, contemporary Texas shuffle and blues with tasteful, biting guitar comes from Funderburgh and great vocals and harp from Mississippian Sam Myers. This is their most varied and ambitious release to date (the band seems to get better with each album). The title track was used in the movie China Moon. "Rent Man Blues" is a humorous dialog between Myers and guest-vocalist Carol Fran. Myers also adds an "answer" song to the blues classic "Sloppy Drunk."
By Niles J. Frantz.
**
Danny Cochran- Drums
Bruce Elsensohn- Organ
Carol Fran- Vocals
Anson Funderburgh- Bass, Guitar, Vocals
Clarence Holliman- Guitar
Mark "Kaz" Kazanoff- Saxophone, Sax (Baritone), Sax (Tenor)
Mel Lovely- Vocals
Matt McCabe- Piano
Jim Milan- Bass
Sam Myers- Harmonica, Vocals
Saxy Boy- Sax (Tenor)
David Torkanowsky- Organ
Keith Winking- Trumpet
Ernest Youngblood, Jr.- Sax (Tenor)
**
01. Tell Me What I Want to Hear 3:47
02. Ways of Man Reynolds 3:35
03. I Done Quit Getting Sloppy Drunk 2:30
04. I Want a Wife Funderburgh 4:19
05. I'm Innocent 3:25
06. Shedding Tears of Laughter 2:44
07. Rent Man Blues 4:29
08. I Need You So King 3:05
09. Waitin' on You, Mamma 3:46
10. It'll Do 4:01
11. The Amateur (She's Gone) 3:11
12. Missing Person 3:44
13. Happy Man 3:08
14. Down at J.J.'s 4:41
**
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Showing posts with label Anson FUNDERBURGH. Show all posts
Showing posts with label Anson FUNDERBURGH. Show all posts
Monday, February 22, 2010
Monday, November 2, 2009
Anson FUNDERBURGH & The Rockets - Sins 1987
Anson FUNDERBURGH & The Rockets - Sins 1987
Blues
Critics and fans alike have noted this as one of the best recordings of Anson and Sam. The year of its release The band won 4 W.C. Handy awards including album of the year, song of the year and band of the year.
**
Sins is a good fusion of Texas and Delta blues, alternating between rocking shuffles and laidback ballads. Funderburgh's playing is tasteful — he has an enticing sound, but he never falls into grandstanding — and Sam Myers's voice is rich and his harp playing intoxicating. Furthermore, the selection of material is first-rate, featuring sharp originals and well-chosen covers from the likes of Percy Mayfield and Elmore James. The result? One of Anson Funderburgh's best albums.
By Thom Owens.
**
Anson Funderburgh- Guitar, Guitar (Electric)
Kaz Kazanoff- Baritone Sax ,Tenor Sax, Horn Arrangements, Soloist
Mark "Kaz" Kazanoff- Baritone Sax,Tenor Sax
Ron Levy- Organ
Matt McCabe- Piano
Mr. Excello- Tenor Sax
Sam Myers- Harmonica, Vocals
Saxy Boy- Tenor Sax
Rhandy Simmons- Bass
Mark Wilson- Percussion, Drums
**
01. A Man Needs His Loving (King) 3:38
02. I'll Be True (Miller) 2:27
03. Don't Want No Leftovers (King) 4:07
04 Walked All Night (King) 2:52
05. My Kind of Baby (Jacobs, Little Walter) 2:21
06. Changing Neighborhoods (Funderburgh, Myers) 5:45
07. Can't Stop Lovin' My Baby (James) 3:19
08. Chill Out (Funderburgh, Myers) 3:15
09. My Heart Cries Out for You (Mayfield) 4:54
10. Trying to Make You Mine (Funderburgh, Myers) 2:11
11. Sleeping in the Ground (Myers) 4:32
12. Hard Hearted Woman (Horton) 2:36
**
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Blues
Critics and fans alike have noted this as one of the best recordings of Anson and Sam. The year of its release The band won 4 W.C. Handy awards including album of the year, song of the year and band of the year.
**
Sins is a good fusion of Texas and Delta blues, alternating between rocking shuffles and laidback ballads. Funderburgh's playing is tasteful — he has an enticing sound, but he never falls into grandstanding — and Sam Myers's voice is rich and his harp playing intoxicating. Furthermore, the selection of material is first-rate, featuring sharp originals and well-chosen covers from the likes of Percy Mayfield and Elmore James. The result? One of Anson Funderburgh's best albums.
By Thom Owens.
