Monday, December 28, 2009

Melvin TAYLOR - Plays The Blues For You 1984


Melvin TAYLOR - Plays The Blues For You 1984

Blues

Guitarist Melvin Taylor's fluid, smartly constructed solos and understated yet winning vocals are surprises on this 1984 nine-track set recorded for Isabel and recently reissued by Evidence on CD. Taylor is not a fancy or arresting singer but succeeds through his simple, effective delivery of lyrics, slight inflections, and vocal nuances. His guitar work is impressive, with skittering riffs, shifting runs, and dashing solos. Organist/pianist Lucky Peterson is an excellent second soloist, adding cute background phrases at times, then stepping forward and challenging or buttressing Taylor's playing with his own dazzling lines.
By Ron Wynn.
**
Ray Allison- Drums  
Lucky Peterson- Organ, Piano
Melvin Taylor- Guitar, Vocals  
Titus Williams- Bass
**
A1 Talking to Anna-Mae, Part 1   4:10
A2 T.V. Mama   3:15
A3 I'll Play the Blues for You   5:19
A4 Born to Loose   2:58
A5 Tribute to Wes   3:20
B1 Cadillac Assembly Line   5:18
B2 Voodoo Daddy   6:32
B3 Talking to Anna-Mae, Part 2   4:10
B4 Groovin' in Paris   3:15
**
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Raimundo AMADOR - Noche De Flamenco Y Blues 1998


Raimundo AMADOR - Noche De Flamenco Y Blues 1998

Blues

Camarón de la Isla, Paco de Lucia and Raimundo Amador are a must for anyone interested in modern flamenco. The three have introduced many innovations in Flamenco but with quite different approaches.
Raimundo Amador makes a fusion of the happiest side of flamenco with notable blues influences. It's a genre on it's own where Raimundo outstands.
This is a live recording with BB King and other guests.
**
Raimundo Amador, Ricardo Marin, Anye Bao, Tato Icasto, Jose Maya, Amado Zulueta, Carmen Amador, Encarna Amador, Kiko Veneno, Remedios Amaya, Juan Perro, B.B. King, Antonio Carmona, Charo Manzano, Gran Wyoming
**
01. Pa mojar - con El Gran Wyoming  
02. Candela  
03. Pata palo - con Kiko Veneno  
04. Hoy no estoy pa nadie  
05. Ay que gustito pa mis orejas  
06. Blues de la frontera  
07. Camarón - con Remedios Amaya  
08. Tio Diego  
09. Pasa la vida - con Charo Manzano  
10. Amor en vano - con Juan Perro  
11. Bolleré - con B.B. King  
12. Gitano de temporá  
13. Little Wing  
14. Yo me quedo en Sevilla - con Antonio Carmona
**
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McKenna, Mendelson, Mainline - Stink 1969


McKenna, Mendelson, Mainline - Stink 1969
Lbs 83251

Blues

Michael McKenna, previously with Luke & the Apostles and the Ugly Ducklings, formed McKenna Mendelson Mainline with Joe Mendelson (vocals, guitar, bass, harmonica), Tony Nolasco (vocals, drums) and Frank Sheppard (vocals, bass, mandolin, harmonica). After Stink (1968) and Canada, Our Home and Native Land (1971), the band shortened their name to Mainline and broke up soon after. Two posthumous albums appeared in 1972-73: The Mainline Bump and Grind Revue -- Live at the Victory Theatre and Biscuit Meets Mainline. Joe Mendelson's first solo album, Mr. Middle of the Road, appeared in 1972. Michael McKenna and Tony Nolasco later formed Diamondback. A reunion album with McKenna called No Substitute has also been released.
By John Bush, All Music Guide.
**
Joe Mendelson- (Guitar),(Harmonica),(Keyboards),(Vocals),
Mike Harrison- (Bass),
Mike McKenna- (Guitar),
Tony Volasco- (Drums).
**
A1 One Way Ticket   2:58
A2 She's Alright   3:30
A3 Beltmaker   2:45
A4 Mainline   6:52
A5 Think I'm Losing My Marbles   2:23
A6 Drive You   3:17

