Showing posts with label Albert CUMMINGS. Show all posts
Showing posts with label Albert CUMMINGS. Show all posts

Saturday, January 23, 2010

Albert CUMMINGS - From The Heart 2003


Albert CUMMINGS - From The Heart 2003

Blues

New England's Albert Cummings is a fine blues-rock guitarist somewhat in the Stevie Ray Vaughan mold, displaying at times the same sort of tone, explosion and soul that made Vaughan so special. Although he had played the northeast blues circuit with his band Swamp Yankee, Cummings really didn't catch the attention of the blues world until he teamed with Vaughan's old backing band, Double Trouble, and recorded this album in Austin, Texas. Yes, he sometimes has Vaughan's tone and feel, but there the similarities tend to end, in spite of having Reese Wynans, Chris Layton and Tommy Shannon in his corner. Cummings, who makes his living as a carpenter, takes more of an everyman, working stiff approach to his material, and his songs tell the stories of men struggling to make ends meet, both economically and domestically. There is little of the mystical guitar seeker in his repertoire, and although he plays wonderfully, it always seems grounded in a kind of blue-collar utility. Which is fine. There was only one Stevie Ray. The opener here, "Your Own Way," pretty much sets the tone for a solid blues-rock outing, with lyrics that celebrate survival and persistence, and while "Tell It Like It Is" strays just a bit into country territory, nothing here breaks or messes with the mold. The Vaughan comparisons are going to follow Cummings as he moves through his career, and recording an album with Vaughan's backing band may or may not have been a good idea in that regard, but aside from that study Fender tone they share, Vaughan and Cummings are really quite different musicians. This is a guitarist to watch.
By Steve Leggett. AMG.
**
With the release of From the Heart, the stunning debut from Massachusetts' Albert Cummings, the guitarist/vocalist blasts onto the blues/rock scene armed with a rare blend of power, authority and soul. The 33-year old Cummings turned a youthful apprenticeship in bluegrass in the direction of gutsy, rocked-up blues at the inspiration of the late guitar great Stevie Ray Vaughan. It is here that Albert discovered his true voice as a musician."Stevie turned my life around, musically speaking," Albert enthuses. Starting on the five-string banjo at age 12, the primarily self-taught Cummings soon found himself gravitating towards the musical diversity of the guitar. "When I heard Stevie, I couldn't believe it. I didn't think it was possible to play like that! I listened to him constantly, along with other greats like Brian Setzer and Danny Gatton. The guitar was an instant obsession." A personal epiphany occurred in 1987, when he wandered into a SRV & DT show at Boston's Orpheum Theater. "That first time I saw them play, I was riveted. I had never experienced anything that intensely powerful in my life."Double Trouble's Chris Layton and Tommy Shannon would soon figure directly in Cummings' career. "In October of 2000, I was scheduled to play in Troy, New York. I suggested getting Double Trouble on the bill, and sent them my demo. After playing that and another show with them, they said they wanted to produce me, which was like a dream come true!" "What I like about Albert," says Tommy Shannon, "is that he plays with a lot of fire." Laytonadds, "I dug Albert because I felt I hadn't run into anyone with as much enthusiasm and excitement towards playing in a long time."The album's title, From the Heart, stems from the Austin, Texas recording sessions, when Tommy encouraged Albert to just relax and play from the heart. "That was the best advise I could have gotten," Cummings says. "In time, I realized it was also the perfect name for the record." In expressing his feelings about the blues, Albert says, "I love the blues because it is so real, you just can't fake it. There is something about the sound of a great blues guitarist that snaps my head around." To be sure, many more heads will be snapping to the sound of Albert Cummings, too.
**
Reese Wynans- (Keyboards),
Chris Layton- (Drums),
Riley Osbourne- (Keyboards),
Tommy Shannon- (Rhythm Guitar),(Bass),
Johnny Moeller- (Rhythm Guitar),
Albert Cummings- (Guitar), (Vocals)
**
01.Your Own Way 4:02
02.The Long Way 4:16
03.Regular Man 3:17
04.Tell it Like it is 2:56
05.Together as One 5:59
06.Barrel House Blues 5:17
07.Ive Got Feelings Too 3:04
08.Living on the Highway Now 4:14
09.Ready as Ill Ever Be 4:06
10.Rock Me Baby 3:15
11.Beautiful Bride 3:08
**
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Thursday, October 15, 2009