**
Anson Funderburgh- Guitar, Guitar (Electric)
Kaz Kazanoff- Baritone Sax ,Tenor Sax, Horn Arrangements, Soloist
Mark "Kaz" Kazanoff- Baritone Sax,Tenor Sax
Ron Levy- Organ
Matt McCabe- Piano
Mr. Excello- Tenor Sax
Sam Myers- Harmonica, Vocals
Saxy Boy- Tenor Sax
Rhandy Simmons- Bass
Mark Wilson- Percussion, Drums
**
01. A Man Needs His Loving (King) 3:38
02. I'll Be True (Miller) 2:27
03. Don't Want No Leftovers (King) 4:07
04 Walked All Night (King) 2:52
05. My Kind of Baby (Jacobs, Little Walter) 2:21
06. Changing Neighborhoods (Funderburgh, Myers) 5:45
07. Can't Stop Lovin' My Baby (James) 3:19
08. Chill Out (Funderburgh, Myers) 3:15
09. My Heart Cries Out for You (Mayfield) 4:54
10. Trying to Make You Mine (Funderburgh, Myers) 2:11
11. Sleeping in the Ground (Myers) 4:32
12. Hard Hearted Woman (Horton) 2:36
**
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Sunday, November 1, 2009
Anson FUNDERBURGH And The Rockets, Featuring Sam Myers - Live at The Gran Emperium 1994
Anson FUNDERBURGH And The Rockets, Featuring Sam Myers - Live at The Gran Emperium 1994
Blues
“Funderburgh, as always, seems far more interested in playing just the right note than a blistering series of obvious ones.” --Washington Post
“Anson Funderburgh & the Rockets with Sam Myers are the best blues band in the country.” --Delbert McClinton
Anson has played with some of the finest blues, R&B and country musicians in the land, including such notables as the Fabulous Thunderbirds, Snooks Eaglin, Delbert McClinton, Boz Scaggs, David Sanborn, Huey Lewis, Betty White, Earl King, Hal Ketchum, Thunderbird Davis, Grady Gaines and Clarence Hollimon & Carol Fran.
Anson also has an abiding appreciation for the craftsmanship that goes into the creation of the music he has spent a lifetime playing. But music isn’t his only interest. Funderburgh’s fascination with things from an earlier era takes him into pawnshops and thrift stores across the country, as he searches for vintage guitars and watches. And, some five years ago, Anson discovered that playing golf is a great way to get some exercise and fresh air on the road.
Singer / harmonica player Sam Myers’ earliest recordings were made with the late great Elmore James on the Fire and Fury labels. Myers has written such notable blues songs as “Sleeping in the Ground,” which was waxed by Robert Cray and post-Cream supergroup, Blind Faith. (The latter version is featured on Eric Clapton's Crossroads boxset.) Myers’ “Changing Neighborhoods” won a W.C. Handy Award, and has since become a blues standard for up-and-comers to cut their teeth on.
Sam also has an uncanny memory for the interstate and highway system in this country -- no small feat considering his vision impairment. No matter where you want to go, Sam can tell you what road to take and how long it will take to get there. He’s an enormous fan of the classic western films, and such golden-age-of-radio adventure and mystery programs as The Shadow, The Lone Ranger and The Green Hornet. When Sam is not on the road, he can found jamming at neighborhood clubs in his hometown of Dallas, Texas. Every night he is out and about, playing harmonica and exposing musicians of different generations to his music, happy to teach any and all interested parties the tricks of the trade. Sam is a formidable presence on the Dallas music scene.
(By the way, these are great topics of conversation when meeting Sam. He does not, however, care to talk about his handicap or his age, and appreciates your consideration in these areas!)
The Rockets are known to be the tightest band in the blues and have the hardware to back it up. They have three WC Handy Awards for “Band of The Year” in their trophy case.
John Street plays both piano and organ with the Rockets. He cut his teeth with a shag dance band The Sands" in the Carolinas where he learned how best to get folks on the dance floor -- and where he managed to pick up a few steps himself. Hailing from St. Petersburg, Florida, Street has toured with Rock Bottom and the Gregg Allman Band, and recorded with nearly all the Tampa Bay blues bands. He’s also the Rockets’ hi-fidelity expert. If it has anything to do with sound or electronics, he can fix it or make it better. Needless to say he’s become a great asset to the band since joining in the summer of 1998.