B1 T.B. Blues   2:09
B2 Better Watch out   4:41
B3 Bad Women   12:30
B4 Don't Give Me No Goose for Christmas Grandma   2:47
**
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Bernard ALLISON – Storm Of Life 2002


Bernard ALLISON – Storm Of Life 2002

Blues

Dynastic bluesman Bernard Allison is a second-generation star now shining in his own right. The guitarist-vocalist son of the late legend Luther Allison paid his early dues leading Koko Taylor's crack Blues Machine band, learned the family business leading his father's electrifying group in Europe, and has now created his own catalog of fine recordings. Storms of Life is the most eclectic and uniformly excellent example yet. After the sizzling solo slide guitar opener "Slip Slidin'," Allison roams wide and free, confidently overlaying his blues personality on material ranging from the reggae-tinged "Just Do Me Any Way You Want" to the R&B title track, which glides over a cushion of keyboards and extra percussion. A bouncy, horn-powered rendition of "Goodbye Little Girl" that recalls Bobby "Blue" Bland provides a fitting conclusion. Allison surprisingly, but effectively, mixes a wide variety of cover material, including everything from ZZ Top's "I Wanna Drive You Home" to Mark Knopfler's "I Think I Love You Too Much" to mentor Johnny Winter's suitably manic "Mean Town Blues." The well-chosen covers, including tunes by Anders Osborne, Leon Russell, and papa Luther, convincingly demonstrate his gifts as an interpreter. By Michael Point.
**
Once in a great while, I hear a new blues release that recalls the depth and energy of the great electric blues players I grew up listening to, players like Waters, Winter, Clapton, Green, Rush, et al. After listening to this CD for almost two years, I've come to the conclusion that it's the best blues release of 2002. It's got everything a great blues album needs. Allison's voice and guitar work are tasty, gritty, and well-seasoned, evidence of the amount of work and dedication he put into his apprenticeships with Koko Taylor and his father. And the song choices are superb. My favorites are "Fistful of Dirt," a killer rock-steady mid-tempo shuffle with a profound message about living through hard times; "Mean Town Blues," which is ample proof that Allison can lay claim to Johnny Winter's Texas electric slide legacy; and "Snake Bit Again," a remarkable vehicle for Allison's gritty, dead-on singing. There's a lot of redundancy in more recent blues releases, but this album shows Allison is capable of being a truly original talent in this often hackneyed genre. Check it out.
By Randy Blythe.
**
Bernard Allison- (Vocals, Guitar);
Paul Diethelm- (Guitar);
Ricky Peterson- (Strings, Piano, Organ);
Richard Rosenblatt- (harmonica);
David Eiland- (Sax);
Larry McCabe- (Trombone);
Brian Simmonds, Jim Kogl- (Tenor Sax);
Bruce McCabe- (Piano);
Ron Sutton, Rob Stupka- (Drums);
Chickie Perez- (Percussion);
Kate Wilson, J.D. Steele, Fred Steele- (Background Vocals).
**
01. Slip Slidin'
02. Storms of Life
03. Down South
04. Just Do Me Any Way You Want
05. I Think I Love You Too Much
06. Mean Town Blues
07. Speed Slide
08. I Wanna Drive You Home
09. Snake Bit Again
10. Reaching Out
11. Fistful of Dirt
12. Help Me Through the Day
13. Goodbye Little Girl
**
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Sunday, December 27, 2009

Pharoah SANDERS - Summun, Bukmun, Umyun (Deaf, Dumb, Blind) 1970


Pharoah SANDERS - Summun, Bukmun, Umyun (Deaf, Dumb, Blind) 1970
AS-9199

Jazz

One of the harder to find ones by Pharoah and a record that features only 2 long songs: the title cut and "Let Us Go Into the House of the Lord", each of which covers a side apiece.