Albert CUMMINGS - Feel So Good, Live 2008


Albert CUMMINGS - Feel So Good, Live 2008
Label: Blind Pig

Blues

There are white blues guitarists trying to sound authentic(black) and there are white blues guitarists working from the foundation laid by the (white) blues rock power trios of the late `60s and early `70s(basically, Cream to 10 Years After). None of these guitarists are going to hell for their musical direction and preference. Albert Cummings happens to be of the latter general grouping.
He's been on the road and recording for some time and never put out a record this reviewer would call "bad." He chooses good material and still, from the sounds of Feels So Good, feels so good about challenging himself to excel on every song, phrase and lick.
What makes him fairly unique among the white power trio front man blues rock axmen is that he does songs and shows for the audience. Most of these guys, these days, are out to amuse themselves, to see how long they can delude themselves into thinking they're not repeating any phrases during that 192-bar solo. Albert Cummings, for all his love of fast, screaming electric guitar, loves to entertain and give his audience a great show just as much.
Is this release any better than his previous work on this or other labels? It's as good. One can't really say much more than that. He's a praise-worthy, purchase-worthy, look-for-him-on-tour-worthy guy.
By Arthur Shuey.
**
Blues guitarist Albert Cummings isn't as well known as some of his peers, but in the decade since his self-released debut album, he should have become a household name. Often unfairly compared to the late Stevie Ray Vaughan, Cummings has his own sound and musical direction. Although both guitarists deliver hard-rocking six-string performances, Cummings' material has more of a British blues-rock feel, informed, perhaps, by Clapton and Rory Gallagher rather than Vaughan's touchstones of Albert King and Otis Rush.
Cummings' Feel So Good was recorded in March 2008 in front of a raucous hometown crowd in Pittsfield, Massachusetts, but I suspect that Cummings could get a rise out of just about any blues-loving audience, whether in New England, the Mississippi Delta, or deep in the heart of Texas. As Cummings' first live album, Feel So Good provides the perfect showcase for the fiery guitarist's axe-handling skills and enormous onstage charisma. Backed by his top-notch road band, Cummings and crew create high tension, and then blow it away with crackling energy and finely-tuned dynamics.
For instance, Delbert McClinton's Why Me is provided an upbeat mix of electric blues and roadhouse twang guaranteed to keep the crowd on its feet, while a Cummings' original, the menacing Sleep, is a slow-burning blues that rolls in like the fog across the bayou, and features some downright dangerous Stratocaster pyrotechnics. B.B. King's Rock Me is blown-up, larger than life, into a strutting, posturing thing of electrifying, terrifying majesty while a cover of Led Zeppelin's Rock And Roll is delivered as an anarchistic, no-holds-barred clash of white lightwhite energy as Cummings' guitarwork slashes through the thick, industrial roar of the instrumentation.
If you prefer your blues with a taste of rock & roll on the side, then Feel So Good is just the sort of meat-and-potatoes feast that you've been hungry for...Cummings is an impressive blues guitarist, and Feel So Good is as good a place as any to discover his talents.
By Keith A. Gordon
**
I am an electric blues and blue/rock fanatic. I spend at least 25% of my free time researching electric blues. I read the few BLUES magazines available... and am always investigating on Amazon. I had this CD pop up as a recommended buy to me based on my buying history a couple of months ago... and after I listened to the 30 second minuscule samples on Amazon... I wasn't impressed enough to buy it. But a lesson learned... is that a 30 second sample... especially with electric blues... is worthless. The artist can't even tune his strings in 30 seconds. Then one day while I was brushing my teeth I had XM Bluesville on my TV... and I heard a long... great... string bending... blues song... and I turned around and saw that it was Albert Cummings' "FEEL SO GOOD". I don't know about you... but one of my 3 or 4 main criteria's when it comes to electric blues... is the length of songs. I then went back to Amazon to see the song lengths (not all Amazon products have that listed)... and 6 out of the 11 songs were over 5-minutes-30 seconds long... and three songs were over 7-minutes long. Of course this is no guarantee that they would be good... but to me... that is a better signal... than a 30 second sound bite. Well... I then ordered this CD... and to say I'm thrilled is an absolute understatement. This is a tremendous electric-blues-rock live performance. Albert bends the strings like SRV and his 8-minute-39-second medley "HOOCHIE COOCHIE MAN/DIXIE CHICKEN" is a classic. And I must add that this song is the first live performance... that I've heard... where the part where the crowd joins in... has to make you smile. "BARRELHOUSE BLUES" is a 7-minute-19-second string-bending demonstration of what the blues are all about.
I could describe other songs in similar detail... and also add that Albert wrote six of the songs himself... which always makes me enjoy the music more... because I figure the artist feels the words more... when they're his words. The reason I entitled this review in the way I did... was because once I got this CD... I was so mad at myself for holding off with my buying decision... I wanted to take the time to help someone else speed up their decision... and not miss out on even a few days... let alone a few weeks... of joy... like I did. *YOU-WILL-NOT-BE-DISAPPOINTED*
By Rick Shaq Goldstein.
**
Albert Cummings- (Vocals, Guitar);
Daniel Broad- (Bass Guitar, Background Vocals);
Aaron Scapin- (Drums).
**
01. Party Right Here (Live) 3:34
02. Why Me (Live) 3:07
03. Sleep (Live) 6:03
04. Hoochie Coochie Man/Dixie Chicken Medley (Medley/Live) 8:38
05. Barrelhouse Blues (Live) 7:18
06. Tell It Like It Is (Live) 3:35
07. Rock Me Baby (Live) 6:22
08. Your Own Way (Live) 5:30
09. Together As One (Live) 7:32
10. Blues Makes Me Feel So Good (Live) 3:54
11. Rock and Roll (Live) 3:10
**
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