Joining the band in 2001 is Austin, TX-based Wes Star on drums and in 2003 Eric Przygocki on bass. Since 1979 Wes has been one of Texas’ most in-demand drummers. He has performed, toured, and recorded with the likes of Omar & The Howlers, Marcia Ball, Greg “Fingers” Taylor, Asleep at the Wheel, Delbert McClinton, Jimmy Dale Gilmore, and Hal Ketchum. Eric plays both upright and electric bass. Anson was one of Eric’s early motivators and inspirations. Eric honed his skills as bassist for Gary Primich, Nick Curran, Holland K Smith, and has played with Jimmie Vaughn, Lou Ann Barton, and Kim Wilson.
**
01.Side Tracked King, Thompson 5:47
02.Understand King, Ling 4:12
03.Ways of Man Reynolds, Tate 4:20
04.It's You Luandrew 4:15
05.Turning My Life Around Funderburgh, Myers 4:14
06.Peace of Mind Earl, Gomes 5:29
07.Empty Arms Levy, Lewis, Young 3:28
08.Wild Cherry Washington 3:14
09.Tell Me What I Want to Hear Cochran, Funderburgh, McCabe ... 4:37
10.The Drifter Walton 3:44
11.Everything's Gonna Be Alright Little Walter 5:58
12.Shedding Tears of Laughter Myers 5:06
13.Trying to Make You Mine Funderburgh, Myers 4:37
14.Make a Little Love James 4:33
15.Backstroke Collins 4:45
**
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Blues
“Funderburgh, as always, seems far more interested in playing just the right note than a blistering series of obvious ones.” --Washington Post
“Anson Funderburgh & the Rockets with Sam Myers are the best blues band in the country.” --Delbert McClinton
Anson has played with some of the finest blues, R&B and country musicians in the land, including such notables as the Fabulous Thunderbirds, Snooks Eaglin, Delbert McClinton, Boz Scaggs, David Sanborn, Huey Lewis, Betty White, Earl King, Hal Ketchum, Thunderbird Davis, Grady Gaines and Clarence Hollimon & Carol Fran.
Anson also has an abiding appreciation for the craftsmanship that goes into the creation of the music he has spent a lifetime playing. But music isn’t his only interest. Funderburgh’s fascination with things from an earlier era takes him into pawnshops and thrift stores across the country, as he searches for vintage guitars and watches. And, some five years ago, Anson discovered that playing golf is a great way to get some exercise and fresh air on the road.
Singer / harmonica player Sam Myers’ earliest recordings were made with the late great Elmore James on the Fire and Fury labels. Myers has written such notable blues songs as “Sleeping in the Ground,” which was waxed by Robert Cray and post-Cream supergroup, Blind Faith. (The latter version is featured on Eric Clapton's Crossroads boxset.) Myers’ “Changing Neighborhoods” won a W.C. Handy Award, and has since become a blues standard for up-and-comers to cut their teeth on.
Sam also has an uncanny memory for the interstate and highway system in this country -- no small feat considering his vision impairment. No matter where you want to go, Sam can tell you what road to take and how long it will take to get there. He’s an enormous fan of the classic western films, and such golden-age-of-radio adventure and mystery programs as The Shadow, The Lone Ranger and The Green Hornet. When Sam is not on the road, he can found jamming at neighborhood clubs in his hometown of Dallas, Texas. Every night he is out and about, playing harmonica and exposing musicians of different generations to his music, happy to teach any and all interested parties the tricks of the trade. Sam is a formidable presence on the Dallas music scene.
(By the way, these are great topics of conversation when meeting Sam. He does not, however, care to talk about his handicap or his age, and appreciates your consideration in these areas!)
The Rockets are known to be the tightest band in the blues and have the hardware to back it up. They have three WC Handy Awards for “Band of The Year” in their trophy case.
John Street plays both piano and organ with the Rockets. He cut his teeth with a shag dance band The Sands" in the Carolinas where he learned how best to get folks on the dance floor -- and where he managed to pick up a few steps himself. Hailing from St. Petersburg, Florida, Street has toured with Rock Bottom and the Gregg Allman Band, and recorded with nearly all the Tampa Bay blues bands. He’s also the Rockets’ hi-fidelity expert. If it has anything to do with sound or electronics, he can fix it or make it better. Needless to say he’s become a great asset to the band since joining in the summer of 1998.