A passionate recording from the greatest disciple of John Coltrane. The two side-long performances of “Summun, Bukmun, Umyon” and “Let Us Go Into The House Of The Lord” stetch and flow forward in spirited abandon. Pharoah’s passion is sustained and heightened by supportive rhythm section comprised of pianist Lonnie Liston Smith, bassist Cecil McBee, drummer Clifford Jarvis, and two percussionists. Sticking strictly to the soprano sax, Pharoah shows little of the cacaphonous ferocity for which he is so well known. Instead, he builds majestically on an intensely hypnotic rhythm that throbs with a strong African vibe. The vastly underrated Woody Shaw adds his shimmering trumpet to this potent mixture. Deaf Dumb Blind brimms with creative energy and drive, and thus makes it the best place to begin for those unacquainted with this living legend of the saxophone.
**
Pharoah Sanders- Soprano Saxophone, Cow Horn, Tritone Whistle, Cowbells, Wood Flute, Thumb Piano, Percussion
Woody Shaw- Trumpet, Yodeling, Percussion
Gary Bartz- Alto Saxophone, Bells, Cowbell, Shakers, Percussion
Lonnie Liston Smith- Piano, Cowbell, Thumb Piano, Percussion
Cecil McBee- Bass
Clifford Jarvis- Drums
Natheniel Bettis- Bylophone, Yodeling, African Percussion
Anthony Wiles- Conga Drum, African Percussion
**
A. Summun Bukmun Umyun 21:17
B. Let Us Go Into The House Of The Lord 18:25
**
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Tsuyoshi Yamamoto Trio - Girl Talk 1975


Tsuyoshi Yamamoto Trio - Girl Talk 1975

Jazz

Previously available as a standard XRCD, this very popular TBM Release has now been remastered for XRCD24! Features: Tsuyoshi Yamamoto on piano, Akira Daiyoshi on bass and Tetsujiro Obara on drums. Includes their special renditions of: “I Love you Porgy,” “Autumn in New York” and of course “Girl Talk.” The soothing sound of this XRCD is a superb example of just how good a Piano-Trio from Japan can sound.
**
Completing a “trilogy” of great records that started with Midnight Sugar and Misty, Girl Talk solidified Tsuyoshi Yamamoto’s reputation as Japan’s premier jazz pianist. Though he would continue to tour and record for Takeshi “Tee” Fujii more than a decade, GIRL TALK became the pinnacle of his career. This trio of classic LPs together are a benchmark in Japanese jazz records in particular and recording engineering in general. As usual, master recordist Yoshihiko Kannari worked with Yamamoto, bassist Akira Daiyoshi and drummer Tetsujiro Onaba at AOI Studios, Tokyo, which featured a tight, nicely baffled room. Kannari’s recordings are prized for their immediacy and dynamic expressiveness, both traits exhibited on Girl Talk to startling effect. Like Midnight Sugar and Misty before it, Kannari’s work on Girl Talk won him the prestigious Swing Journal Critic Poll “Jazz Disc” Engineering award in 1976. It is only natural that Cisco Music include this historic title on its Limited Edition 45-rpm HQ-180 Vinyl.
**
Tsuyoshi Yamamoto- Piano
Isoo Fukui- Bass
Tetsujiro Obara- Drums
**
Lp A
A1. The Way We Were 5:27
A2. Girl Talk 6:13
A3. Gone With the Wind 6:36

Lp B
B1. Take the 'A' Train 5:22
B2. I Love You Porgy 4:51
B3. What Now My Love 5:01
B4. Autumn In New York 4:44
**
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Ron CARTER - All Blues 1974


Ron CARTER - All Blues 1974

Jazz

One of bassist Ron Carter's better albums as a leader, this CTI LP
features a very compact quartet comprised of tenor saxophonist Joe
Henderson, pianist Roland Hanna (keyboardist Richard Tee sits in on
one number), drummer Billy Cobham and Carter. All of the music (even
the ballad "Will You Still Be Mine?") has a blues feeling although
several are not really blues. However, the quality of the solos is
high, and this date lives up to one's expectations.
By Scott Yanow. AMG.
**
Joe Henderson- Tenor Sax
Roland Hanna- Piano
Richard Tee- Peyboard
Ron Carter- Bass, Piccolo Bass
Billy Cobham- Drums
**
A1. A Feeling 3:20 
A2. Light Blue 6:45 
A3. 117 Special 7:05 
       Piano [Electric] - Richard Tee 
B1. Rufus 5:11 
B2. All Blues 9:35 
B3. Will You Still Be Mine 3:58
**
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