Joining the band in 2001 is Austin, TX-based Wes Star on drums and in 2003 Eric Przygocki on bass. Since 1979 Wes has been one of Texas’ most in-demand drummers. He has performed, toured, and recorded with the likes of Omar & The Howlers, Marcia Ball, Greg “Fingers” Taylor, Asleep at the Wheel, Delbert McClinton, Jimmy Dale Gilmore, and Hal Ketchum. Eric plays both upright and electric bass. Anson was one of Eric’s early motivators and inspirations. Eric honed his skills as bassist for Gary Primich, Nick Curran, Holland K Smith, and has played with Jimmie Vaughn, Lou Ann Barton, and Kim Wilson.
**
01.Side Tracked King, Thompson 5:47
02.Understand King, Ling 4:12
03.Ways of Man Reynolds, Tate 4:20
04.It's You Luandrew 4:15
05.Turning My Life Around Funderburgh, Myers 4:14
06.Peace of Mind Earl, Gomes 5:29
07.Empty Arms Levy, Lewis, Young 3:28
08.Wild Cherry Washington 3:14
09.Tell Me What I Want to Hear Cochran, Funderburgh, McCabe ... 4:37
10.The Drifter Walton 3:44
11.Everything's Gonna Be Alright Little Walter 5:58
12.Shedding Tears of Laughter Myers 5:06
13.Trying to Make You Mine Funderburgh, Myers 4:37
14.Make a Little Love James 4:33
15.Backstroke Collins 4:45
**
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Monday, October 12, 2009
Anson FUNDERBURGH & Sam MYERS - That's What They Want 1997
Anson FUNDERBURGH & Sam MYERS - That's What They Want 1997
Label: Black Top
Blues
In recent years, Dallas-based guitarist Anson Funderburgh has taken his band the Rockets out of the clubs and onto the festival stages with his critically acclaimed recordings for the BlackTop label out of New Orleans. With Jackson, MS-native Sam Myers delivering the vocals and harmonica treatments, this band mixes up a powerful gumbo of Texas jump blues and Delta blues that can't be found anywhere else. Funderburgh and his Rockets are a particularly hard working band, performing across the U.S. and Europe nearly 300 nights a year.
Funderburgh was born November 15, 1954, and got hooked on the blues when he got his first guitar at age seven or eight. His first musical experiences happened in the clubs in Dallas. He developed his team approach to blues music while learning from the likes of Freddie King, Jimmy Reed and Albert Collins when these great bluesmen were passing through Dallas-area clubs, but Funderburgh had already taught himself guitar mostly from listening to classic blues records. He never had the chance to see Muddy Waters, but he did get to play with Lightnin' Hopkins in the late '70s. Funderburgh formed the Rockets in 1978, but didn't meet Sam Myers until 1982.
Funderburgh recorded with the Fabulous Thunderbirds on their Butt Rockin' album, and went solo in 1981, when the New Orleans-based BlackTop label released Talk to You by Hand, the label's first release. Funderburgh added Myers on harmonica and lead vocals in 1986. Myers had traveled for years on the chitlin circuit, where he had the chance to accompany people like Elmore James and Robert Junior Lockwood. Funderburgh admits that adding Myers on vocals and harmonica was a turning point for the Rockets, partly because of the image they project from the stage, a big towering Black man and three White guys backing him up. Funderburgh continued his association in the 90's with Black Top releasing Tell Me What I Want to Hear (91), Live at Grand Emporium (95), and That's What They Want (97). After releasing 9 albums on Black Top, in 1999 Funderburgh changed record labels with the release of Change in my Pocket for Bullseye Blues. At the beginning of the new millennium, Funderburgh is just coming into his prime by way of his songwriting talents, so his career deserves close watching in the coming years. The best is yet to come from this guitarist and bandleader.
By Richard Skelly & Al Campbell. AMG.
**
The blues-oriented team of Anson Funderburgh and Sam Myers is a powerful and appealing combination. While Myers takes shouting, easy-to-understand and accessible vocals on most of the selections of this release (in addition to playing a bit of harmonica), the main reason to acquire the set is for Funderburgh's exciting guitar work. His showcase on the instrumental blues "Mudslide" is a definite high point. In addition, Kevin McKendree (who is best on organ) is a strong asset to the rhythm section and takes many fine solos of his own. Although each of the 13 selections on the Alligator disc is concise (clocking in between 2:18 and 4:47 with only two songs being over four minutes), the performances are quite complete and do not exit prematurely (nor overstay their welcome). The well-paced set is easily recommended to blues collectors and jazz fans who enjoy hearing a passionate and skilled guitarist.
By Scott Yanow. AMG.
**
Kevin McKendree- Piano, Organ (Hammond)
Riley Osborne- Piano
Jeff Sarli- Bass
Wes Starr- Percussion, Drums
Anson Funderburgh- Guitar, Main Performer, Organ (Hammond)
Sam Myers- Harmonica, Vocals, Performer
**
01. Lookin' The World Over 3.27
02. Oh-Oh 2.36
03. The Last Time Around 3.24
04. Monkey Around 3.05
05. That's What They Want 3.41
06. The Dew is Falling 3.36
07. Mudslide 4:06
08. I Don't Play 2.17
09. I Don't Want You Cutting Off Your Hair 4.45
10. Don't Quit The One You Love For Me 3.42
11. I've Been Dogged By Women 3.36
12. The Meanest Woman 3.47
13. I'm Shakin' 3.23
*
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Label: Black Top
Blues
In recent years, Dallas-based guitarist Anson Funderburgh has taken his band the Rockets out of the clubs and onto the festival stages with his critically acclaimed recordings for the BlackTop label out of New Orleans. With Jackson, MS-native Sam Myers delivering the vocals and harmonica treatments, this band mixes up a powerful gumbo of Texas jump blues and Delta blues that can't be found anywhere else. Funderburgh and his Rockets are a particularly hard working band, performing across the U.S. and Europe nearly 300 nights a year.
Funderburgh was born November 15, 1954, and got hooked on the blues when he got his first guitar at age seven or eight. His first musical experiences happened in the clubs in Dallas. He developed his team approach to blues music while learning from the likes of Freddie King, Jimmy Reed and Albert Collins when these great bluesmen were passing through Dallas-area clubs, but Funderburgh had already taught himself guitar mostly from listening to classic blues records. He never had the chance to see Muddy Waters, but he did get to play with Lightnin' Hopkins in the late '70s. Funderburgh formed the Rockets in 1978, but didn't meet Sam Myers until 1982.
Funderburgh recorded with the Fabulous Thunderbirds on their Butt Rockin' album, and went solo in 1981, when the New Orleans-based BlackTop label released Talk to You by Hand, the label's first release. Funderburgh added Myers on harmonica and lead vocals in 1986. Myers had traveled for years on the chitlin circuit, where he had the chance to accompany people like Elmore James and Robert Junior Lockwood. Funderburgh admits that adding Myers on vocals and harmonica was a turning point for the Rockets, partly because of the image they project from the stage, a big towering Black man and three White guys backing him up. Funderburgh continued his association in the 90's with Black Top releasing Tell Me What I Want to Hear (91), Live at Grand Emporium (95), and That's What They Want (97). After releasing 9 albums on Black Top, in 1999 Funderburgh changed record labels with the release of Change in my Pocket for Bullseye Blues. At the beginning of the new millennium, Funderburgh is just coming into his prime by way of his songwriting talents, so his career deserves close watching in the coming years. The best is yet to come from this guitarist and bandleader.
By Richard Skelly & Al Campbell. AMG.
**
The blues-oriented team of Anson Funderburgh and Sam Myers is a powerful and appealing combination. While Myers takes shouting, easy-to-understand and accessible vocals on most of the selections of this release (in addition to playing a bit of harmonica), the main reason to acquire the set is for Funderburgh's exciting guitar work. His showcase on the instrumental blues "Mudslide" is a definite high point. In addition, Kevin McKendree (who is best on organ) is a strong asset to the rhythm section and takes many fine solos of his own. Although each of the 13 selections on the Alligator disc is concise (clocking in between 2:18 and 4:47 with only two songs being over four minutes), the performances are quite complete and do not exit prematurely (nor overstay their welcome). The well-paced set is easily recommended to blues collectors and jazz fans who enjoy hearing a passionate and skilled guitarist.
By Scott Yanow. AMG.
**
Kevin McKendree- Piano, Organ (Hammond)
Riley Osborne- Piano
Jeff Sarli- Bass
Wes Starr- Percussion, Drums
Anson Funderburgh- Guitar, Main Performer, Organ (Hammond)
Sam Myers- Harmonica, Vocals, Performer
**
01. Lookin' The World Over 3.27
02. Oh-Oh 2.36
03. The Last Time Around 3.24
04. Monkey Around 3.05
05. That's What They Want 3.41
06. The Dew is Falling 3.36
07. Mudslide 4:06
08. I Don't Play 2.17
09. I Don't Want You Cutting Off Your Hair 4.45
10. Don't Quit The One You Love For Me 3.42
11. I've Been Dogged By Women 3.36
12. The Meanest Woman 3.47
13. I'm Shakin' 3.23
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